Letters of Anton Chekhov to his Family and Friends

world by a fence in the style of a palisade. The yard, the garden, the park, and the threshing-floor are shut off from each other in the same way. The house is good and bad. It's more roomy than our Moscow flat, it's light and warm, roofed with iron, and stands in a fine position, has a verandah into the garden, French windows, and so on, but it is bad in not being lofty, not sufficiently new, having outside a very stupid and naive appearance, and inside swarms with bugs and beetles which could only be got rid of by one means--a fire: nothing else would do for them.

There are flower-beds. In the garden fifteen paces from the house is a pond (thirty-five yards long, and thirty-five feet wide), with carp and tench in it, so that you can catch fish from the window. Beyond the yard there is another pond, which I have not yet seen. In the other part of the estate there is a river, probably a nasty one. Two miles away there is a broad river full of fish. We shall sow oats and clover. We have bought clover seed at ten roubles a pood, but we have no money left for oats. The estate has been bought for thirteen thousand. The legal formalities cost about seven hundred and fifty roubles, total fourteen thousand. The artist who sold it was paid four thousand down, and received a mortgage for five thousand at five per cent, for five years. The remaining four thousand the artist will receive from the Land Bank when in the spring I mortgage the estate to a bank. You see what a good arrangement. In two or three years I shall have five thousand, and shall pay off the mortgage, and shall be left with only the four thousand debt to the bank; but I have got to live those two of three years, hang it all! What matters is not the interest--that is small, not more than five hundred roubles a year--but that I shall be obliged all the time to think about quarter-days and all sorts of horrors attendant on being in debt. Moreover, your honour, as long as I am alive and earning four or five thousand a year, the debts will seem a trifle, and even a convenience, for to pay four hundred and seventy interest is much easier than to pay a thousand for a flat in Moscow; that is all true. But what if I depart from you sinners to another world--that is, give up the ghost? Then the ducal estate with the debts would seem to my parents in their green old age and to my sister such a burden that they would raise a wail to heaven.

I was completely cleaned out over the move.

Ah, if you could come and see us! In the first place it would be very delightful and interesting to see you; and in the second, your advice would save us from a thousand idiocies. You know we don't understand a thing about it. Like Raspluev, all I know about agriculture is that the earth is black, and nothing more. Write. How is it best to sow clover?--among the rye, or among the spring wheat? ...

TO I. L. SHTCHEGLOV.

MELIHOVO, March 9, 1892.

... Yes, such men as Ratchinsky are very rare in this world. I understand your enthusiasm, my dear fellow. After the suffocation one feels in the proximity of A. and B.--and the world is full of them--Ratchinsky with his ideas, his humanity, and his purity, seems like a breath of spring. I am ready to lay down my life for Ratchinsky; but, dear friend,--allow me that 'but' and don't be vexed--I would not send my children to his school. Why? I received a religious education in my childhood--with church singing, with reading of the 'apostles' and the psalms in church, with regular attendance at matins, with obligation to assist at the altar and ring the bells. And, do you know, when I think now of my childhood, it seems to me rather gloomy. I have no religion now. Do you know, when my brothers and I used to stand in the middle of the church and sing the trio 'May my prayer be exalted,' or 'The Archangel's Voice,' everyone looked at us with emotion and envied our parents, but we at that moment felt like little convicts. Yes, dear boy! Ratchinsky I understand, but the children who are trained by him I don't know. Their souls are dark for me. If there is joy in their souls, then they are happier than I and my brothers, whose childhood was suffering.

It is nice to be a lord. There is plenty of room, it's warm, people are not continually pulling at the bell; and it is easy to descend from one's lordship and serve as concierge or porter. My estate, sir, cost thirteen thousand, and I have only paid a third, the rest is a debt which will keep me long years on the chain.

Come and see me, Jean, together with Suvorin. Make a plan with him. I have such a garden! Such a naive courtyard, such geese! Write a little oftener.

