The movies Richard was producing were shot in dilapidated warehouses—no doubt now fashionable lofts—in SoHo. Richard never went to any of the shoots. He was not interested in seeing the films being made. He thought little of the people who did such things and didn’t want to be around them. For him this was a strictly moneymaking proposition. He had no prurient interests at all. He was, when it came to sexual matters, a bit of a prude. Because all the films Richard was distributing were given out on consignment and were paid for after the retailer sold them, there was a mandatory period of time that the producers had to wait to get paid. There was no getting around that.

When Richard was sober and not in a bad mood, he was relatively easy to get along with. People he did business with tended to like him. He had a keen sense of humor and would readily pay for drinks and meals. For the most part, he tried to keep his word. Because of that he expected people to keep their word, which all too often didn’t happen. One individual who let him down was named Bruno Latini. He was a short, balding, mobbed-up guy who owned a bar on Eighth Avenue. Richard had given him fifteen hundred dollars’ worth of films on consignment. Because the fifty-two-year-old Latini had mob connections (his brother was Gambino captain Eddie Lino, who would, it would later be alleged, be murdered by crooked cops Louis Eppolito and Steven Caracappa at the behest of Anthony “Gaspipe” Casso), he thought he could get away without paying. He kept stalling Richard, then stopped returning Richard’s calls. This incensed Richard, ate at him.

Christmas was still very much a big deal to Barbara and she went out of her way for the holidays to be special; she bought dozens of wonderful gifts, had a huge tree, decorated the house beautifully. That Christmas Eve Richard was quiet and morose. He was thinking of Latini, not his family. When everyone went to bed, Richard quietly got into his car and drove to the city looking for Latini, looking to kill him. It was snowing hard but that didn’t stop Richard. When he reached the bar, he learned that Latini just left. Richard went to the lot on the corner of Forty-ninth Street and Tenth Avenue and found Latini sitting in his car. Latini invited Richard into the car and gave him a song and dance about the fifteen hundred dollars. Richard pulled out a .38 and shot him twice in the head. For a minute or two he was blinded and couldn’t hear because of the report of the gun in the enclosed space. Richard found Latini’s wallet. There was several thousand dollars in it. Richard took his fifteen hundred and put the wallet back with the rest of the money still in it. Odd. He finally stepped from the car, went back to his Caddy, and returned to New Jersey.

In the morning on Christmas Day a parking attendant found Latini with his destroyed head, quite dead. Police discovered his wallet on him and there was sixteen hundred dollars in it. This murder was never linked to Richard by the police or by the mob.

I killed him, Richard explained, out of principle. He thought he could treat me like a piece of wood.

Though Barbara made a big deal of the holidays, they tended to depress Richard. They reminded him of his childhood, and that always made him…angry. He still thought about his father, about killing him.

Tony Argrila kept hounding Richard for the money he owed. Richard kept stalling, giving excuses, not money, to Argrila. Just when Argrila began getting hot under the collar, Richard would give him some money—but not what he said he would—to shut him up. Richard was planning to pay him and was doing his best, but his best wasn’t good enough. Finally, Argrila lost his patience and called his silent partner, Roy DeMeo, and suddenly everything took a serious turn for the worse.

Roy DeMeo was an out-of-control psychopath, an associate of the Gambino crime family, who would eventually become the subject of a popular true-crime book appropriately entitled Murder Machine, by journalists Jerry Capeci and Gene Mustain.

 25

 The Gambinos

Roy DeMeo was born and raised in Canarsie, a tough neighborhood in one of the toughest towns anywhere in the world—Brooklyn, USA. As a boy Roy had been overweight, Humpty Dumpty–like, and was regularly put upon and abused by neighborhood bullies. He had thick black hair, dark eyes, olive-colored skin, and a huge belly, and waddled like a penguin. His older brother Anthony, known as Toby, was a tough, muscle-bound kid—always there to protect Roy—but he joined the marines, went to fight in Vietnam, and never came back. Thus fat little Roy was left to fend for himself on Canarsie’s mean streets.

