“You have not, old friend,” Arnem says gently; and then he looks up when he hears the thunderous sound of the long-barred western gate of Daurawah being drawn back. “It appears your men intend to rescue you, Gerolf,” Arnem says, chuckling in what he hopes will be a reassuring way: a reminder of their old campaigns, when it was common to laugh in the midst of great danger. “So I must be quick. I found Visimar, or rather he found me. He was alive, and in Broken — and I brought him along on this campaign, not least with you in mind.”
“
“It
“And you accept my — apologies?” Gledgesa forces himself to ask. “Inadequate as I know they are?”
“I do. And now, you and your daughter must rest, Sentek, and prepare yourselves. You must give her courage as you both cross the river …”
“Then you can help us embark upon that journey?” the blind man asks.
“Fear not, Gerolf Gledgesa, for yourself or your daughter. You shall mount and cross the Arch of All Colors that spans the Waters of Life, and Geldzehn the Guardian shall take you both into the Hall of Heroes.
“River?” Arnem is confused. “But, Gerolf, you said the rivers are—”
“We speak of another river, Sixt,” Gledgesa replies, in an uncharacteristically gentle way. “Another river altogether. Visimar knows it … And I thank you, old man. Sixt — put my daughter’s hand in mine, and put me on my feet. Then
“Damn it, Gerolf! There may yet be something Visimar can do, I have seen his healing skills—”
“There is naught, Sixt — no help of
All that happens next happens too quickly for the grief-stricken Arnem to comprehend fully; unable to watch Gerolf Gledgesa attempting to mount his horse on his own, he helps his comrade, while Visimar does the same for the almost weightless Weda. Father and daughter begin to walk their horses to what must be their ends in Daurawah, the city’s commander calling out as best he can to his own troops, ordering them to halt. Akillus and Niksar arrive with their determined horsemen to guard the sentek as he mounts the Ox, and to help Visimar get astride his mare. Then the ride back begins, Arnem’s face a mask, not only of terrible sorrow, but of contrition.
“I am as ashamed as I can ever remember being, old man,” Arnem says. “I pray your judgment was correct.”
“About this moment, it was, Sentek, although your shame is understandable,” Visimar replies. “But for now, you must steel yourself — bend that shame to other purposes. For, when you fully understand the injustices that lie beneath these ugly circumstances — then, Sentek, you will find answers, and true justice.” He pauses, seemingly awed by the magnitude of the task he himself has described. “Let us only hope,” he murmurs in conclusion, “that we survive to witness it …”
II:
Fire
{i:}
Heldo-Bah stands before an ancient ash tree, the bark of which is so deeply wrinkled and roughly surfaced as to remind him of the dried, grey skin of a hag seeress, to whom he once traded a fine
“You have never in your life shown true respect for the tenets of the Moon, Veloc,” Keera snaps at her brother, her voice having grown hoarse. “Why, then, do you now show such sudden deference?”
“I’ve told you twenty times, sister!” Veloc protests.
“… closer to fifty …,” Heldo-Bah murmurs, quietly and uselessly, as his head slams into the trunk of the ash again.
“It is one thing to question the faith among men and women,” Veloc declares, paying Heldo-Bah no mind. “I will grant you that I have sometimes done so, often for the pure and idiotic amusement of it. But by Kafra’s rotting bunghole, Keera, when you introduce the white panther
“Fool — you make my argument
“What, then?” Veloc demands, his own voice exhausted.
“… suicide …,” Heldo-Bah mutters, after which comes the dull thud† of his head striking the tree once more.
“But do you
“… far superior, in fact …” Heldo-Bah agrees, now clinging to consciousness, as well as to the ash trunk, by the barest of threads, yet unconcerned with his condition.
“—and in this miraculous place,” continues Veloc, “this place that is plainly governed by sorcerous arts of a kind at which we cannot even guess, this master of black arts lives with this — this wild