Richard decided to do it in one of the clubs—with poison. Paul Hoffman showed him how to mix the cyanide with a special liquid and put it in a hypodermic needle.

“A lethal hot shot,” he called it.

Using the thinnest, least detectable needle he could find, Richard mixed the liquid and cyanide carefully until all the poison blended and became one with the liquid.

Regine’s was, he decided, too small, not crowded enough for him to get close to the mark unobserved. But Xenon was another story—it was perfect: crowded, noisy, strobe lights blinking on and off. To blend in Richard put on a garish outfit that he believed made him look gay.

It was a Saturday night. The mark, his girlfriend, and his bodyguards ate in a popular French restaurant called Un, Deux, Trois, then headed over to Xenon. Wearing a red peaked hat, pink pants, a yellow vest, beads around his neck, and platform shoes, Richard managed to get in the club, which unto itself was a feat. The place was packed with dancers—an upscale, chic crowd—music blared, the bass thumped, disco lights swirled madly. The lights confused Richard. He didn’t like them. People, Richard could see, were openly snorting cocaine. Richard managed to find the mark. He was dancing on the edge of the dance floor off to the right.

Moving with the music, shaking his huge body as he went, Richard swished-danced past the mark, and as he went he stuck him with the needle while moving toward the exit. Within a minute the mark went down, and he was soon quite dead. Everyone believed he’d had a heart attack. At the autopsy in the medical examiner’s office, the poison was not even detected.

According to Richard, one of the guys on the Jimmy Hoffa hit, Sal Briguglio, got into some trouble with the law, and word spread that he was trying to use what he knew about the Hoffa murder to get himself out of trouble. This is what caused Hoffa’s remains to be dug up, compacted in the trunk of a car, and exported to Japan. Richard was given the contract to kill Briguglio. He and another Jersey assassin, Paulie Salerno, tracked Sal to Little Italy. As he was walking near Mott Street, Richard struck him from behind with a jawbreaker, knocked him down, and shot him numerous times with a .38 equipped with a suppressor, then quickly walked away. The cops were called. Detectives questioned neighborhood people. No one saw anything. Another mob-related murder in Little Italy… nothing new.

Poison and Richard Kuklinski went together like peanut butter and jelly: for one of the few times in his life, Richard bought books and carefully studied them, medical texts about poisons. For several weeks he was reading and taking notes, teaching himself the subtleties and finer points of killing people with poison. He learned about cyano, prussic acid, hydrocyanic acid, hydrogen cyanide, aniline, and cyanic acid, and their proper applications. Whenever he saw Paul Hoffman, he asked him questions, and Hoffman gladly answered Richard’s questions, and provided Richard with the actual poisons. Hoffman, of course, was charging Richard exorbitant amounts, but Richard didn’t care; it was just the price of doing business.

Like a child with a new toy, Richard was anxious to try out these new killing tools. He loved, he says, the subtlety of poison: that there was no violence, guns, blood, broken bones; that it was odorless and colorless, yet as lethal as—perhaps more lethal than—a bullet to the head.

With vials of poisons in his pocket, Richard went out into the world to fill murder contracts. In many instances, Richard could get close to a mark, invite him for a meal, a drink—and use my new friends, as he called the poisons.

His name was Billy Mana. He was a made guy in the Genovese family. His boss wanted him dead. Richard contacted Mana, invited him for a drink, saying he had a load of fur coats he wanted to sell “real cheap. I’m in a hurry to move the load,” Richard said.

Like all mob guys, Mana was money hungry, and he met Richard for a drink in a Union City bar. Richard had a pinkie-sized vial of cyanide with him. When Mana went to the john, Richard quickly and discreetly—like a magic trick—dumped the poison in Mana’s drink. Mana soon came back and knocked off his drink. Richard graciously ordered another round. Before it was served, however, Mana choked, held his throat, his eyes swelling, and soon fell over.

“Heart attack, call a doctor!” Richard called out and soon disappeared, as if he never was there.

