Silence ruled again for the next few seconds. Everyone frowned and squinted at the picture, trying to process it under Hunter’s new light.

‘OK, let me walk you through what I think this whole image means,’ Hunter said, grabbing everyone’s attention again. ‘Imagine a group of four friends, and for now let’s say that those four are Nicholson, Nashorn, Littlewood and a fourth person who we haven’t identified yet. This group of friends go out on a drinking night, or a party night, or something. They get too drunk, they get too rowdy as guys sometimes do, maybe even too high, and they end up in an argument with someone, either an outsider, or someone who was originally part of their group. The argument escalates and turns into a punch-up. Even if it had started as a joke . . .’ Hunter indicated the two images piled up on the ground once again, ‘. . . it didn’t end as one.’

Garcia was pinching his chin, following Hunter’s every word, slowly stepping into his partner’s line of thought. Suddenly the dots connected.

‘And they killed him,’ he said.

The shadow image that he’d looked at countless times before now took on a whole new meaning in front of his eyes. ‘The fight got completely out of hand,’ Garcia continued. ‘The rest of the group was standing around, watching, or maybe they all took turns punching and kicking. It takes one wrong kick to the temple, a stumble and a head hit against a curbstone, or a wall, or something, and the punch-up ends . . . badly.’

Hunter nodded. ‘It probably happened unintentionally, but I think somebody was killed. That’s the theory.’

Looking at the picture, listening to Hunter’s interpretation, it was like the image had morphed before Captain Blake’s eyes.

‘But then we’re either missing someone, or we got the numbers wrong,’ Alice joined in.

‘What do you mean?’ the captain asked.

‘When we first looked at this shadow image, we knew the killer had already murdered two people, and we believed he was after two more, represented by the two standing up figures. If this image represents two people fighting on the floor with the rest watching, and as Robert is suggesting, one of them accidentally dies, then we’re left with three remaining figures. The one that comes out of the fight, and the two standing up.’ She lifted three fingers. ‘We have three victims now – Nicholson, Nashorn and Littlewood. And that would mean the killer has got them all. His list is complete.’

‘You’re forgetting him.’ Hunter pointed to the largest figure in the image. The distorted head with what looked like horns, looking down at the probable fight scene. ‘You thought this figure represented the killer, remember? Like a devil. I don’t think it does. I think that with every murder, the killer uses the sculpture and the shadow image it casts to represent that specific victim. This was left in Andrew Nashorn’s boat for a reason. I think the Devil-like figure represents Nashorn.’

‘So why the horns?’ Captain Blake asked.

‘Maybe to indicate that he was the leader, or the instigator. In every group of guys like that, Captain, there’s always one who is the head. The one whom everyone follows. Maybe Nashorn was the one who started the fight. Or maybe he was the one who, instead of stopping it, urged the participants to carry on punching.’

Uneasiness took over the room.

Hunter gave everyone time to consider his theory.

‘Maybe the person isn’t dead,’ Alice said. ‘Maybe you’re right, maybe there was a fight, but instead of dying the victim was physically, or even mentally impaired. Maybe after all these years, that victim is back, and he wants revenge.’

Hunter shook his head. ‘No, the victim died.’

‘How can you be sure?’

‘Because the killer tells us.’

Ninety-Nine

Hunter drew their attention to the last two shadow-image photographs on the board. The ones cast by the two-part sculpture left in Nathan Littlewood’s office.

‘In the last crime scene, the killer left us two shadow images,’ he said, ‘but I think we read them in reverse order. This should be the first one of the two.’ He indicated the image created by Littlewood’s right arm and hand – the one that looked like someone kneeling down with his arm lifted up above his head, maybe praying. In front of the kneeling-down figure were small pieces of something. Their shadows had been created by the flesh sections carved out of Littlewood’s thigh.

Garcia shivered. Something that felt like an electric shock started at the back of his neck and spread throughout his body at incredible speed. Hunter didn’t have to explain. He saw it himself.

‘Oh my God,’ he said, slightly tilting his head to one side. ‘We never figured out why the killer left us two images in one crime-scene. And we specifically struggled to understand that one. It looked like someone on his knees, praying or something, with several objects scattered around on the floor in front of him. It’s not that at all.’ He drew a deep breath and held it for a long instant before letting it out slowly. ‘That’s someone chopping a body into pieces.’

Garcia’s words bounced off the walls like a crazy rubber ball.

Captain Blake stood absolutely still. For a moment, she almost lost the ability to blink. ‘So you think that this group of friends got into a punch-up, beat somebody to death, and cut the body up into pieces to dispose of it?’

Hunter nodded and indicated the last shadow-image photograph they had – part two of the sculpture found in Nathan Littlewood’s office – the one that looked like someone staring at someone else lying inside a box.

‘They placed the dismembered body inside some sort of container before getting rid of it!’ Alice said, letting out a heartfelt sigh. Both images now made perfect sense together.

Hunter waited, taking in their concerned expressions. Almost a minute went by before Captain Blake spoke again.

‘How long ago do you think that happened?’

‘Somewhere around thirty years ago, give or take one or two. It must’ve happened when Nicholson, Nashorn and Littlewood were young, very young – late teens or early twenties maybe, probably before Littlewood got married twenty-seven years ago.’

‘So the obvious conclusion is that our killer was related to that victim in some degree, and he now wants revenge,’ the captain said.

‘Yes,’ Hunter agreed.

‘But why now?’

‘Because our killer didn’t know anything about what really happened until a few months ago,’ Hunter said.

All of a sudden, all the pieces were slotting into place in Garcia’s mind. ‘Nicholson,’ he said, returning to his desk, picking up his notebook and quickly flipping through it.

Captain Blake and Alice turned to face him.

‘Here it is. Derek Nicholson’s nurse told us that he said something about making his peace with God. About telling someone the truth about something. That no matter how much good you do in your life, there are certain mistakes that would haunt you until your dying day.’ He returned the notebook to his desk. ‘That must’ve been what he was talking about. The mistake that haunted him throughout his life.’ He looked at Hunter. ‘The person who visited him in his house. The man we still haven’t identified.’

Hunter nodded.

‘The nurse also said that Nicholson had only two visitors once he was taken ill,’ Garcia clarified, for the captain’s and Alice’s benefit. ‘DA Bradley was one of them, but we’ve never identified the second visitor. He’s got to

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