Europe’s most ancient and thickest virgin forests, of which the Thuringian certainly was one, and in parts remains so.
Perhaps the most intriguing clue regarding both of these animals is their classification: like modern lions and tigers, and unlike the smaller wild cats that existed in Europe, they belong to the
‡ “… the neck and shoulders …” Two additional facts about the narrator’s description of the “panther” are significant: he has apparently never seen a true “mane,” the male European cave lion having possessed only a short, wispy approximation of the version found on their African cousins (less, even, than the infamous cave lions of Tsavo, Kenya), and he consistently refers to the animal as “he” rather than “it.” This and other clues reveal that, if he was not a Moon worshipper himself, the narrator is for some reason very familiar with the customs of that faith, which included, as we have heard Keera say, deep reverence for the souls of animals, especially the Davon panthers. —C.C.
†† “… red velvet.” Here is an indication of how advanced Broken’s textile production, or its trade with other kingdoms to its south in Europe, or both, must have become: velvet had only just reached that continent from the Islamic empire at the time that the Broken Manuscript was most likely written (the late eighth to early ninth centuries) and was considered an enormously rare and valuable fabric, worn only by the elites of the countries it made its way into. —C.C.
† “… the cavernous Temple.” Gibbon writes, “This description of the High Temple of Broken is revealing, and further confirms the notion that the city and state were something of a stewpot of cultural and aesthetic influences: while termed a ‘temple,’ the building has the evident design and attributes of a European — and Christian — church or cathedral. We know that, in the Eastern Roman Empire during this same period, rulers beginning with Constantine were devising ways to adapt the Christian faith to the pagan rituals of the various populations contained within the empire’s borders, and vice versa. Is it possible that the royal family of Broken was involved in some similar enterprise, or, even more intriguingly, in a precisely opposite undertaking, that is, in adapting Christian architecture and rites to their own faith of Kafra? Certainly, we cannot exclude the possibility — particularly as we know (and I myself have seen) that the ‘Broken Codex’ used by the Manuscript’s translator consisted of portions of the Bible written in the Broken dialect. It has been heretofore assumed that this was for missionary Christian purposes; but what if the intention was to alter the biblical text, and make it serve the purposes of the priests and priestesses of Broken?”
† “… a distant region of Davon Wood by the Bane.” Gibbon writes, “The narrator’s consistent references to the quarrying and mining activities of the Bane will not surprise anyone acquainted with the Harz mountain range, as they are rich not only in fine quality stone, but in silver, iron, lead, copper, and zinc; and although the exploitation of these deposits is generally thought to have begun on a systematic scale only in the tenth century, it is by no means overly imaginative to think that a people living in the mountain and forest wildernesses around
† “… glittering, durable mortar …” This was likely either stucco or concrete — both of which were evidently used by Broken builders — mixed with reflective flecks of the many kinds of granite and quartz that were mined from the both the Harz and the Tombs (that is, the Harz and the Erz mountains) by the Bane. — C.C.
‡ “… every society that surrounds Broken.” As Gibbon writes, “The importance of this seemingly obscure detail of Broken craftsmanship cannot be overstated: the ability to maintain the production of glass windows throughout much of the Barbarian Age, when its secrets were thought to have been lost to all of Europe, was aesthetically, religiously, and governmentally significant.” Modern archaeologists and industrial historians agree that, while many barbarian tribes and nations maintained the skill of manufacturing glass beads and receptacles of various kinds, their ability to fabricate far more complicated window glass, whether clear, opaque, or colored, largely disappeared from Europe in the Dark Ages, confirming the enormous role that the ability to produce such glass played in how the society of Broken “saw” both itself and the world around it. Cf., for instance, Macfarlane and Martin,
† “… known across the Seksent Straits as ‘ermine.’” “For the first time,” says Gibbon, “we are given the impression that the narrator’s journey to our own region may have brought him into contact with persons more majestic than mere scholarly monks.”
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‡ “… brocade mantle …” Here we get an idea of just how many intrepid foreign traders and raiders ventured to Broken’s ports and borders to sell their goods, and vice versa: brocade originally appeared in Persia during the Sassanid Dynasty (ca. 225–650 A.D.), and was evidently quite common in Broken by the time that the Manuscript was written (presumably the eighth century). It is possible that the techniques involved in producing brocade had been mastered by Broken textile craftsmen by this point, or that the city’s merchants were still bringing it up from the river Meloderna. Whatever the case, the fact that it is viewed by the narrator as an item worthy of remark only in reference to an important state figure is important. —C.C.
† “… his raiding sword …” The names given to weapons, among both the soldiers of Broken and the Bane, seem to have been determined either by the names of the peoples they borrowed their design from, or, more simply, the names and/or activities by which those foreign peoples were themselves known. Ergo, “short-sword” refers to the Roman
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