her. When now she looked at him openly and directly, he realised that he had all this time shirked having things out with her, or writing her two or three friendly lines, as though he had been hiding from her; he felt ashamed and flushed crimson. She pressed his hand tightly and impulsively and asked:
'Have you seen Yartsev?'
And without waiting for an answer she went striding on impetuously as though some one were pushing her on from behind.
She was very thin and plain, with a long nose; her face always looked tired, and exhausted, and it seemed as though it were an effort to her to keep her eyes open, and not to fall down. She had fine, dark eyes, and an intelligent, kind, sincere expression, but her movements were awkward and abrupt. It was hard to talk to her, because she could not talk or listen quietly. Loving her was not easy. Sometimes when she was alone with Laptev she would go on laughing for a long time, hiding her face in her hands, and would declare that love was not the chief thing in life for her, and would be as whimsical as a girl of seventeen; and before kissing her he would have to put out all the candles. She was thirty. She was married to a schoolmaster, but had not lived with her husband for years. She earned her living by giving music lessons and playing in quartettes.
During the ninth symphony she passed again as though by accident, but the crowd of men standing like a thick wall behind the columns prevented her going further, and she remained beside him. Laptev saw that she was wearing the same little velvet blouse she had worn at concerts last year and the year before. Her gloves were new, and her fan, too, was new, but it was a common one. She was fond of fine clothes, but she did not know how to dress, and grudged spending money on it. She dressed so badly and untidily that when she was going to her lessons striding hurriedly down the street, she might easily have been taken for a young monk.
The public applauded and shouted encore.
'You'll spend the evening with me,' said Polina Nikolaevna, going up to Laptev and looking at him severely. 'When this is over we'll go and have tea. Do you hear? I insist on it. You owe me a great deal, and haven't the moral right to refuse me such a trifle.'
'Very well; let us go,' Laptev assented.
Endless calls followed the conclusion of the concert. The audience got up from their seats and went out very slowly, and Laptev could not go away without telling his wife. He had to stand at the door and wait.
'I'm dying for some tea,' Polina Nikolaevna said plaintively. 'My very soul is parched.'
'You can get something to drink here,' said Laptev. 'Let's go to the buffet.'
'Oh, I've no money to fling away on waiters. I'm not a shopkeeper.'
He offered her his arm; she refused, in a long, wearisome sentence which he had heard many times, to the effect that she did not class herself with the feebler fair sex, and did not depend on the services of gentlemen.
As she talked to him she kept looking about at the audience and greeting acquaintances; they were her fellow-students at the higher courses and at the conservatorium, and her pupils. She gripped their hands abruptly, as though she were tugging at them. But then she began twitching her shoulders, and trembling as though she were in a fever, and at last said softly, looking at Laptev with horror:
'Who is it you've married? Where were your eyes, you mad fellow? What did you see in that stupid, insignificant girl? Why, I loved you for your mind, for your soul, but that china doll wants nothing but your money!'
'Let us drop that, Polina,' he said in a voice of supplication. 'All that you can say to me about my marriage I've said to myself many times already. Don't cause me unnecessary pain.'
Yulia Sergeyevna made her appearance, wearing a black dress with a big diamond brooch, which her father-in- law had sent her after the service. She was followed by her suite -- Kotchevoy, two doctors of their acquaintance, an officer, and a stout young man in student's uniform, called Kish.
'You go on with Kostya,' Laptev said to his wife. 'I'm coming later.'
Yulia nodded and went on. Polina Nikolaevna gazed after her, quivering all over and twitching nervously, and in her eyes there was a look of repulsion, hatred, and pain.
Laptev was afraid to go home with her, foreseeing an unpleasant discussion, cutting words, and tears, and he suggested that they should go and have tea at a restaurant. But she said:
'No, no. I want to go home. Don't dare to talk to me of restaurants.'
She did not like being in a restaurant, because the atmosphere of restaurants seemed to her poisoned by tobacco smoke and the breath of men. Against all men she did not know she cherished a strange prejudice, regarding them all as immoral rakes, capable of attacking her at any moment. Besides, the music played at restaurants jarred on her nerves and gave her a headache.
Coming out of the Hall of Nobility, they took a sledge in Ostozhenka and drove to Savelovsky Lane, where she lodged. All the way Laptev thought about her. It was true that he owed her a great deal. He had made her acquaintance at the flat of his friend Yartsev, to whom she was giving lessons in harmony. Her love for him was deep and perfectly disinterested, and her relations with him did not alter her habits; she went on giving her lessons and wearing herself out with work as before. Through her he came to understand and love music, which he had scarcely cared for till then.
'Half my kingdom for a cup of tea!' she pronounced in a hollow voice, covering her mouth with her muff that she might not catch cold. 'I've given five lessons, confound them! My pupils are as stupid as posts; I nearly died of exasperation. I don't know how long this slavery can go on. I'm worn out. As soon as I can scrape together three hundred roubles, I shall throw it all up and go to the Crimea, to lie on the beach and drink in ozone. How I love the sea -- oh, how I love the sea!'
'You'll never go,' said Laptev. 'To begin with, you'll never save the money; and, besides, you'd grudge spending it. Forgive me, I repeat again: surely it's quite as humiliating to collect the money by farthings from idle people who have music lessons to while away their time, as to borrow it from your friends.'
'I haven't any friends,' she said irritably. 'And please don't talk nonsense. The working class to which I belong has one privilege: the consciousness of being incorruptible -- the right to refuse to be indebted to wretched little shopkeepers, and to treat them with scorn. No, indeed, you don't buy me! I'm not a Yulitchka! Laptev did not attempt to pay the driver, knowing that it would call forth a perfect torrent of words, such as he had often heard before. She paid herself.
She had a little furnished room in the flat of a solitary lady who provided her meals. Her big Becker piano was
