my mind. Not only was the Chris Ford/Brad Higeons mess going round and round in my head, but pretty soon I'd have to call the FBI and pretend to be a terrorist. Add to that the fact that I'd hardly thought about the circle I needed to cast and the Full Moon Ritual I was supposed to lead, and it was no wonder I had a horrible tension headache.
I glanced at the alarm clock. It was 10:30 A.M. Four more hours before I needed to get up and call the FBI, and then try to figure out how to get through the day while I waited to hear news about the bridge accident (hopefully that it was averted), and news about the Higeons kid being found (hopefully alive), and tried to figure out how I'd lead the Full Moon Ritual (hopefully without totally embarrassing myself ).
Stevie Rae, who I swear could fall asleep standing on her head in the middle of a blizzard, snored softly across the room. Nala was curled up beside my head on my pillow. Even she'd stopped complaining at me and was breathing deeply with her weird cat snores. I worried briefly if I should have her checked out for allergies. She did sneeze an awful lot. But I decided I was just obsessively adding to my stress level. The cat was as fat as a But terball turkey. I mean, her tummy looked like she had a pouch and could hide a herd of baby kangaroos in there. That's probably why she wheezed. Carrying around all that cat fat couldn't be easy.
I closed my eyes and started counting sheep. Literally. It was supposed to work. Right? So I made up a field in my head with a gate and had cute fuzzy white sheep start jumping over the gate. (I think that's the proper way to count sleep sheep. Sleep sheep ... hee hee.) After sheep number 56 the numbers started to blur in my mind and I finally slipped into a fitful dream where I noticed the sheep were wearing Union's red and white football uniform. They had a shepherdess directing them over the gate they were jumping (which now looked like a mini-goalpost). My dreaming self was floating gently above the sheep scene like I was a superhero. I couldn't see the shepherdess's face, but even from the back I could tell she was tall and beautiful. Her auburn hair was waist length. As if she could feel me watching, she turned toward me and her moss green eyes looked up at me. I grinned. Of course Neferet was in charge, even if it was just a dream. I waved at her, but instead of responding, Neferet's eyes narrowed dangerously and she suddenly spun around. Snarling like a wild animal, she grabbed a football-playing sheep, lifted it, and in one practiced motion slashed its throat with her abnormally strong, talonlike fingernails, burying her face in the animal's bleeding throat. My dreaming self was horrified as well as freakishly drawn to what Neferet was doing. I wanted to look away, but I couldn't … wouldn't … then the sheep's body began to shimmer, like heat waves rising from a boiling pot. I blinked and it wasn't a sheep anymore. It was Chris Ford, and his dead eyes were wide open, set and staring at me accusingly.
I gasped in horror and tore my gaze from his blood, meaning to look away from the gory dream scene, but my vision got trapped because it was no longer Neferet who was feeding at Chris's throat. It was Loren Blake, and his eyes were smiling up at me over the river of red. I couldn't look away. I stared and stared and…
My dreaming body shivered as a familiar voice drifted in the air around me. At first the whisper was so soft I couldn't hear it, but as Loren drank the last drop of Chris's blood the words became audible as well as visible. They danced in the air around me with a silver light that was as familiar as the voice.
…
My eyelids jerked open and I sat up, breathing hard. Feeling shaky and slightly sick to my stomach, I looked at my clock: 12:30. I stifled a groan. I'd only slept for two hours. No wonder I felt so crappy. Quietly I went into the bathroom I shared with Stevie Rae to splash water on my face and try to wash away my grogginess. Too bad washing away the awful foreboding feeling the bizarre dream had given me wasn't as easy.
