Selected early short stories 1886

'No!' said Mashenka resolutely, beginning to tremble. 'Let me alone, I entreat you!'

'Well, God bless you!' sighed Nikolay Sergeitch, sitting down on the stool near the box. 'I must own I like people who still can feel resentment, contempt, and so on. I could sit here forever and look at your indignant face. . . . So you won't stay, then? I understand. . . . It's bound to be so. . . Yes, of course. . . . It's all right for you, but for me -- wo-o-o-o! . . . I can't stir a step out of this cellar. I'd go off to one of our estates, but in every one of them there are some of my wife's rascals. . . stewards, experts, damn them all! They mortgage and remortgage. . . . You mustn't catch fish, must keep off the grass, mustn't break the trees.'

'Nikolay Sergeitch!' his wife's voice called from the drawing-room. 'Agnia, call your master!'

'Then you won't stay?' asked Nikolay Sergeitch, getting up quickly and going towards the door. 'You might as well stay, really. In the evenings I could come and have a talk with you. Eh? Stay! If you go, there won't be a human face left in the house. It's awful!'

Nikolay Sergeitch's pale, exhausted face besought her, but Mashenka shook her head, and with a wave of his hand he went out.

Half an hour later she was on her way.

NOTES

tout comprendre tout pardonner: understand everything, pardon everything

AN ACTOR'S END

by Anton Chekhov

SHTCHIPTSOV, the 'heavy father' and 'good-hearted simpleton,' a tall and thick-set old man, not so much distinguished by his talents as an actor as by his exceptional physical strength, had a desperate quarrel with the manager during the performance, and just when the storm of words was at its height felt as though something had snapped in his chest. Zhukov, the manager, as a rule began at the end of every heated discussion to laugh hysterically and to fall into a swoon; on this occasion, however, Shtchiptsov did not remain for this climax, but hurried home. The high words and the sensation of something ruptured in his chest so agitated him as he left the theatre that he forgot to wash off his paint, and did nothing but take off his beard.

When he reached his hotel room, Shtchiptsov spent a long time pacing up and down, then sat down on the bed, propped his head on his fists, and sank into thought. He sat like that without stirring or uttering a sound till two o'clock the next afternoon, when Sigaev, the comic man, walked into his room.

'Why is it you did not come to the rehearsal, Booby Ivanitch?' the comic man began, panting and filling the room with fumes of vodka. 'Where have you been?'

Shtchiptsov made no answer, but simply stared at the comic man with lustreless eyes, under which there were smudges of paint.

'You might at least have washed your phiz!' Sigaev went on. 'You are a disgraceful sight! Have you been boozing, or . . . are you ill, or what? But why don't you speak? I am asking you: are you ill?'

Shtchiptsov did not speak. In spite of the paint on his face, the comic man could not help noticing his striking pallor, the drops of sweat on his forehead, and the twitching of his lips. His hands and feet were trembling too, and the whole huge figure of the 'good-natured simpleton' looked somehow crushed and flattened. The comic man took a rapid glance round the room, but saw neither bottle nor flask nor any other suspicious vessel.

'I say, Mishutka, you know you are ill!' he said in a flutter. 'Strike me dead, you are ill! You don't look yourself!'

Shtchiptsov remained silent and stared disconsolately at the floor.

'You must have caught cold,' said Sigaev, taking him by the hand. 'Oh, dear, how hot your hands are! What's the trouble?'

'I wa-ant to go home,' muttered Shtchiptsov.

'But you are at home now, aren't you?'

'No. . . . To Vyazma. . . .'

'Oh, my, anywhere else! It would take you three years to get to your Vyazma. . . . What? do you want to go and see your daddy and mummy? I'll be bound, they've kicked the bucket years ago, and you won't find their graves. . . .'

'My ho-ome's there.'

'Come, it's no good giving way to the dismal dumps. These neurotic feelings are the limit, old man. You must get well, for you have to play Mitka in 'The Terrible Tsar' to-morrow. There is nobody else to do it. Drink something hot and take some castor-oil? Have you got the money for some castor-oil? Or, stay, I'll run and buy some.'

The comic man fumbled in his pockets, found a fifteen-kopeck piece, and ran to the chemist's. A quarter of an hour later he came back.

'Come, drink it,' he said, holding the bottle to the 'heavy father's' mouth. 'Drink it straight out of the bottle. . . . All at a go! That's the way. . . . Now nibble at a clove that your very soul mayn't stink of the filthy stuff.'

The comic man sat a little longer with his sick friend, then kissed him tenderly, and went away. Towards evening the jeune premier, Brama-Glinsky, ran in to see Shtchiptsov. The gifted actor was wearing a pair of prunella boots, had a glove on his left hand, was smoking a cigar, and even smelt of heliotrope, yet nevertheless he strongly suggested a traveller cast away in some land in which there were neither baths nor laundresses nor tailors. . . .

'I hear you are ill?' he said to Shtchiptsov, twirling round on his heel. 'What's wrong with you? What's wrong with you, really? . . .'

Shtchiptsov did not speak nor stir.

'Why don't you speak? Do you feel giddy? Oh well, don't talk, I won't pester you . . . don't talk. . . .'

Brama-Glinsky (that was his stage name, in his passport he was called Guskov) walked away to the window, put his hands in his pockets, and fell to gazing into the street. Before his eyes stretched an immense waste, bounded by a grey fence beside which ran a perfect forest of last year's burdocks. Beyond the waste ground was a dark, deserted factory, with windows boarded up. A belated jackdaw was flying round the chimney. This dreary, lifeless scene was beginning to be veiled in the dusk of evening.

'I must go home!' the jeune premier heard.

'Where is home?'

'To Vyazma . . . to my home. . . .'

'It is a thousand miles to Vyazma . . . my boy,' sighed Brama-Glinsky, drumming on the window-pane. 'And what do you want to go to Vyazma for?'

'I want to die there.'

'What next! Now he's dying! He has fallen ill for the first time in his life, and already he fancies that his last hour is come. . . . No, my boy, no cholera will carry off a buffalo like you. You'll live to be a hundred. . . . Where's the pain?'

'There's no pain, but I . . . feel . . .'

'You don't feel anything, it all comes from being too healthy. Your surplus energy upsets you. You ought to get jolly tight -- drink, you know, till your whole inside is topsy-turvy. Getting drunk is wonderfully restoring. . . . Do you remember how screwed you were at Rostov on the Don? Good Lord, the very thought of it is alarming! Sashka and I together could only just carry in the barrel, and you emptied it alone, and even sent for rum afterwards. . . . You got so drunk you were catching devils in a sack and pulled a lamp-post up by the roots. Do you remember? Then you went off to beat the Greeks. . . .'

Under the influence of these agreeable reminiscences Shtchiptsov's face brightened a little and his eyes began to shine.

'And do you remember how I beat Savoikin the manager?' he muttered, raising his head. 'But there! I've beaten thirty-three managers in my time, and I can't remember how many smaller fry. And what managers they