6.11- 6.15 Dyer remains in the passage outside the study door. Hears Answell say: 'I did not come here to kill anyone unless it becomes absolutely necessary.' Later hears Hume speaking in sharp tone, no words distinguishable; but ending loudly; ‘'Man, what is wrong with you? Have you gone mad?' Hears sounds like scuffle. Taps on door and asks if anything is wrong. Hume says: 'No, I can deal with this; go away.'
6.15. Dyer goes to get car.
6.39. Amelia Jordan finishes packing own valise and suitcase - Dr Hume has asked her to pack for him.
6.30-6.32. Amelia Jordan comes downstairs. Goes into passage towards study door. Hears Answell say: 'Get up, damn you !' Tries study door, finds it is bolted; or locked in some way.
6.32. Dyer returns with car.
6.33-6.34. Amelia Jordan tells Dyer to stop them fighting or get Fleming; she goes after Fleming.
1.
Finds Fleming coming down steps of own house to go next door.
1.
1.
Fleming accompanies her. They all knock at study door.
6.36. Answell opens study door.
6.36-6.39. Examination of body and room. No doubt of door and windows being locked on inside. Answell's cool and dazed behaviour commented on. 'Are you made of stone?' Answell says: 'Serve him right for drugging (or doctoring) my whisky.' Enquiries about whisky. Bottle and syphon found full, glasses untouched; Answell still declaring business a frame-up. Piece of feather found torn off arrow.
6.39. Fleming sends Amelia Jordan to get Dr Hume. Fleming wants to take Answell's finger-prints. Dyer says there is ink-pad in Spencer Hume's suit.
6.39-6.45. Dyer cannot find ink-pad or suit. Remembers old Ink-pad in desk in study. Answell objects to having his finger-prints taken; knocks Fleming across room, finally seems to become dispirited and agrees.
6.45. Dyer goes out into street and calls Police-Constable Hardcastle.
At this point Evelyn interposed. 'I say I Does this mean, in actual times, that it was only nine minutes between the time they went into the room and the time Dyer went out to get the policeman? By the way they talked in court, it sounded much longer, somehow.'
H.M. grunted sourly. 'Sure. It always sounds longer, because they've got so much to tell. But there's the actual record, as you could 'a' worked it out for yourselves.'
'The one thing that's most puzzling here,' I insisted, 'is why so much rumpus in general is being kicked up on the subject of ink-pads. Ink-pads would seem to have nothing to do with the case. What difference does it make whether Fleming did or didn't take Answell's fingerprints? The police could always do it, and match them with the ones on the arrow. Yet even the prosecution made a point of bringing it up and hammering it home.'
Exhaling a cloud of smoke, H.M. leaned back with rich satisfaction and closed one eye to avoid getting smoke in it.
'Sure, they did, Ken. But they weren't concerned with ink-pads. What they wanted to hammer was that, when Fleming tried to get Answell's finger-prints, Answell - far from bein' torpid - flared out murderously and threw Fleming clear across the room. Same kind of attack as he launched on the deceased, d'ye see? But I'm glad they brought it up; if they hadn't, I should have. Because I am most definitely interested in one particular ink-pad. It's pretty well the key to the whole business. You see that, don't you?'
THAT argument, up in the little low-raftered room at the 'Milton's Head', while we waited for the afternoon session of the court, will always remain a kind of vignette as vivid as anything in the case. The firelight shone on rows of pewter tankards, and on H.M.'s enormous shoes, and on his glasses, and on a face wreathed with fantastic jollity. Evelyn sat with her legs crossed, leaning forward with her chin in her hand; and her hazel eyes had that amused annoyance which H.M. inspires in every woman.
' You know perfectly well we don't,' she said.' Now don't sit there chortling and rocking and making faces like Tony Weller thinking what he'd like to do to Stiggins. You know, at times you can be the most utterly exasperating man who ever - ee!
'I don't take pleasure in it, dammit 1 ' grumbled H.M., and quite seriously believed this. 'It's only that people take such unholy joy in doin' me in the eye, that I got to get a bit of my own back.' He was soothing. 'You stick to business, here. Read the rest of the time-table. I'm merely askin' you: if Jim Answell isn't the murderer, who is?'
'No, thanks,' said Evelyn. 'I've been had like that before. And much too often. You did it in France, and you did it in Devon. You parade out a list of suspects, and we take our choice; and then it always turns out that you've got someone else altogether. I dare say in this case you'll show the murder was really committed by Sir Walter Storm or the judge. No, thanks.'
'Meanin' what?' enquired H.M., looking at her over his spectacles.
'Meaning this. You've called our attention to his timetable, and that's a most awfully suspicious sign. You seem to concentrate attention on people who were actually lurking about the place at the time of the murder. But what about the others?'
'What others?'
'There are at least three others, I mean Reginald Answell, and even Mary Hume herself, and Dr Hume. For instance, the Attorney-General 'put it to' the Hume girl to-day that Reginald wasn't in London at all: he was in Rochester: and didn't reach London until nearly midnight. You didn't contradict him - at least, you didn't re-examine the witness. Well, where was he? We know he was at the house at
'If you'd only read the rest of your time-table -' howled H.M., and then grew, reflective. 'Some of it's worryin' me,' he admitted. 'You knew, did you, that there's a court order out to arrest Spencer? When we knew he'd run off,