Pleased, Richard made his way home, back to his family, like Dracula returning to his lair. Over the coming months, whenever possible, Richard used poison to kill, in food, in drinks, on pizza. He became quite the expert in the application of deadly substances.

This, of course, only bolstered his reputation as an assassin, and even more murder contracts came his way. He was traveling all over the country now to murder people the mob wanted dead. He’d go anywhere to do a piece of work. He was very busy; too busy. He knew this could not go on forever; but he greatly enjoyed the work, the challenge, a successful outcome. It made him feel godlike, a truly lethal force. Richard became the brightest star in a rogues’ gallery filled with stone-cold killers. As Richard’s reputation spread, people “in the life” didn’t like to be around him, looked at him warily out of the corner of their eyes. Even Roy DeMeo was wary of Richard. DeMeo was one of the few people in the world that knew how truly dangerous and diabolical Richard was. When DeMeo had a beef with John Gotti and his brother Gene, he asked Richard to come to a meeting with them and watch his back.

The Gotti brothers and their crew also had a reputation for being dangerous, ruthless—quick to kill and ask questions later. But even they wanted nothing to do with DeMeo and the Gemini gang. True, DeMeo and John Gotti were in the same family, but there was friction between them. Yet, because they were in the same family, in theory anyway, disputes and disagreements had to be settled with talk, amiably, not murder. When DeMeo and John Gotti—these two ruthless men with oversized egos—had a disagreement over how merchandise stolen from Kennedy Airport was divvied up, who would get what, there had to be a “sit-down,” the mob term for resolving disputes with reason and conversation, not violence.

John Gotti, like DeMeo, had a reputation as a no-nonsense, two-fisted, dangerous man with a volatile temper. He had recently been released from jail, having done time for his involvement in a murder: Gotti had killed Jimmy McBratney, the man rumored to be responsible for the abduction and murder of Carlo Gambino’s nephew. Gotti hired the famous Roy Cohn, who made a sweetheart deal for Gotti—four years for attempted murder, a cakewalk.

Gotti had done the time and was out now and making waves in the Gambino family. He, like many in the Gambino clan, hated Paul Castellano, for a host of reasons: Paul’s greed; his insistence that all the captains come pay homage to him once a week at the Veterans and Friends Club; the fact that he was appointed because of family connections; the fact that he failed to prevent the FBI from bugging his home; the fact that his affair with the housekeeper had become public scandal, much talked about in Mafiadom.

DeMeo didn’t like or trust John Gotti, and when the sit-down occurred DeMeo brought along Richard as his bodyguard. As they drove to the meeting, held in the home of another Gambino captain, Roy said, “Big Guy, we can’t trust this fuckin’ Gotti. Keep your eye on him, and don’t let me out of your sight, got it?”

“Got it,” Richard said.

Richard had three guns on him and a knife strapped to his calf.

Richard enjoyed being taken into DeMeo’s confidence like this. Of all the killers in his crew DeMeo had chosen Richard to watch his back. DeMeo knew that Richard was the coldest, most dangerous killer he had ever come across, and he trusted Richard. Over the years they’d been doing business together now, Richard had been scrupulously honest—always kept his word. DeMeo still had no idea that Richard was waiting for the right opportunity to kill him; that Richard never forgot the beating he’d given him; how he pointed the cocked Uzi at him and laughed. On the one hand, Richard liked Roy, his gregarious, generous ways when he was in a good mood; on the other hand, he despised him—his loud, bullying ways, how he went from hot to cold in the blink of an eye.

Roy and I were alike in many ways. When I was in a good mood, I was the nicest guy—give you the shirt off my back. When, however, I was on a tear…I scared myself, he explains in all sincerity.

The site was a redbrick two-family home on Brooklyn’s Mill Basin, a simple, unassuming structure. A three- foot statue of the Virgin Mary, dressed in blue and white, stood in the front yard, as though to scrutinize visitors with a critical eye. Richard was pleased—proud in his own way—that DeMeo was trusting him like this, counting on Richard to watch his back. This could, Richard well knew, turn into a life-and-death situation, and DeMeo wanted

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