The Devil You Know

floor strong rooms. A, B, C. Ladies’ toilet . . .”

She tailed off into silence, but her fingers still moved over the map. Finally she looked up at me, her face a picture of bemusement. “It doesn’t work,” she said. “You’re wrong.”

“Why?” I demanded.

“Well, this room here—that’s the dead center, right? That’s smack in the middle of the circle, in the basement. That’s what she’s avoiding. It’s called SECOND CONFERENCE ROOM on here.”

“Yes? So?” I pressed her with a slight sense of unease. “What’s it called now?”

“It’s not called anything now, Felix.” Cheryl’s tone was flat. “Because it isn’t bloody there.”

Sixteen

TWENTY-FOUR FEET IS EIGHT PACES, ROUGHLY, SO COUNT them off. One. Two. Three. Four. Five. Six. Seven. Eight. Good. Then do a ninety-degree turn and count again, to ten this time. One. Two. Three. Four. Five. Six. Seven.

Then I bumped into the wall and whistled softly and tunelessly in the dark.

Cheryl was right.

Despite my earlier fears, it had been easy enough to break into the Bonnington with my lock picks. Their internal security was as spiky as hell, but the front door rolled over and played dead for me after only a modicum of manual stimulation. All the alarms were on the strong room doors, thank God, and I wouldn’t be visiting any of those. The reinforced door at the back of the reading room that led through into the staff-only part of the building was a lot harder and took me ten anxious, sweaty minutes. As a fallback, I had Cheryl’s ID card in my back pocket, but I was hoping not to have to use it, because the card readers on the doors probably had some kind of an internal memory.

I’d come alone. Pen was going to be my alibi in case things got nasty, and Cheryl didn’t need to be anywhere nearby while I was breaking into her place of work. But it would have been useful to have her all the same. It was hard enough making sense of the plans in a well-lit kitchen; standing in a dark corridor, working by filtered moonlight, it was frankly a bit of a bastard.

But all I was doing was pacing out distances, after all; once you got past the logistical problems, it wasn’t exactly complicated. Fifteen minutes bumping and shambling in the dark brought me to the only conclusion that made any sense.

There was a room missing. The corridor doglegged around it in a way that made it obvious, once you knew that something had been there and had been excised.

I tried again in the basement floor and found the same thing—another lacuna, more or less exactly underneath the first—now with the added mystery of a staircase that had been moved six yards along the corridor. Why would anyone go to that degree of trouble to take a modest-size slice out of a huge public building?

When the answer came to me, I went back up to the first floor and let myself out as carefully as I’d entered. Back on the street, I counted my steps again, but I already knew where I was going to end up.

Which was at the other door: the one I’d walked past on the first day, because it was silted up with old rubbish and covered with a crudely hewn slice of hardboard. Because it was so obviously disused and didn’t lead anywhere. It was an appendix, a forgotten and useless by-product of the building’s inorganic evolution. And that was what I found myself staring at now—with new eyes.

The rubbish cleared away really easily—suspiciously easily, if you were already in that frame of mind. It was basically only a couple of empty boxes and an old blanket—the minimalist signifiers for a stage set of “a place where homeless people sleep at night.”

The plywood sheet that had been nailed to the door had a cut-out rectangle where the keyholes were— another sign that this place wasn’t quite as disused as it looked. The two locks here were a Falcon and a Schlage, and they made the archive’s front door look like a bead curtain. I struggled with the Schlage for half an hour, and I was about half a breath away from quitting when I finally heard the click that meant the cylinders were all in a line.

I pushed the door, and it opened. Beyond was a sort of lobby space about four feet square with what looked like a folded blanket for a doormat, and beyond that was another door that was also locked. Its wood looked a lot flimsier than its metal bits, and my patience had worn out a while back, so I just kicked it open.

I stepped into a completely dark room that had a sharp-sour, organic smell to it—a smell of sweat and piss and I didn’t want to know what else. I groped on the near wall for a light switch, found one, and flicked it on. A naked hundred-watt bulb cast a harsh, clinical spotlight on a room that Mr. Bleaney would have turned down flat. Three of the walls were painted a sad shade of hospital green, while the fourth had been covered over with oppressively dark wood paneling, relieved by a few vertical slats of a lighter color. The floor was covered by a strip of paisley-patterned linoleum that had been cut for another room and didn’t reach all the way to the edges. The glass of the window was intact, but all you could see through it was the inside face of another plywood board.

The room itself was bare enough to count as empty, the only item of furniture a stained, fluorescent-orange sofa with a sort of 1970s lack of shame about itself. Against the base of one wall was a row of a dozen or so liter and two-liter bottles, some full of clear liquid, some empty. That was all.

I let the inner door fall closed behind me and advanced a little farther into the room. The shock of recognition had already hit me, followed by the reflection that it really wasn’t any shock at all. This was the room I’d seen when I’d played twenty questions with the ghost—the room she’d showed to me in the slide show of her memories. She’d remembered it and communicated it to me faithfully in every detail—except that maybe there were a couple more empty bottles now and a couple fewer full ones.

I searched the room. It took no time at all, because there was nothing to look at. Nothing under the sofa, nothing behind it. There might have been something down the back of its the cushions, but I was reluctant to touch the thing—it looked as if even casual contact could pass on communicable diseases. I unscrewed one of the bottles and sniffed, then tentatively tasted. As far as I could tell, it was just water.

What did that leave? There was a shelf above the door, but it was empty apart from a thick deposit of dust. The paneling could be covering a multitude of sins, so I pressed it in a few places to see how determined it was to stay attached to the wall. On the third push, something gave and rattled slightly. I looked closer and saw the door that was set into the wood, its verticals hidden by two of the decorative slats. Closer still, and I saw the keyhole.

This one was a Chubb of about 1960s vintage—easy enough in this context to count as wide open.

Beyond the door, a flight of stairs going down. This was the original one from the plans, which was no longer part of the archive itself—and that in turn explained why there was a newer staircase a few yards farther on from where the original had been.

The acrid smell was a lot sharper now.

Most likely this space had been separated from the building while it was government-owned, perhaps as some sort of grace-and-favor apartment for a civil servant who wasn’t senior enough to merit anything over by Admiralty Arch. Or maybe it had been hived off from the rest of the house when two ministries fought each other for lebensraum. Either way, it seemed to have been forgotten since—but clearly not by everybody.

There was another light switch on the stairwell, but when I pressed it, the light went on in the downstairs room, rather than in the stairwell itself. I went down carefully, afraid of tripping in the inadequate light.

The basement room was even bleaker than the first-floor one. Again, there was just the one item of furniture—a mattress, even fouler than the sofa, and naked except for a single checked blanket in bright red and yellow—well, formerly bright would be closer to the truth. In one corner of the room, there was a bucket full of murky liquid, which was the source of the smell. It had been used as a latrine. So, at some point, had the floor around it. On the floor right next to the bucket was an iron ring that had been inexpertly set in messily poured cement—obviously not a feature of the original room. There was a coil of rope there, too, thrown into a corner.

I know a prison cell when I see one. Someone had lived here, fairly recently, and not because they wanted to. Some of the other memories I’d absorbed from my brief psychic contact with the ghost surfaced again. The blanket had featured in there, I was damn sure of that. And Gabe McClennan’s face. What had been behind it? Snowy peaks