TO A. S. SUVORIN.

MELIHOVO, March 17, 1892.

... Ah, my dear fellow, if only you could take a holiday! Living in the country is inconvenient. The insufferable time of thaw and mud is beginning, but something marvellous and moving is taking place in nature, the poetry and novelty of which makes up for all the discomforts of life. Every day there are surprises, one better than another. The starlings have returned, everywhere there is the gurgling of water, in places where the snow has thawed the grass is already green. The day drags on like eternity. One lives as though in Australia, somewhere at the ends of the earth; one's mood is calm, contemplative, and animal, in the sense that one does not regret yesterday or look forward to tomorrow. From here, far away, people seem very good, and that is natural, for in going away into the country we are not hiding from people but from our vanity, which in town among people is unjust and active beyond measure. Looking at the spring, I have a dreadful longing that there should be paradise in the other world. In fact, at moments I am so happy that I superstitiously pull myself up and remind myself of my creditors, who will one day drive me out of the Australia I have so happily won....

TO MADAME AVILOV.

MELIHOVO, March 19, 1892.

HONOURED LIDYA ALEXYEVNA,

I have read your story 'On the Road.' If I were the editor of an illustrated magazine, I should publish the story with great pleasure; but here is my advice as a reader: when you depict sad or unlucky people, and want to touch the reader's heart, try to be colder--it gives their grief as it were a background, against which it stands out in greater relief. As it is, your heroes weep and you sigh. Yes, you must be cold.

But don't listen to me, I am a bad critic. I have not the faculty of forming my critical ideas clearly. Sometimes I make a regular hash of it....

TO A. S. SUVORIN.

MELIHOVO, March, 1892.

The cost of labour is almost nil, and so I am very well off. I begin to see the charms of capitalism. To pull down the stove in the servants' quarters and build up there a kitchen stove with all its accessories, then to pull down the kitchen stove in the house arid put up a Dutch stove instead, costs twenty roubles altogether. The price of two men to dig, twenty-five kopecks. To fill the ice cellar it costs thirty kopecks a day to the workmen. A young labourer who does not drink or smoke, and can read and write, whose duties are to work the land and clean the boots and look after the flower-garden, costs five roubles a month. Floors, partitions, papering walls--all that is cheaper than mushrooms. And I am at ease. But if I were to pay for labour a quarter of what I get for my leisure I should be ruined in a month, as the number of stove-builders, carpenters, joiners, and so on, threatens to go for ever after the fashion of a recurring decimal. A spacious life not cramped within four walls requires a spacious pocket too. I have bored you already, but I must tell you one thing more: the clover seed costs one hundred roubles a pood, and the oats needed for seed cost more than a hundred. Think of that! They prophesy a harvest and wealth for me, but what is that to me! Better five kopecks in the present than a rouble in the future. I must sit and work. I must earn at least five hundred roubles for all these trifles. I have earned half already. And the snow is melting, it is warm, the birds are singing, the sky is bright and spring-like.

I am reading a mass of things. I have read Lyeskov's 'Legendary Characters,' religious and piquant--a combination of virtue, piety, and lewdness, but very interesting. Read it if you haven't read it. I have read again Pisarev's 'Criticism of Pushkin.' Awfully naive. The man pulls Onyegin and Tatyana down from their pedestals, but Pushkin remains unhurt. Pisarev is the grandfather and father of all the critics of to-day, including Burenin--the same pettiness in disparagement, the same cold and conceited wit, and the same coarseness and indelicacy in their attitude to people. It is not Pisarev's ideas that are brutalizing, for he has none, but his coarse tone. His attitude to Tatyana, especially to her charming letter, which I love tenderly, seems to me simply abominable. The critic has the foul aroma of an insolent captious procurator.

We have almost finished furnishing; only the shelves for my books are not done yet. When we take out the double windows we shall begin painting everything afresh, and then the house will have a very presentable appearance.