“Anything?” I ask without preamble.
“Not much. We bagged a gum wrapper, but it looked old. Found a few hairs in the fence. Long strands, probably hers.”
Glock is about my age with military short hair and two-percent body fat on a physique that puts Arnold Schwarzenegger to shame. I hired him two years ago, earning him the honor of becoming Painters Mill’s first African-American police officer. A former MP with the Marine Corps, he’s a crack shot, possesses a brown belt in karate, and he doesn’t take any shit from anyone, including me.
“Find any prints?” I ask. “Tire tracks?”
He shakes his head. “Scene was pretty trampled. I was going to try to lift some impressions, but it doesn’t look promising.”
Capturing footwear impressions or tire tracks in snow is tricky. Several layers of a special wax must first be sprayed onto the impression to insulate it. That prevents the loss of detail from the exothermic reaction of the hardening dental stone casting material.
“Do you know how to do it?” I ask.
“I need to pick up the supplies at the sheriff’s office.”
“Go ahead. I’ll stay until I can get Skid out here.” Chuck “Skid” Skidmore is my other officer.
“Last I heard he was laid out on a pool table with some blonde at McNarie’s Bar.” Glock smiles. “Probably hungover.”
“Probably.” Skid is as fond of cheap tequila as Rupert is of his Glock. The moment of levity is short lived. “Once you lift the impressions, get imprints from all the first responders. Send everything over to the BCI lab. Have them run a comparison analysis and see if we have something that stands out.”
BCI is the acronym for the Bureau of Criminal Identification and Investigation in London, Ohio, a suburb of Columbus. A state agency run by the attorney general’s office, the bureau has a state-of-the-art lab, access to law enforcement databases, and a multitude of other resources that may be utilized by local police agencies.
Glock nods. “Anything else?”
I smile, but it feels unnatural on my face. “Think you could postpone your vacation?”
He smiles back, but it looks strained. If anyone is deserving of some downtime, it’s Glock. He hasn’t had any measurable time off since I hired him. “LaShonda and I don’t have any big plans,” he says, referring to his wife. “Just finishing up the nursery. Doc says any day now.”
We study the scene in companionable silence. Even though I’m wearing two pairs of socks inside waterproof boots, my feet ache with cold. I’m tired and discouraged and overwhelmed. The press of time is heavy on my shoulders. Any cop worth his weight knows the first forty-eight hours of a homicide investigation are the most vital in terms of solving it.
“I’d better get those supplies,” Glock says after a moment.
I watch him traverse the bar ditch, slide into his cruiser and pull away. I turn back to the field where drifting snow whispers across the frozen earth. From where I stand, I can just make out the bloodstain from the victim, a vivid red circle against pristine white. The crime scene tape flutters in a brisk north wind, the tree branches clicking together like chattering teeth.
“Who are you, you son of a bitch?” I say aloud, my voice sounding strange in the predawn hush.
The only answer I get is the murmur of wind through the trees and the echo of my own voice.
Twenty minutes later Officer Skidmore arrives on the scene. He slinks out of his cruiser toting two coffees, a don’t-ask expression, and a half-eaten doughnut clutched between his thumb and forefinger.
“Why the hell can’t people get murdered when it’s seventy degrees and sunny?” he mutters, shoving one of the coffees at me.
“That’d be way too convenient.” I take the coffee, pop the tab and brief him on what we know.
When I’m finished he considers the scene, then looks at me as if expecting me to throw up my hands and tell him the whole thing is a big, ugly prank. “Hell of a thing to find out here in the middle of the night.” He slurps coffee. “How’s T.J.?”
“I think he’ll be okay.”
“Fuckin’ kid’s gonna have nightmares.” His eyes are bloodshot and, as Glock had predicted, I realize he’s sporting a hangover.
“Late night?” I ask.
He has powdered sugar on his chin. His grin is lopsided. “I like tequila a lot more than she likes me.”
It’s not the first time I’ve heard that. Originally from Ann Arbor, Michigan, Skid lost his job with the police department there because of an off-duty DUI. Everyone knows he drinks too much. But he’s a good cop. For his sake, I hope he can get a handle on it. I’ve seen booze ruin a lot of lives, and I’d hate to see him added to the heap. I told him the day I hired him if I caught him drinking on the job I’d fire him on the spot. That was two years ago and so far he’s never crossed the line.
“You think it’s the same guy from back in the early nineties?” he asks. “What did they call him? The Slaughterhouse Murderer? The case was never closed, was it?”
Hearing the sobriquet spoken aloud raises gooseflesh on my arms. The local police and FBI worked the case for years after the last murder. But as the evidence grew cold and public interest dwindled, their efforts eventually slacked off. “It doesn’t feel right,” I offer noncommittally. “It’s hard to explain a sixteen-year gap in activity.”
“Unless the guy changed locales.”
I say nothing, not wanting to speculate.
Skid doesn’t notice. “Or he could have been sent to prison on some unrelated charge and just got sprung. Saw it happen when I was a rookie.”
Hating the speculation and questions, knowing there will be plenty more in the days ahead, I shrug. “Could be a copycat.”
He sniffs a runny nose. “That would be odd for a town this size. I mean, Jesus, what are the odds?”
Because he’s right, I don’t respond. Speculation is a dangerous thing when you know more than you should. I dump my remaining coffee and crumple the cup. “Keep the scene secure until Rupert gets back, will you?”
“Sure thing.”
“And give him a hand with the impressions. I’m heading to the station.”
I anticipate the heater as I start for the Explorer. My face and ears burn with cold. My fingers are numb. But my mind isn’t on my physical discomfort. I can’t stop thinking about that young woman. I can’t stop thinking about the uncanny parallels of this murder with the ones from sixteen years ago.
As I put the Explorer in gear and pull onto the road, a dark foreboding deep in my gut tells me this killer isn’t finished.
Downtown Painters Mill is composed of one major thoroughfare—aptly named Main Street—lined with a dozen or so businesses, half of which are Amish tourist shops selling everything from wind chimes and bird houses to intricate, handmade quilts. A traffic circle punctuates the north end of the street. A big Lutheran church marks the southernmost section of town. To the east lies the brand-new high school, an up-and-coming housing development called Maple Crest and a smattering of bed-and-breakfasts that have sprung up over the last couple of years to accommodate the town’s fastest growing industry: tourism. On the west side of town, just past the railroad tracks and mobile home park, is the slaughterhouse and rendering plant, the farmer’s mercantile and a massive grain elevator.
Since its inception in 1815, Painters Mill’s population has remained steady at about 5,300 people, a third of whom are Amish. Though the Amish keep to themselves for the most part, no one is really a stranger, and everyone knows everyone else’s business. It’s a wholesome town. A nice place to live and a raise a family. It’s a good place to be the chief of police. Unless, of course, you have a vicious, unsolved murder on your hands.
Sandwiched between Kidwell’s Pharmacy and the volunteer fire department, the police station is a drafty cave carved into a century-old brick building that had once been a dance hall. I’m greeted by Mona Kurtz, my third- shift dispatcher, as I push open the door and enter the reception area. She looks up from her computer, flashes an over-the-counter white smile and waves. “Hey, Chief.”
She’s twentysomething with a mane of wild red hair and a vivacity that makes the Energizer Bunny seem lazy. She talks so fast I understand only half of what she says, which isn’t necessarily a bad thing since she usually
