sensed that he was trying to center and gird himself for the psychological turmoil talking about the war would entail. Garth and I helped him prepare a meal of venison and vegetables, served on skewers, which we ate sitting on wooden stools around the huge, open hearth in the center of what served as the cabin's living room. Afterward, he brewed coffee and served it to us in carved wooden cups. It was almost sundown before he spoke again.

'Nobody knew how to react to me when I came home,' Worde said quietly as he sipped at his coffee. 'A lot of people were downright hostile, as if they considered me responsible for getting us into the war in the first place, or for losing it. Most of the people were kind; they tried to understand and help. But others asked the strangest questions; one guy wanted to know how many women and children I'd killed. Pretty soon I stopped answering any questions. I never did fill the prescription for lithium, because I knew it wouldn't help. I began to drink heavily, but that didn't help either. During the day, I couldn't forget all the horrors I'd seen, and every night I'd have nightmares and relive them. I'd wake up in the middle of the night, screaming. After a while I started … screaming during the day. I'm sure you were told that I started to believe there were Viet Cong surrounding the town, waiting to come in and get me.'

Without warning, Gary Worde suddenly set down his cup on a corner of the hearth, slipped off his stool, and crouched with his hands over his head. Garth started to go toward him, but he sat back down when I shook my head, signaling danger.

Slowly, like a cobra rising from a basket, Gary Worde straightened up and began to dance to the deadly music he heard in his head. His eyes glowed in the firelight as he flung one arm out, then the other, spun and kicked high into the air. He continued these graceful but deadly karate moves, a series of kata, for close to fifteen minutes, spinning, lunging, punching, and kicking his way around the cabin as he did battle with the demons in his mind, his imaginary enemies marching out at him from twenty years in the past. When he had finished, he wiped the sweat from his forehead with the back of his hand, sighed heavily, and sat back down on his stool.

''There was nobody to talk to who could understand,' the man continued in an even tone, as if nothing had happened. 'Nobody except Veil.'

'You were in touch with Veil back then?' I asked quietly.

'Yes. The war was over, and Veil had just arrived in New York. Somehow, he'd heard-or guessed-that I was back in Colletville, and he called me. He called a number of times; usually he'd call me from a pay phone, and I'd call him back. We'd talk for hours. He asked me to keep everything a secret-where he was, and even that we were in touch. I did as he asked, even though at the time I didn't understand his reasons.'

'You do now?' Garth asked.

The question had come too soon, and once again we were treated to a prolonged period of silence. Garth and I looked at each other inquiringly, but neither of us spoke. Gary Worde's strange and violent dance had convinced us that the man was, indeed, dangerous, and could not be pressed. If he was going to tell us anything, it would have to be in his own time, in his own way, at his own pace.

'Once, I went to New York to visit Veil, without telling anyone where I was going,' Worde said at last. 'Veil thought that coming to New York and staying with him might be good for me. Fuck, it didn't take me long to see that he was crazier than I was, although for different reasons. Also, he handled his craziness differently; he was always brawling, and he could kind of hold things together in his head as long as he was fighting. I'd had enough fighting and seen enough blood and broken bodies to last me a lifetime. I had no way of freeing myself the way Veil did. I figured there was no sense in my going to hell in his handbasket, so I came back to Colletville. Still, that visit to New York helped me in one way; it helped me to realize that the only time I really ever felt good was when I was by myself, up in these mountains.

'Still, for some reason I thought I just had to learn to live my life like everyone else-work, and have a family, and be a part of society. I'd come up to these mountains on weekends, but during the week I'd try to be … like them. It didn't work; everything got worse. I was rapidly becoming an alcoholic, and I started to get DT's to go along with my nightmares. Once, I nearly killed a man because I thought he was a VC sneaking up on me; he was just a businessman in a blue suit walking down the sidewalk in the middle of the day.

'I knew I was going to have to be sent back to the V.A. mental hospital, and I knew I'd die there. Then I realized what I had to do. I made one phone call-to Veil, telling him what I planned to do. Then I walked up into these mountains, and I've been here ever since. It was a good decision; I can only survive where there's solitude.'

