where you’ve come from.’
I put a hand up defensively to my stubbled chin. Okay, so I looked like I’d been rolled up wet and put away dry. But I wasn’t on the force, I was just a civilian adviser, so Gary could go fuck himself. He couldn’t exactly put me on a charge for letting the side down.
‘Didn’t have to be were-kin,’ I mused aloud. ‘Could be a geist, or a zombie.’ Neither of those options sounded right, though. A poltergeist powerful enough to do something like this would have left the air saturated with its presence. Even the Thomases – exorcist hate-speak for rationalist sceptics – on the Met would feel like they were breathing cold shit soup. And most zombies are weaker than humans, not stronger: they can push themselves a little harder, because their pain-pleasure wiring collapses after a while, along with the rest of their nervous system, but this was way outside the normal range of activity for a dead-man-walking.
At that point, belatedly, I registered something else that Gary had said. ‘One reason why I’m here?’ I echoed. ‘Why? What’s the other?’
‘All in good time,’ Coldwood said, his expression studiously neutral. ‘There’s another wrinkle to this one, but I don’t want to prejudice your findings. Now are you going to do that voodoo that you do tolerably well, or shall we all stand around while you carry on throwing guesses at the fucking wall?’
‘Oh, handle me roughly, Detective Sergeant,’ I said in a bored drawl. Gary and me have a certain amount of history now: we’re even friends, in a way, although it’s a friendship with arcane rules about when we cut each other slack and when we don’t. We have default roles and positions that we tend to fall into when we meet. Right now, that was a useful bulwark against the splatter-shot blood-red reality behind me.
I looked round at the busy-bee forensics team, who were still doing their labour-intensive thing on all sides of us, and the small herd of uniformed constables loitering around the doorway.
‘You’ll need to clear the room,’ I told Gary. ‘I won’t be able to pick up a blind thing with this lot going on.’
Gary hesitated, then nodded. ‘Mandatory fag break,’ he called out to his team. ‘Collins, work on the stairwell for a bit. Webb, get some of your mob taking statements from the neighbours. I can see them all rubbernecking out there, so we might as well use them while we’ve got them.’ He pointed towards the door. ‘Everybody out.’
They left in dribs and drabs, the forensics guys packing up their kit with finicky care and looking glumly frustrated, as though they’d been smacked in the head with a wet fish in the middle of some promising sexual foreplay. A case like this doesn’t come along every day: although as far as that goes, they probably only had to wait. Things were changing around us, faster and faster. The world wasn’t a sphere any more, or at least it didn’t feel that way a lot of the time; it felt like an inclined plane.
Gary was the last to leave, and he lingered in the doorway. ‘I don’t have to tell you not to touch anything, do I, Fix?’ he asked, his expression hovering somewhere between wary and apologetic.
I looked him squarely in the eyes. I knew what he was thinking. I used to work for the detective branch in an official capacity, under Coldwood’s tutelage: consulting exorcist, by appointment, with all the privileges a civilian informant gets from the boys in blue. Then twice in the last two years I’d been the main suspect in a murder investigation, and Gary had had to bend over so far backwards to keep me out of jail that he could have won a limbo competition in Queenstown, Jamaica. It reflected badly on his judgement that I kept landing up to my neck in shit.
‘I know the drill,’ I said.
‘Yeah, I’m sure you do.’ He gave up the point. ‘Give me a shout when you’re done.’
He left at last, and I was alone with the body. I circled the broken table and stared down at her sombrely, feeling compromised and shamed in some indefinable way by her vulnerability, her violation.
But I had a job to do, and Gary would already be looking at his watch. ‘Meter’s running,’ as he liked to say, still searching for that Hollywood tough-guy persona that always eluded him because he could never quite bring himself to be a big enough bastard.
In the lining of the Russian army greatcoat which is my work uniform there’s a sewn-in pocket just big enough to house my tin whistle within easy reach of my left hand. I put my hand in now and drew it out. Putting it to my lips I played a few random notes as place-holders for a tune that didn’t exist yet.
The room darkened around me. The world of flesh and blood and words and meanings went away.
Exorcism is a peculiar way to earn a living. The pay is shit, the hours are appalling, there’s no career structure and the work itself can shade from same old same old to lethally dangerous inside of a heartbeat. But I’ll say this for it: it’s a vocation. To do it at all, you’ve got to be born to it.
It’s got nothing to do with religious faith. If it did, I’d be out of a job because, despite my Catholic upbringing, me and God haven’t been on speaking terms since I was six. It’s just an extra sense, or maybe an extra set of senses. An exorcist knows when the dead are around, and he can reach out and touch them in various ways: specifically, he can bind them and he can banish them.
And the dead are
Maybe the huge spike in the supernatural population created its own Darwinian pressures. Or maybe not. It seems just as likely to me that the potentiality for exorcism as an innate skill was always part of the human genome, but most people who had it lived and died without ever finding out that it was there. These days . . . well, you tend to find out pretty fast.
We’ve all got our own ways of doing the job. Some people do it the old-fashioned way, with the traditional props: a bell, a book and a candle, a dagger and a chalice, maybe a bit of an incantation in hacked-up medieval Latin. I’ve even done it that way myself on occasion, but only to impress the mug punters. Any kind of pattern will do to hold a ghost: a sequence of words or sounds, lines on a piece of paper, the movements of a dance, even a hand of playing cards. If you’ve got the knack, you can choose your own tools, your own gimmick. Although in my experience it’s closer to the truth to say that it chooses you.
I do it with music. My second sight is more like second hearing, which means that I experience ghosts, demons and the undead as tunes. With my trusty tin whistle (Clarke’s Original, key of D) I can reproduce the tune, and tangle the ghost up in the music so it can’t get free. When I stop playing, it goes to wherever music goes when it’s not being played. Problem solved. It’s not so straightforward with demons, because they tend to fight back, but that’s the basis of what I do right there: a natural talent that I’ve turned into a steady job.
The word ‘steady’ in that sentence was meant as sarcasm.
The first part of an exorcism is the summoning, where you make a connection with the ghost and call it to you, but before you can even do that, you’ve got to learn its nature, its unique
I sat to one side of the dead woman, just outside the wide circle of spilled blood, and played a halting, broken-backed tune that was more like a question than a command. I was fishing: sending out feelers through the heights and depths of some vast volume that wasn’t air or water or even space, an infinity that fitted comfortably into this pokey little rented room.
Nothing. My hook was out there, but nothing bit.
It wasn’t that there was nothing there. Any building that’s more than a few years old develops a sort of emotional patina, a set of resonances that an exorcist will pick up at once if he opens himself to it. There were plenty of echoes in this room: the joys and sorrows and bumps and grinds of ordinary existence lingering in the air, in the brickwork, like the unstilled vibrations of a sound that had passed outside the range of human hearing.
But the ghost of Ginny Parris refused to come on down.
She was there. On some level, in some form, I was aware of a presence in the room. Diffuse and weak and scattered, it hung in the ether like Morse code, discontinuous but replete with meaning: a dot of misery here, a dash of fear and confusion there, and way over here an incongruous flash-silence-flash of hope. I went on playing, a little encouraged. Normally this stage of the game is kind of a cumulative thing. You start off slow, with only the barest sense of the ghost’s presence, but you zero in on it with your talent, with whatever interface you use to
