to go.’ She stepped back over the threshold, starting to close the door. Then she stopped abruptly, her face splitting open in a radiant smile that took me completely by surprise. It wasn’t for me, though: she was looking past me along the hallway, and whatever it was she was seeing made that infolding reverse itself; made her open up again, like a flower at the end of a long, dark night.
‘It never fails,’ she said, her voice suddenly alive with droll over-emphasis. ‘Put some chips in a pan, and here he comes.’
I turned to see the blond boy, Bic, walking towards me. He gave me a puzzled glance, nodded vaguely, and then submitted to his mother’s exuberant embrace. When she’d squashed him a little out of shape, she held him at arm’s length for inspection. ‘You’re filthy,’ she said. ‘You can wash before you eat, you little urchin.’ She took the sting out of the words by tousling his hair with the same vigour that she’d applied to the hug.
‘Get off, Mum!’ Bic protested, deciding that enough was enough. He ducked under her arm and past her into the flat, but only because she didn’t contest it.
‘Children are the treasure house of the world,’ Mrs Daniels declared, favouring me with a self-conscious but sincere smile. The fact that I’d seen her in her parental role seemed to have broken the ice between us in some decisive way.
I nodded, returning the smile. ‘Shouldn’t he be in school?’ I asked, mainly for the sake of prolonging the moment of trust and intimacy.
‘Baker day,’ Mrs Daniels said, with a roll of the eyes. ‘In-service training. All the secondary schools are closed today. It’s lucky I’m on a late shift, isn’t it? God knows how other mothers cope. I’m sorry, but I’ve really got to go now. Nice to meet you, Mister . . .’
For a moment I considered giving her a false name, since my real one clearly hadn’t stuck either time. There might possibly be some point in lying, if Basquiat came gunning for me in earnest and wanted to establish an evidence trail. But I gave the detective credit where it was due: she wouldn’t stay in the dark for long if she seriously wanted to check up on me.
‘Castor,’ I said, making the hat trick. ‘Felix Castor.’
‘Good day to you, Mister Castor. I’ll tell Mister Seddon you were looking for him.’
The door closed in my face — all the way, this time. Tom’s needs had to be met, and clearly Mrs Daniels had no more time for small talk. I stood in the corridor for a few moments longer, trying to make sense of what she’d said. Clearly something had happened to Kenny recently. Something bad, that had left a permanent shadow — or had seemed to. Something he could perhaps have prevented, because there were signs in advance that other people had been able to see.
It was probably unrelated to the attack on him, of course — and the odds were overwhelming that it had no bearing at all on why he’d written my name in his own blood as he sank into unconsciousness and possibly into death. But I had to start somewhere, and if I couldn’t cajole the truth out of the neighbours I knew someone I could buy it from at the market price.
I went back into the daylight at last, and it was welcome. There was something oppressive about the interior of the tower that made me grateful to see the sun again, even if it was beating down like a hammer on an anvil. A wounded-ox lowing of distant traffic met my ears, audible again because I’d been out of it for ten minutes. The miasma was becoming harder to sense for the opposite reason — because it was holding steady now, and my senses were starting to tune it out.
I might as well carry on north, I thought — maybe pick up the Tube at Elephant and Castle. I headed on along the walkway, past more bin bags and a bike that had been chained to a lamp post with a D-lock and then deprived of its wheels to deter theft. Unless the wheels had been stolen to deter cycling.
I saw the same sigil again — the teardrop with its corona of radiating lines, this time executed in red paint — on the parapet wall. Next to it, spray-painted on the grey cement of the walkway itself, were the words NOW IT BLEEDS. The words were also done in red, and they looked fresh and new in this faded place. I crossed to look at them, then squatted down and touched the curve of the final S. Very fresh: the paint was still wet.
From this vantage point, I noticed for the first time that the concrete slabs of the parapet wall had been set with narrow gaps in them every few feet. The gaps afforded a view of the lower walkway beneath me and then the ground, where Bic’s friends — or maybe a different group of boys entirely — came briefly into view on their way to somewhere that probably wasn’t any better than here.
Someone on the lower walkway was watching them, or at least looking out in that direction. He was standing right up against the parapet, his back to me. He wore a raincoat of pure unblemished white that recalled Alec Guinness as Sidney Stratton, the Man in the Ice Cream Suit, and his sleek, possibly brilliantined black hair stood out all the more starkly against it. There was something indefinably familiar about that black-white contrast, and about the man’s ramrod bearing; his refusal to lean against the parapet even though it was right there, at the perfect leaning distance and height. I had a presentiment that was nothing to do with my death-sense.
Another man walked into my severely restricted field of vision and joined him. This guy was big and rangy and looked subtly out of proportion: but then I was seeing him from an odd angle. His face was almost completely flat, as though he’d made humorous Tom-and-Jerry-style contact with a frying pan. When he spoke, his mouth opened across its full width in a way that looked strained and awkward, the lips not moving at all. It was like a ventriloquist’s doll talking, the lower jaw bobbing straight up and down to convey by clumsy shorthand the full range of human articulation. His complexion was appalling, the skin piebald with blotches and roughly pitted.
The man on the lower walkway turned to face the newcomer as he approached, and a jolt of surprise went through me when I saw his face, even though I’d subliminally made the connection already. It was Father Gwillam, of the Anathemata Curialis.
Gwillam pointed up towards one of the higher walkways diagonally across from us. Flat-face spoke again, and Gwillam sketched something with his fingertip in the air in front of his face. It looked like brackets.
Flat-face left, at a fast trot. At the other end of the walkway he was joined by a woman — tall, somewhat heavy-set, with long dark hair tied back in a ponytail. She seemed to have bandages tied around her hands, like the ones that the boy Bic had had. They headed off together towards the south end of the estate.
Time for me to book, too. I knew enough about the good father to make that particular encounter a must to avoid. But I wasn’t quite quick enough. He turned and looked up, directly towards me, as though he’d known that I was there all along.
The sun was hanging over my shoulder, directly in his face. From that distance and at that angle I’d probably just be a silhouette.
Probably.
I didn’t stay to find out.
5
Harrison Ford went first, sidling out onto the landing from the barely opened door of his apartment and checking out the lie of the land before he allowed Sean Young to join him. Her immaculate hair and high-gloss lips suggested the unearthly perfection of CGI, but in 1982 that wasn’t even a twinkle in George Lucas’s eye. She just happened to be perfect.
‘You’re talking through your arse,’ Nicky informed me curtly, wrenching my attention away from the on-screen action. He flicked a couple of switches on the projector, unnecessarily, just to remind me who was in charge. ‘There’s no way Deckard is a replicant.’
Suppressing a shiver that was purely physiological — the projection booth was as cold as the inside of a refrigerator — I tapped the glass that separated us from the auditorium below. ‘Just keep watching,’ I instructed Nicky.
On the screen, Ford looked down. The heel of Sean Young’s shoe had kicked against some small object on the floor, making it move and catch the light. He bent down and picked it up, but the focus stayed on his face for a moment or two before pulling to the thing in his hand: a tiny unicorn made out of the silvered paper and card from a cigarette packet.
After the briefest of pauses, Ford nodded — one of the most eloquent and compelling gestures in the whole of cinema, in my lowbrow opinion. He followed Young into the elevator, the door sliding closed behind him with a
