'Excuse me' too.
As for his sister, she was a character out of a different opera. I must explain that I had not been acquainted with the Kotlovitches in my childhood and early youth, for my father had been a professor at N., and we had for many years lived away. When I did make their acquaintance the girl was twenty-two, had left school long before, and had spent two or three years in Moscow with a wealthy aunt who brought her out into society. When I was introduced and first had to talk to her, what struck me most of all was her rare and beautiful name—Ariadne. It suited her so wonderfully! She was a brunette, very thin, very slender, supple, elegant, and extremely graceful, with refined and exceedingly noble features. Her eyes were shining, too, but her brother's shone with a cold sweetness, mawkish as sugar-candy, while hers had the glow of youth, proud and beautiful. She conquered me on the first day of our acquaintance, and indeed it was inevitable. My first impression was so overwhelming that to this day I cannot get rid of my illusions; I am still tempted to imagine that nature had some grand, marvellous design when she created that girl.
Ariadne's voice, her walk, her hat, even her footprints on the sandy bank where she used to angle for gudgeon, filled me with delight and a passionate hunger for life. I judged of her spiritual being from her lovely face and lovely figure, and every word, every smile of Ariadne's bewitched me, conquered me and forced me to believe in the loftiness of her soul. She was friendly, ready to talk, gay and simple in her manners. She had a poetic belief in God, made poetic reflections about death, and there was such a wealth of varying shades in her spiritual organisation that even her faults seemed in her to carry with them peculiar, charming qualities. Suppose she wanted a new horse and had no money—what did that matter? Something might be sold or pawned, or if the steward swore that nothing could possibly be sold or pawned, the iron roofs might be torn off the lodges and taken to the factory, or at the very busiest time the farm-horses might be driven to the market and sold there for next to nothing. These unbridled desires reduced the whole household to despair at times, but she expressed them with such refinement that everything was forgiven her; all things were permitted her as to a goddess or to C?sar's wife. My love was pathetic and was soon noticed by every one—my father, the neighbours, and the peasants—and they all sympathised with me. When I stood the workmen vodka, they would bow and say: 'May the Kotlovitch young lady be your bride, please God!'
And Ariadne herself knew that I loved her. She would often ride over on horseback or drive in the char-a-banc to see us, and would spend whole days with me and my father. She made great friends with the old man, and he even taught her to bicycle, which was his favourite amusement.
I remember helping her to get on the bicycle one evening, and she looked so lovely that I felt as though I were burning my hands when I touched her. I shuddered with rapture, and when the two of them, my old father and she, both looking so handsome and elegant, bicycled side by side along the main road, a black horse ridden by the steward dashed aside on meeting them, and it seemed to me that it dashed aside because it too was overcome by her beauty. My love, my worship, touched Ariadne and softened her; she had a passionate longing to be captivated like me and to respond with the same love. It was so poetical!
But she was incapable of really loving as I did, for she was cold and already somewhat corrupted. There was a demon in her, whispering to her day and night that she was enchanting, adorable; and, having no definite idea for what object she was created, or for what purpose life had been given her, she never pictured herself in the future except as very wealthy and distinguished, she had visions of balls, races, liveries, of sumptuous drawing-rooms, of a salon of her own, and of a perfect swarm of counts, princes, ambassadors, celebrated painters and artists, all of them adoring her and in ecstasies over her beauty and her dresses. . . .
This thirst for personal success, and this continual concentration of the mind in one direction, makes people cold, and Ariadne was cold—to me, to nature, and to music. Meanwhile time was passing, and still there were no ambassadors on the scene. Ariadne went on living with her brother, the spiritualist: things went from bad to worse, so that she had nothing to buy hats and dresses with, and had to resort to all sorts of tricks and dodges to conceal her poverty.
As luck would have it, a certain Prince Maktuev, a wealthy man but an utterly insignificant person, had paid his addresses to her when she was living at her aunt's in Moscow. She had refused him, point-blank. But now she was fretted by the worm of repentance that she had refused him; just as a peasant pouts with repulsion at a mug of kvass with cockroaches in it but yet drinks it, so she frowned disdainfully at the recollection of the prince, and yet she would say to me: 'Say what you like, there is something inexplicable, fascinating, in a title. . . .'
