Someone was calling my name: a child's voice, crying, afraid, a small wave from some dark, deep ocean lapping at the shore of my mind. Then I was running down a long tunnel, slipping and falling on the soft, oily surface, struggling to reach the small, frail figure at the other end. The figure of Kathy seemed to recede with each step I took, and still I ran. Kathy was dressed in a long, flowing white gown, buttoned to the neck, covered with strange, twisted shapes. Suddenly she was before me. As I reached out to take her in my arms she burst into flames.
I sat bolt upright in bed, drenched in sweat. My first reaction was relief when I realized I had only been dreaming. Then came terror: I smelled smoke.
Or thought I smelled smoke. Part of the dream? I started to reach for my cigarettes, then froze. There
I sprinted to the end of the hall and broke the fire box there. Then I ran back and tried the door to 4D. It was locked. I didn't waste time knocking. I braced against the opposite wall, ran two steps forward, kipped in the air and kicked out at the door just above the lock. The door rattled. I picked myself off the floor and repeated the process. This time the door sprung open wide.
The first thing that hit me was the stench. The inside of the apartment, filled with thick, greenish smoke, smelled like a sewer.
There was a bright, furnace glow to my right, coming from the bedroom. I started toward it, then stopped when I saw Kathy lying on the couch.
She was dressed in the same gown I had seen in the dream.
I bent over her. She seemed to be breathing regularly but was completely unconscious, not responding to either my voice or touch. I picked her up and carried her out into the hall, laid her down on the carpet and went back into the apartment.
There was nothing I could do there. I stood in the door of the bedroom and gazed in horror at the bed that had become a funeral pyre. The naked bodies of Jim and Becky Marsten were barely discernible inside the deadly ring of fire. The bodies, blackened and shriveling, were locked together in some terrible and final act of love. And death.
'Excuse me, Doctor. How's the girl? Kathy Marsten?'
The doctor was Puerto Rican, frail, and walked with a limp. He had a full head of thick black hair and large, brown eyes that weren't yet calloused over by the pain one encounters in a New York City hospital. He was a young man. The tag on his white smock said his name was Rivera. He looked somewhat surprised to find a dwarf standing in front of him.
'Who are you?'
'My name's Frederickson.'
The eyes narrowed. 'I've seen your picture. They call you Mongo. Ex-circus performer, college professor, private-'
'I asked you how the girl was.'
'Are you a relative?'
'No. Friend of the family. I brought her in.'
He hesitated, then led me to a small alcove at the end of the corridor. I didn't like the look of the way he walked and held his head: too sad, a little desperate.
'My name is Rivera,' he said. 'Juan Rivera.'
'I saw the name tag, Doctor.'
'Kathy is dying.'
Just like that. I passed my hand over my eyes. 'Of what?'
Rivera shrugged his shoulders. It was an odd gesture, filled with helplessness and bitter irony. 'We don't know,' he said, his eyes clouding. 'There's no sign of smoke inhalation, which, of course, was the first thing we looked for. Since then we've run every conceivable test. Nothing. There's no sign of physical injury. She's just. .
'She hasn't regained consciousness?'
'No. She's in a deep coma.'
'Can't you operate?'
Juan Rivera's laugh was short, sharp, bitter, belied by the anguish in his eyes. 'Operate on
Rivera swallowed hard. 'There must be something in her background: an allergy, some obscure hereditary disease. That information is vital.' He suddenly reached into his hip pocket and drew out his wallet. 'You're a private detective. I want to hire you to find some relative of Kathy's that knows something about her medical history.'
I held up my hand. 'No thanks. I only take on one client at a time.'
Rivera looked puzzled. 'You won't help?'
'The girl hired me to find something for her. I figure that covers finding a way to save her life. Do you still have the gown she was wearing when I brought her in?'
'The one with the pictures?'
'Right. I wonder if you'd give it to me.'
'Why?'
'I'd rather not say right now, Dr. Rivera. I think the symbols on that gown mean something. They could provide a clue to what's wrong with Kathy.'
'They're designs,' he said somewhat impatiently. 'A child's nightgown. What can it have to do with Kathy's illness?'
'Maybe nothing. But I won't know for sure unless you give it to me.'