became an actor. By his art he lured me from the parental home, he enticed me with the excitements of an actor's life, promised me all sorts of things -- and brought tears and sorrow. . . . An actor's lot is a bitter one! I have lost youth, sobriety, and the divine semblance. . . . I haven't a half-penny to bless myself with, my shoes are down at heel, my breeches are frayed and patched, and my face looks as if it had been gnawed by dogs. . . . My head's full of freethinking and nonsense. . . . He robbed me of my faith -- my evil genius! It would have been something if I had had talent, but as it is, I am ruined for nothing. . . . It's cold, honoured friends. . . . Won't you have some? There is enough for all. . . . B-r-r-r. . . . Let us drink to the rest of his soul! Though I don't like him and though he's dead, he was the only one I had in the world, the only one. It's the last time I shall visit him. . . . The doctors say I shall soon die of drink, so here I have come to say good-bye. One must forgive one's enemies.'
We left the actor to converse with the dead Mushkin and went on. It began drizzling a fine cold rain.
At the turning into the principal avenue strewn with gravel, we met a funeral procession. Four bearers, wearing white calico sashes and muddy high boots with leaves sticking on them, carried the brown coffin. It was getting dark and they hastened, stumbling and shaking their burden. . . .
'We've only been walking here for a couple of hours and that is the third brought in already. . . . Shall we go home, friends?'
NOTES
my evil genius: evil spirit (the Romans believed that a man had two genii, and bad luck was due to his evil genius)
OYSTERS
by Anton Chekhov
I NEED no great effort of memory to recall, in every detail, the rainy autumn evening when I stood with my father in one of the more frequented streets of Moscow, and felt that I was gradually being overcome by a strange illness. I had no pain at all, but my legs were giving way under me, the words stuck in my throat, my head slipped weakly on one side . . . It seemed as though, in a moment, I must fall down and lose consciousness.
If I had been taken into a hospital at that minute, the doctors would have had to write over my bed:
Beside me on the pavement stood my father in a shabby summer overcoat and a serge cap, from which a bit of white wadding was sticking out. On his feet he had big heavy goloshes. Afraid, vain man, that people would see that his feet were bare under his goloshes, he had drawn the tops of some old boots up round the calves of his legs.
This poor, foolish, queer creature, whom I loved the more warmly the more ragged and dirty his smart summer overcoat became, had come to Moscow, five months before, to look for a job as copying-clerk. For those five months he had been trudging about Moscow looking for work, and it was only on that day that he had brought himself to go into the street to beg for alms.
Before us was a big house of three storeys, adorned with a blue signboard with the word 'Restaurant' on it. My head was drooping feebly backwards and on one side, and I could not help looking upwards at the lighted windows of the restaurant. Human figures were flitting about at the windows. I could see the right side of theorchestrion, two oleographs, hanging lamps . . . . Staring into one window, I saw a patch of white. The patch was motionless, and its rectangular outlines stood out sharply against the dark, brown background. I looked intently and made out of the patch a white placard on the wall. Something was written on it, but what it was, I could not see. . .
For half an hour I kept my eyes on the placard. Its white attracted my eyes, and, as it were, hypnotised my brain. I tried to read it, but my efforts were in vain.
At last the strange disease got the upper hand.
The rumble of the carriages began to seem like thunder, in the stench of the street I distinguished a thousand smells. The restaurant lights and the lamps dazzled my eyes like lightning. My five senses were overstrained and sensitive beyond the normal. I began to see what I had not seen before.
'Oysters . . .' I made out on the placard.
A strange word! I had lived in the world eight years and three months, but had never come across that word. What did it mean? Surely it was not the name of the restaurant-keeper? But signboards with names on them always hang outside, not on the walls indoors!
'Papa, what does 'oysters' mean?' I asked in a husky voice, making an effort to turn my face towards my father.
My father did not hear. He was keeping a watch on the movements of the crowd, and following every passer-by with his eyes. . . . From his eyes I saw that he wanted to say something to the passers-by, but the fatal word hung like a heavy weight on his trembling lips and could not be flung off. He even took a step after one passer-by and touched him on the sleeve, but when he turned round, he said, 'I beg your pardon,' was overcome with confusion, and staggered back.
'Papa, what does 'oysters' mean?' I repeated.
'It is an animal . . . that lives in the sea.'
I instantly pictured to myself this unknown marine animal. . . . I thought it must be something midway between a fish and a crab. As it was from the sea they made of it, of course, a very nice hot fish soup with savoury pepper and laurel leaves, or broth with vinegar and fricassee of fish and cabbage, or crayfish sauce, or served it cold with horse-radish. . . . I vividly imagined it being brought from the market, quickly cleaned, quickly put in the pot, quickly, quickly, for everyone was hungry . . . awfully hungry! From the kitchen rose the smell of hot fish and crayfish soup.
I felt that this smell was tickling my palate and nostrils, that it was gradually taking possession of my whole body. . . . The restaurant, my father, the white placard, my sleeves were all smelling of it, smelling so strongly that I began to chew. I moved my jaws and swallowed as though I really had a piece of this marine animal in my mouth . . .
My legs gave way from the blissful sensation I was feeling, and I clutched at my father's arm to keep myself from falling, and leant against his wet summer overcoat. My father was trembling and shivering. He was cold . . .
'Papa, are oysters a Lenten dish?' I asked.
'They are eaten alive . . . ' said my father. 'They are in shells like tortoises, but . . . in two halves.'
The delicious smell instantly left off affecting me, and the illusion vanished. . . . Now I understood it all!
'How nasty,' I whispered, 'how nasty!'
So that's what 'oysters' meant! I imagined to myself a creature like a frog. A frog sitting in a shell, peeping out from it with big, glittering eyes, and moving its revolting jaws. I imagined this creature in a shell with claws, glittering eyes, and a slimy skin, being brought from the market. . . . The children would all hide while the cook, frowning with an air of disgust, would take the creature by its claw, put it on a plate, and carry it into the dining- room. The grown-ups would take it and eat it, eat it alive with its eyes, its teeth, its legs! While it squeaked and tried to bite their lips. . . .
I frowned, but . . . but why did my teeth move as though I were munching? The creature was loathsome, disgusting, terrible, but I ate it, ate it greedily, afraid of distinguishing its taste or smell. As soon as I had eaten one, I saw the glittering eyes of a second, a third . . . I ate them too. . . . At last I ate the table-napkin, the plate, my father's goloshes, the white placard . . . I ate everything that caught my eye, because I felt that nothing but eating would take away my illness. The oysters had a terrible look in their eyes and were loathsome. I shuddered at the thought of them, but I wanted to eat! To eat!
'Oysters! Give me some oysters!' was the cry that broke from me and I stretched out my hand.
'Help us, gentlemen!' I heard at that moment my father say, in a hollow and shaking voice. 'I am ashamed to ask but -- my God! -- I can bear no more!'
'Oysters!' I cried, pulling my father by the skirts of his coat.