The young Roy DeMeo always admired neighborhood mob guys, of whom there were many. They were all over Canarsie, mostly members of the Lucchese crime family, with their fancy cars, fancy women, fancy clothes, and huge rolls of hundred-dollar bills. That’s what Roy wanted for himself; that was Roy’s dream; that’s what Roy saw in his future. Roy’s heroes were Lucky Luciano, Al Capone, and Albert Anastasia, infamous killers all. Those were the people Roy looked up to, wanted to emulate. He longed to be respected and feared like them.

Though a bright child and good with numbers, Roy did not do well in school. School didn’t interest him in the least. He knew that what he wanted he could never get in any classroom. What he wanted you could learn only on the street, so that’s where Roy spent his time; that’s where he went to school; that’s where Roy DeMeo applied himself.

The first order of business was to lose weight and to get muscular, and the young DeMeo began to diet and lift weights with a vengeance, and soon enough he lost the baby fat and protruding stomach, and his muscles became large and rock hard. Now when anyone bothered him, Roy gladly beat him to a pulp. He was an extremely dirty fighter, biting and gouging people’s eyes, and soon—as he planned—he secured a reputation as a tough guy, as someone who was stand-up, dangerous; no one to trifle with—not an easy task in Canarsie.

As a young teen, DeMeo began loaning out (shylocking) the money he earned working at a supermarket. If someone didn’t pay back on time, Roy took apparent delight in beating him up. He quickly became a loudmouthed bully, mean and sadistic, swaggering around with his mouth twisted up as if he’d been sucking on lemons. He had a chip on his wide shoulder and dared people to try and knock it off. He was trouble looking to happen.

DeMeo loaned money to a kid named Chris Rosenberg, who sold nickel bags of pot. With the money Roy loaned him, Chris was able to buy weight and was soon selling ounces and even pounds. Roy made Chris his partner, co-opted him and his pot business. This would be a recurring theme in DeMeo’s bloody, infamous life of crime: he made people who owed him money and couldn’t pay him on time his partner. This was, in fact, a classic Mafia ploy, used from its very inception. The word mafia in lowercase means a man of respect, an individual who has pride and honor and walks with his head high. Mafia, capitalized, has come to mean the criminal enterprise that began in Sicily in the mid-1800s and spread its insidious tentacles all over the globe. For many years the Mafia was a highly secretive, highly successful criminal enterprise the likes of which the world had never known; all its members took a blood oath to the particular family they were inducted into. Until Joe Valachi, at the 1963 McClellan Senate hearings in Washington, told about the intricacies of the Mafia—where it began, how it worked, its structure—law enforcement had no comprehensive understanding of the Sicilian Mafia. In fact, there are three distinctly different criminal organizations in Italy: the Camorra from Naples, the ’Ndrangheta from Calabria, and the Mafia from Sicily. Of the three the Camorra was—and still is—the most violent and vicious.

The infamous John Gotti was one of the few Neapolitans who was allowed into the ranks of the Sicilian Mafia, into the Gambino family, which many say was a fatal error in judgment on Carlo Gambino’s part. An exceedingly cunning individual, Carlo Gambino was a small, frail, unassuming Sicilian who dressed and acted like a simple peasant from Sicily, when in truth he ran the largest and most successful of the five New York crime families. Carlo opened the books to John Gotti because Gotti killed a man who was stupid enough to kidnap Carlo’s nephew Sal and murder him after a ransom was paid; that, of course, was a one-way ticket to a graveyard, and John Gotti gladly killed the jerk who masterminded this ill-conceived kidnapping and killing.

Carlo would later make a second grave error in judgment, and that was appointing his brother-in-law, Paul Castellano, the head of the family when he died in October 1976.

Paul Castellano was a tall, gaunt, sallow, and dark-eyed man who had a butcher shop on Eighteenth Avenue, just off Eighty-sixth Street, in the Bensonhurst section of Brooklyn, another very tough, Mafia-ridden neighborhood. If the Mafia had a graduate school, it was surely the Bensonhurst section of Brooklyn. Made men—soldiers, lieutenants, captains, underbosses, and bosses from all the five families—lived in Bensonhurst. Here they bought homes, baptized and married off their children, celebrated holidays, lived their lives. The Bensonhurst public schools were filled with children who were the offspring of made men.

Paul Castellano was a good businessman, though a very bad mob boss. He parlayed his butcher shop into a

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