No way was I going to be able to sleep now. I walked listlessly over to our heavily curtained window and peeked out. It was a gray day. Low clouds obscured the sun and a light, constant drizzle made everything look blurred. It matched my mood perfectly, and it also made the daylight bearable. How long had it been since I'd gone outside during the day anyway? I thought about it and realized that I hadn't seen more than an occasional dawn in a good month. I shivered. And suddenly I couldn't stay inside for another instant. It felt claustrophobic, tomblike,
I went into the bathroom and opened the little glass jar that held the concealer that completely covered fledgling tattoos. When I'd first arrived at the House of Night I'd had a mini-panic attack when I'd realized that until I entered the school grounds, I'd never seen a fledgling. I mean ever. Naturally, I thought that meant that the vamps kept fledglings locked inside the walls of the school for four years. It didn't take long to find out the truth: fledglings had quite a bit of freedom, but if they chose to go outside the school walls they needed to follow two very important rules. First, they had to cover their Mark and not wear anything that bore any of the distinctive class insignias.
Second (and, to me, most important), once a fledgling entered the House of Night, he or she must stay in close proximity with adult vamps. The Change from human to vampyre was a bizarre and complex one—not even today's cutting-edge science completely understood it. But one thing was certain about the Change, if a fledgling was cut off from contact with adult vampyres, the process escalated and the teenager died. Every time. So, we could leave the school for shopping and whatnot, but if we stayed away from the vamps for more than a few hours our bodies would begin the rejection process and we'd die. It was no wonder that before I'd been Marked I thought I'd never seen a fledgling. I probably had, but (a) he/she/they had had all Marks covered, and (b) he/she/they understood that they couldn't just loiter about like typical teenagers. They'd been there, but they'd just been busy and disguised.
The reason for the disguise made sense, too. It wasn't about wanting to hide amid humans and spy or whatever ridiculous things humans would assume. The truth was that humans and vampyres coexisted in an uneasy state of peace. Broadcasting that fledglings actually left the school and went shopping and to the movies like normal kids was asking for trouble and exaggeration. I could just imagine what people like my horrid step-loser would say. Probably that vamp teenagers were hanging out in gangs, engaging in all sorts of sinful juvenile delinquent behavior. He was such an ass. But he wouldn't be the only human adult who freaked. Clearly the vamp rules made sense.
Resolutely, I stared, patting the concealer on the sapphire Marks that told the world what I was. It was amazing how well the stuff covered up Marks. As my darkened-in crescent moon disappeared, along with the small network of blue spirals that framed my eyes, I watched the old Zoey reappear and wasn't quite sure how I felt about her. Okay, I knew there'd been a lot more changed within me than a few tattoos could represent, but the absence of Nyx's Mark was shocking. It gave me a weird, unexpected sense of loss.
Looking back, I should have listened to my internal hesitation, scrubbed my face, grabbed a good book, and gone directly back to bed.
Instead, I whispered, 'You look really young,' to my reflection, and pulled on my jeans and a black sweater. Then I rummaged (quietly—if I woke up Stevie Rae or Nala no way would I get out of there alone) through my dresser drawers until I found my old
No one was in the main room of the dorm. I opened the door and took a deep breath to steady myself before I walked outside. The whole vampyres-burst-into-flames-if-sun-touches-them thing was a ridiculous lie, but it is true that daylight causes adult vamps pain. As a fledgling who was weirdly 'advanced' in the Change process, it's definitely uncomfortable for me, but I gritted my teeth and stepped out into the drizzle.
The campus looked totally deserted. It was weird not to pass one student or vamp all along the sidewalk that wound around behind the main building (which still reminded me of a castle) to the parking lot. My vintage 1966 VW Bug was easy to find amid the slick, expensive cars the vamps preferred. Its dependable engine sputtered for only a second, then it turned over and hummed like it was brand-new.
I tapped the garage door opener-like keypad that Neferet had given me after Grandma had brought my car to me. The wrought-iron gate to the school swung open silently.
Despite the fact that even the weak, foggy daylight bothered my eyes and made my skin feel twitchy, my mood lightened as soon as I was outside the school gates. It's not that I hated the House of Night or anything like that. Actually, the school and my friends there had become my home and family. It was just that today I needed something more. I needed to feel normal again—normal as in pre-Marked Zoey, when my biggest worry was geometry class and the only 'power' I had was the eerie ability to find cute shoes on sale.
Actually, shopping sounded like a good idea. Utica Square was less than a mile down the street from the House of Night, and I loved the American Eagle store there. My wardrobe had, tragically, become overstocked in
