'What does this mean?' she cried, knocking at his door. 'What . . . what does this mean?' she repeated in a shrill voice breaking with indignation. 'Ah, so this is what you do! Then let me tell you I hate you, I despise you! Everything is over between us now.'

I heard hysterical weeping mingled with laughter. Something small in the drawing-room fell off the table and was broken. Orlov went out into the hall by another door, and, looking round him nervously, he hurriedly put on his great-coat and went out.

Half an hour passed, an hour, and she was still weeping. I remembered that she had no father or mother, no relations, and here she was living between a man who hated her and Polya, who robbed her -- and how desolate her life seemed to me! I do not know why, but I went into the drawing-room to her. Weak and helpless, looking with her lovely hair like an embodiment of tenderness and grace, she was in anguish, as though she were ill; she was lying on a couch, hiding her face, and quivering all over.

'Madam, shouldn't I fetch a doctor?' I asked gently.

'No, there's no need . . . it's nothing,' she said, and she looked at me with her tear-stained eyes. 'I have a little headache. . . . Thank you.'

I went out, and in the evening she was writing letter after letter, and sent me out first to Pekarsky, then to Gruzin, then to Kukushkin, and finally anywhere I chose, if only I could find Orlov and give him the letter. Every time I came back with the letter she scolded me, entreated me, thrust money into my hand -- as though she were in a fever. And all the night she did not sleep, but sat in the drawing-room, talking to herself.

Orlov returned to dinner next day, and they were reconciled.

The first Thursday afterwards Orlov complained to his friends of the intolerable life he led; he smoked a great deal, and said with irritation:

'It is no life at all; it's the rack. Tears, wailing, intellectual conversations, begging for forgiveness, again tears and wailing; and the long and the short of it is that I have no flat of my own now. I am wretched, and I make her wretched. Surely I haven't to live another month or two like this? How can I? But yet I may have to.'

'Why don't you speak, then?' said Pekarsky.

'I've tried, but I can't. One can boldly tell the truth, whatever it may be, to an independent, rational man; but in this case one has to do with a creature who has no will, no strength of character, and no logic. I cannot endure tears; they disarm me. When she cries, I am ready to swear eternal love and cry myself.'

Pekarsky did not understand; he scratched his broad forehead in perplexity and said:

'You really had better take another flat for her. It's so simple!'

'She wants me, not the flat. But what's the good of talking?' sighed Orlov. 'I only hear endless conversations, but no way out of my position. It certainly is a case of 'being guilty without guilt.' I don't claim to be a mushroom, but it seems I've got to go into the basket. The last thing I've ever set out to be is a hero. I never could endure Turgenev's novels; and now, all of a sudden, as though to spite me, I've heroism forced upon me. I assure her on my honour that I'm not a hero at all, I adduce irrefutable proofs of the same, but she doesn't believe me. Why doesn't she believe me? I suppose I really must have something of the appearance of a hero.'

'You go off on a tour of inspection in the provinces,' said Kukushkin, laughing.

'Yes, that's the only thing left for me.'

A week after this conversation Orlov announced that he was again ordered to attend the senator, and the same evening he went off with his portmanteaus to Pekarsky.

XI

An old man of sixty, in a long fur coat reaching to the ground, and a beaver cap, was standing at the door.

'Is Georgy Ivanitch at home?' he asked.

At first I thought it was one of the moneylenders, Gruzin's creditors, who sometimes used to come to Orlov for small payments on account; but when he came into the hall and flung open his coat, I saw the thick brows and the characteristically compressed lips which I knew so well from the photographs, and two rows of stars on the uniform. I recognised him: it was Orlov's father, the distinguished statesman.

I answered that Georgy Ivanitch was not at home. The old man pursed up his lips tightly and looked into space, reflecting, showing me his dried-up, toothless profile.

'I'll leave a note,' he said; 'show me in.'

He left his goloshes in the hall, and, without taking off his long, heavy fur coat, went into the study. There he sat down before the table, and, before taking up the pen, for three minutes he pondered, shading his eyes with his hand as though from the sun -- exactly as his son did when he was out of humour. His face was sad, thoughtful, with that look of resignation which I have only seen on the faces of the old and religious. I stood behind him, gazed at his bald head and at the hollow at the nape of his neck, and it was clear as daylight to me that this weak old man was now in my power. There was not a soul in the flat except my enemy and me. I had only to use a little physical violence, then snatch his watch to disguise the object of the crime, and to get off by the back way, and I should have gained infinitely more than I could have imagined possible when I took up the part of a footman. I thought that I could hardly get a better opportunity. But instead of acting, I looked quite unconcernedly, first at his bald patch and then at his fur, and calmly meditated on this man's relation to his only son, and on the fact that people spoiled by power and wealth probably don't want to die. . . .

'Have you been long in my son's service?' he asked, writing a large hand on the paper.

'Three months, your High Excellency.'

He finished the letter and stood up. I still had time. I urged myself on and clenched my fists, trying to wring out of my soul some trace of my former hatred; I recalled what a passionate, implacable, obstinate hate I had felt for him only a little while before. . . . But it is difficult to strike a match against a crumbling stone. The sad old face and the cold glitter of his stars roused in me nothing but petty, cheap, unnecessary thoughts of the transitoriness of everything earthly, of the nearness of death. . . .

'Good-day, brother,' said the old man. He put on his cap and went out.

There could be no doubt about it: I had undergone a change; I had become different. To convince myself, I

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