She dreamed of a title, of a brilliant position, and at the same time she did not want to let me go. However one may dream of ambassadors one's heart is not a stone, and one has wistful feelings for one's youth. Ariadne tried to fall in love, made a show of being in love, and even swore that she loved me. But I am a highly strung and sensitive man; when I am loved I feel it even at a distance, without vows and assurances; at once I felt as it were a coldness in the air, and when she talked to me of love, it seemed to me as though I were listening to the singing of a metal nightingale. Ariadne was herself aware that she was lacking in something. She was vexed and more than once I saw her cry. Another time—can you imagine it?—all of a sudden she embraced me and kissed me. It happened in the evening on the river-bank, and I saw by her eyes that she did not love me, but was embracing me from curiosity, to test herself and to see what came of it. And I felt dreadful. I took her hands and said to her in despair: 'These caresses without love cause me suffering!'
'What a queer fellow you are!' she said with annoyance, and walked away.
Another year or two might have passed, and in all probability I should have married her, and so my story would have ended, but fate was pleased to arrange our romance differently. It happened that a new personage appeared on our horizon. Ariadne's brother had a visit from an old university friend called Mihail Ivanitch Lubkov, a charming man of whom coachmen and footmen used to say: 'An entertaining gentleman.' He was a man of medium height, lean and bald, with a face like a good-natured bourgeois, not interesting, but pale and presentable, with a stiff, well-kept moustache, with a neck like gooseskin, and a big Adam's apple. He used to wear pince-nez on a wide black ribbon, lisped, and could not pronounce either
He had made an exceedingly foolish marriage at twenty, and had acquired two houses in Moscow as part of his wife's dowry. He began doing them up and building a bath-house, and was completely ruined. Now his wife and four children lodged in Oriental Buildings in great poverty, and he had to support them—and this amused him. He was thirty-six and his wife was by now forty-two, and that, too, amused him. His mother, a conceited, sulky personage, with aristocratic pretensions, despised his wife and lived apart with a perfect menagerie of cats and dogs, and he had to allow her seventy-five roubles a month also; he was, too, a man of taste, liked lunching at the Slavyansky Bazaar and dining at the Hermitage; he needed a great deal of money, but his uncle only allowed him two thousand roubles a year, which was not enough, and for days together he would run about Moscow with his tongue out, as the saying is, looking for some one to borrow from—and this, too, amused him. He had come to Kotlovitch to find in the lap of nature, as he said, a rest from family life. At dinner, at supper, and on our walks, he talked about his wife, about his mother, about his creditors, about the bailiffs, and laughed at them; he laughed at himself and assured us that, thanks to his talent for borrowing, he had made a great number of agreeable acquaintances. He laughed without ceasing and we laughed too. Moreover, in his company we spent our time differently. I was more inclined to quiet, so to say idyllic pleasures; I liked fishing, evening walks, gathering mushrooms; Lubkov preferred picnics, fireworks, hunting. He used to get up picnics three times a week, and Ariadne, with an earnest and inspired face, used to write a list of oysters, champagne, sweets, and used to send me into Moscow to get them, without inquiring, of course, whether I had money. And at the picnics there were toasts and laughter, and again mirthful descriptions of how old his wife was, what fat lap-dogs his mother had, and what charming people his creditors were.
Lubkov was fond of nature, but he regarded it as something long familiar and at the same time, in reality, infinitely beneath himself and created for his pleasure. He would sometimes stand still before some magnificent landscape and say: 'It would be nice to have tea here.'
One day, seeing Ariadne walking in the distance with a parasol, he nodded towards her and said:
'She's thin, and that's what I like; I don't like fat women.'
This made me wince. I asked him not to speak like that about women before me. He looked at me in surprise and said:
'What is there amiss in my liking thin women and not caring for fat ones?'
I made no answer. Afterwards, being in very good spirits and a trifle elevated, he said:
'I've noticed Ariadne Grigoryevna likes you. I can't understand why you don't go in and win.'
