to open the door at night, and before five o'clock in the morning was up lighting the stoves, and no one knew where he slept. He was very fond of opening seltzer-water bottles and did it easily, without a bang and without spilling a drop.

'With God's blessing,' said Kostya, drinking off a glass of vodka before the soup.

At first Yulia Sergeyevna did not like Kostya; his bass voice, his phrases such as 'Landed him one on the beak,' 'filth,' 'produce the samovar,' etc., his habit of clinking glasses and making sentimental speeches, seemed to her trivial. But as she got to know him better, she began to feel very much at home with him. He was open with her; he liked talking to her in a low voice in the evening, and even gave her novels of his own composition to read, though these had been kept a secret even from such friends as Laptev and Yartsev. She read these novels and praised them, so that she might not disappoint him, and he was delighted because he hoped sooner or later to become a distinguished author.

In his novels he described nothing but country-house life, though he had only seen the country on rare occasions when visiting friends at a summer villa, and had only been in a real country-house once in his life, when he had been to Volokolamsk on law business. He avoided any love interest as though he were ashamed of it; he put in frequent descriptions of nature, and in them was fond of using such expressions as, 'the capricious lines of the mountains, the miraculous forms of the clouds, the harmony of mysterious rhythms. . . .' His novels had never been published, and this he attributed to the censorship.

He liked the duties of a lawyer, but yet he considered that his most important pursuit was not the law but these novels. He believed that he had a subtle, ?sthetic temperament, and he always had leanings towards art. He neither sang nor played on any musical instrument, and was absolutely without an ear for music, but he attended all the symphony and philharmonic concerts, got up concerts for charitable objects, and made the acquaintance of singers. . . .

They used to talk at dinner.

'It's a strange thing,' said Laptev, 'my Fyodor took my breath away again! He said we must find out the date of the centenary of our firm, so as to try and get raised to noble rank; and he said it quite seriously. What can be the matter with him? I confess I begin to feel worried about him.'

They talked of Fyodor, and of its being the fashion nowadays to adopt some pose or other. Fyodor, for instance, tried to appear like a plain merchant, though he had ceased to be one; and when the teacher came from the school, of which old Laptev was the patron, to ask Fyodor for his salary, the latter changed his voice and deportment, and behaved with the teacher as though he were some one in authority.

There was nothing to be done; after dinner they went into the study. They talked about the decadents, about 'The Maid of Orleans,' and Kostya delivered a regular monologue; he fancied that he was very successful in imitating Ermolova. Then they sat down and played whist. The little girls had not gone back to the lodge but were sitting together in one arm-chair, with pale and mournful faces, and were listening to every noise in the street, wondering whether it was their father coming. In the evening when it was dark and the candles were lighted, they felt deeply dejected. The talk over the whist, the footsteps of Pyotr, the crackling in the fireplace, jarred on their nerves, and they did not like to look at the fire. In the evenings they did not want to cry, but they felt strange, and there was a load on their hearts. They could not understand how people could talk and laugh when their mother was dead.

'What did you see through the field-glasses today?' Yulia Sergeyevna asked Kostya.

'Nothing to-day, but yesterday I saw the old Frenchman having his bath.'

At seven o'clock Yulia and Kostya went to the Little Theatre. Laptev was left with the little girls.

'It's time your father was here,' he said, looking at his watch. 'The train must be late.'

The children sat in their arm-chair dumb and huddling together like animals when they are cold, while he walked about the room looking impatiently at his watch. It was quiet in the house. But just before nine o'clock some one rang at the bell. Pyotr went to open the door.

Hearing a familiar voice, the children shrieked, burst into sobs, and ran into the hall. Panaurov was wearing a sumptuous coat of antelope skin, and his head and moustaches were white with hoar frost. 'In a minute, in a minute,' he muttered, while Sasha and Lida, sobbing and laughing, kissed his cold hands, his hat, his antelope coat. With the languor of a handsome man spoilt by too much love, he fondled the children without haste, then went into the study and said, rubbing his hands:

'I've not come to stay long, my friends. I'm going to Petersburg to-morrow. They've promised to transfer me to another town.'

He was staying at the Dresden Hotel.

X

A friend who was often at the Laptevs' was Ivan Gavrilitch Yartsev. He was a strong, healthy man with black hair and a clever, pleasant face. He was considered to be handsome, but of late he had begun to grow stout, and that rather spoilt his face and figure; another thing that spoilt him was that he wore his hair cut so close that the skin showed through.

At the University his tall figure and physical strength had won him the nickname of 'the pounder' among the students. He had taken his degree with the Laptev brothers in the faculty of philology -- then he went in for science and now had the degree of magister in chemistry. But he had never given a lecture or even been a demonstrator. He taught physics and natural history in the modern school, and in two girls' high schools. He was enthusiastic over his pupils, especially the girls, and used to maintain that a remarkable generation was growing up. At home he spent his time studying sociology and Russian history, as well as chemistry, and he sometimes published brief notes in the newspapers and magazines, signing them 'Y.' When he talked of some botanical or zoological subject, he spoke like an historian; when he was discussing some historical question, he approached it as a man of science.

Kish, nicknamed 'the eternal student,' was also like one of the family at the Laptevs'. He had been for three years studying medicine. Then he took up mathematics, and spent two years over each year's course. His father, a provincial druggist, used to send him forty roubles a month, to which his mother, without his father's knowledge, added another ten. And this sum was not only sufficient for his board and lodging, but even for such luxuries as an overcoat lined with Polish beaver, gloves, scent, and photographs (he often had photographs taken of himself and used to distribute them among his friends). He was neat and demure, slightly bald, with golden side-whiskers, and he had the air of a man nearly always ready to oblige. He was always busy looking after other people's affairs. At one time he would be rushing about with a subscription list; at another time he would be freezing in the early morning at a ticket office to buy tickets for ladies of his acquaintance, or at somebody's request would be ordering a wreath or a bouquet. People simply said of him: 'Kish will go, Kish will do it, Kish will buy it.' He was usually unsuccessful in carrying out his commissions. Reproaches were showered upon him, people frequently forgot to

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