Gary Worde refilled our coffee cups, and for a time we sat quietly, watching through a window as a huge moon rose into the night sky.

Finally Worde continued: 'When I walked into the woods, I had nothing but the clothes on my back and a hunting knife. Fortunately, it was summer, so I had time to build a crude shelter for the winter. I'd been in… Special Forces. I was well trained in survival craft, and that helped. But that first winter was rough. I don't know how I survived, but I did, literally living in caves, like an animal. I built snares, ate the flesh of whatever I caught, and used the pelts for warmth. As strange as it may seem, in the middle of all that physical misery I was happy. And I was so exhausted every night just from doing what I had to do to stay alive that I slept without dreams. I didn't miss booze; in fact, I didn't miss anything. For the first time in as long as I could remember, my mind was clear.

'I moved around a lot in that first year, and I looked pretty ragged, to say the least. I know I scared the shit out of a couple of hunters who came across me. Also, some people may have been caught in large snares I set for deer. After that, I think people became afraid of running into me because the hunters and hikers stayed away.

'Some time later, Veil-who's one hell of a tracker, in case you didn't know-found me up here. He'd changed, mellowed; he'd found a new way to fight off his own nightmares. I'd found peace in isolation, and he'd begun to find it in art. I think we must have talked for two days straight, without sleeping. He'd brought me things-canned food, tools, medicine, clothing-that he'd lugged all over creation while he was looking for me. He hadn't come to ask me to go back with him, because he understood why I had to be where I was. He just wanted to see me, and do what he could to make things more comfortable for me.

'He came back four more times that year when he found me, bringing me more things and helping me to build this cabin. After that, his visits became routine things, and I looked forward to them very much. He'd brought me steel traps, and I was able to set up good traplines. I cured the pelts of the animals I caught, gave them to Veil on his visits to sell back in New York to pay for the supplies he brought me. While he was here we'd talk and work on certain martial arts techniques that are difficult to describe, but are best practiced in places like these mountains.'

I thought I had a pretty good idea what Gary Worde was talking about; I remembered the silent walking technique Veil had taught me, and which I had used to sneak up on Loan Ka's sons in Seattle. I wondered what other deadly arts the two men had practiced here, but did not ask.

Garth and I helped the man wash the dishes and cooking utensils, using water drawn from a spigot in a rain barrel suspended near the open hearth to keep the water from freezing. When we had finished, Worde removed one of four carved pipes from a rack, filled it with a mixture, and lit it. Almost immediately, the air inside the cabin was filled with the sickly-sweet smell of marijuana. He offered the pipe to us, and we declined. And we waited. As Gary Worde had told us, and as he had made abundantly clear, his sense of time was not ours. He would tell us what we wanted to know, assuming he possessed the information, when he was ready, and not before.

'Veil told me certain things which you'd probably like to know about,' the hidden veteran continued at last in a flat, matter-of-fact tone as he stared out the window into the moonlight-washed night. 'There were two reasons why he felt he could talk to me about these matters. First, I'm up here where nobody can find me; second, he knew he could trust me to keep my mouth shut even if people could find me. It's very dangerous information-dangerous to Veil, and dangerous to anyone else who shares it.'

'We're well aware of that, Gary,' I said quietly. 'But now that information may be the only thing that can save Veil, and us. A lot of innocent people have already died because of Veil's secrets.'

'Veil's not responsible for that.'

'I didn't say he was, although it's difficult to understand why he's done certain things the way he has. All we want to do is stop the killing, and nail whoever is responsible. Do you know who that is?'

Now Gary Worde slowly turned toward us; half his face glowed in the flickering orange light from the fireplace, the other half remained hidden in shadow. 'Maybe now is the time to talk about those things, maybe it isn't. I hear you when you say Veil's in trouble, and that you need this information to help him. That's heavy. But

Вы читаете Two Songs This Archangel Sings
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату