As soon as it comes to the “word of honor,” I wave my hands and sit down at my desk. The student thinks a moment longer and says dejectedly:

“In that case, good-bye … Excuse me.”

“Good-bye, my friend. Be well.”

He walks irresolutely to the front hall, slowly puts his coat on, and, as he goes out, again probably thinks for a long time. Having come up with nothing to apply to me except “the old devil,” he goes to a bad restaurant, drinks beer and has dinner, and then goes home to sleep. May you rest in peace, honest laborer!

A third ring. A young doctor comes in, wearing a new black two-piece suit, gold-rimmed spectacles, and, sure enough, a white tie. He introduces himself. I invite him to sit down and ask what I can do for him. Not without excitement, the young priest of science begins telling me that he passed his doctoral examination this year and that the only thing he has left to do is write a dissertation. He would like to work for a while with me, under my guidance, and I would greatly oblige him if I gave him a topic for a dissertation.

“I would be very glad to be of use, collega,” I say, “but let’s first agree on what a dissertation is. In the accepted understanding, the word refers to a piece of writing that represents a product of independent work. Isn’t that so? A piece of writing on someone else’s topic, produced under someone else’s guidance, goes by a different name …”

The doctoral candidate is silent. I flare up and jump to my feet.

“Why do you all come to me? I don’t understand it,” I shout angrily. “Am I running a shop or something? I don’t deal in topics! For the thousand and first time I beg you all to leave me in peace! Forgive my indelicacy, but I’m finally sick of it!”

The doctoral candidate is silent, only a slight color appears around his cheekbones. His face expresses profound respect for my famous name and learning, but by his eyes I can see that he despises my voice, and my pathetic figure, and my nervous gestures. I seem odd to him in my wrath.

“I’m not running a shop!” I say angrily. “And it’s an astonishing thing! Why don’t you want to be independent? Why are you so against freedom?”

I talk a lot, but he remains silent. In the end I gradually calm down and, of course, give in. The doctoral candidate will get a topic from me that isn’t worth a brass farthing, will write under my guidance a dissertation that nobody needs, will stand with dignity through a boring defense, and receive a learned degree that he has no use for.

The rings could follow one another endlessly, but here I’ll limit myself to only four. The bell rings a fourth time, and I hear familiar footsteps, the rustle of a dress, a dear voice …

Eighteen years ago my oculist colleague died, leaving a seven-year-old daughter, Katya, and sixty thousand roubles. In his will he appointed me her guardian. Katya lived in my family till she was ten, then was sent to boarding school and spent only the summer months in my house, during vacations. I had no time to occupy myself with her upbringing, I observed her only in snatches and therefore can say very little about her childhood.

The first thing I remember and love in my memories is this—the extraordinary trustfulness with which she came into my home, and let herself be treated by doctors, and which always shone on her little face. She might be sitting somewhere out of the way, with a bandaged cheek, but she was sure to be looking attentively at something; if just then she should see me writing or looking through a book, or my wife bustling about, or the cook in the kitchen peeling potatoes, or the dog playing, her eyes would invariably express the same thing—namely: “All that goes on in this world is beautiful and wise.” She was inquisitive and liked very much to talk with me. She would sit at the desk facing me, following my movements, and ask questions. She was interested in knowing what I read, what I did at the university, whether I was afraid of cadavers, what I did with my salary.

“Do the students fight at the university?” she would ask.

“Yes, they do, dear.”

“Do you make them stand on their knees?”

“I do.”

And she thought it was funny that the students fought and that I made them stand on their knees, and she laughed. She was a meek, patient, and kind child. Not seldom I happened to see how things were taken from her, or she was punished for no reason, or her curiosity went unsatisfied; at those moments the constant expression of trustfulness on her face would be mixed with sadness—and that was all. I wasn’t able to intercede for her, but only felt a longing, when I saw her sadness, to draw her to me and pity her in the tone of an old nanny: “My dear little orphan!”

I also remember that she liked to dress well and sprinkle herself with scent. In that respect she was like me. I, too, like fine clothes and good scent.

I regret that I had no time or wish to follow the beginning and development of the passion that already filled Katya by the time she was fourteen or fifteen years old. I’m referring to her passionate love for the theater. When she came home from boarding school for vacation and lived with us, she spoke of nothing else with such pleasure and such ardor as of plays and actors. She wore us out with her constant talk about the theater. My wife and children didn’t listen to her. I was the only one who lacked the courage to deny her my attention. When she had a wish to share her raptures, she would come to my study and say in a pleading voice:

“Nikolai Stepanych, let me talk with you about the theater!”

I would point to the clock and say:

“I’ll give you half an hour. Go on.”

Later she started bringing home dozens of portraits of the actors and actresses she adored; then she tried a few times to take part in amateur productions, and finally, when she finished school, she announced to me that she was born to be an actress.

I never shared Katya’s theatrical infatuation. I think, if a play is good, there’s no need to bother with actors for it to make the proper impression; it’s enough simply to read it. And if a play is bad, no performance will make it good.

In my youth I often went to the theater, and now my family reserves a box twice a year and takes me for an “airing.” Of course, that is not enough to give one the right to judge about the theater, but I will say a little about it.

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