beginning and began reading again, this time more closely.

When he looked up, D’Agosta thought he caught a gleam of something in the agent’s eyes. But, no—it was his imagination.

“Um, I thought the case was sort of up your alley. We’ve got this special agent from the BSU assigned. A fellow named Gibbs. Conrad Gibbs. You know him?”

Pendergast slowly shook his head.

“He’s got a lot of theories. All very pat. But this case… well, it seemed custom-made for you. I’ve got a binder here with the preliminary crime-scene analysis, lab reports, autopsy, forensics, DNA—the works.” He slipped it out of his briefcase and held it up, questioningly. When there was no response, he laid it down on a table.

“Can I count on your help? Even if it’s just an informal opinion?”

“I regret I won’t have time to look through this material before I leave.”

“Leave? Where are you going?”

Pendergast rose, ponderously, his black dressing gown cloaking him like a figure of the grim reaper himself. That gleam D’Agosta imagined he saw had certainly been a figment of his hopes: the eyes were duller than ever.

Pendergast offered D’Agosta his hand. It was as cold as a dead mackerel. But then it unexpectedly tightened and, in a much warmer voice, if strained, Pendergast said: “Good-bye, my dear Vincent.”

Pendergast closed the door to his apartment. He walked toward the door leading out of the reception room, but paused, then turned, hesitating. His face betrayed an extreme inner turmoil. Finally, he seemed to make a decision. He walked over to the table, picked up the thick binder, and flipped it open, beginning to read.

For two hours he stood there, stock-still. And then he laid it down. His lips moved and he spoke a single word.

“Diogenes.”

15

THE 1959 ROLLS-ROYCE SILVER WRAITH PURRED UP THE northern reaches of Riverside Drive, the glow of the streetlamps and traffic lights reflecting off its polished surfaces. Passing 137th Street, it slowed, then turned in to a driveway bordered by a tall wrought-iron fence, its gate standing open. Moving past barren ailanthus and sumac bushes, the vehicle came to a stop beneath the porte cochere of a large Beaux-Arts mansion, its marble- and-brick facade rising four stories into the gloom, mansard roof topped by a crenellated widow’s walk. There was a flicker of lightning overhead, followed by a growl of thunder. A cold wind swept off the Hudson. It was only six PM, but early December in New York City was already under cover of night.

Agent Pendergast got out of the car. In the dim light, his face was pale, and even in the chill air it was beaded with sweat. As he stepped toward an oaken door set into the pillared entrance, there was a rustle in the shrubbery at the rear of the carriage drive. He turned toward the noise to see Corrie Swanson emerge from the gloom. She looked inexpressibly dirty, her clothes creased and muddy, her hair matted, her face smudged. A torn, frayed knapsack hung from one shoulder. She glanced both ways, like a skittish colt, then darted up to him.

“Agent Pendergast!” she said in a hoarse whisper. “Where have you been? I’ve been freezing my ass here for days waiting for you! I’m in trouble.”

Without waiting to hear more, he unlocked the door and ushered her inside.

He closed the heavy door, then snapped on a light, revealing an entryway with a polished marble floor and walls of dark velvet. He led the way into a long, refectory-like space of carved gothic fixtures, and then beyond to a large reception hall, lined by glass-fronted cabinets. Proctor, Pendergast’s chauffeur, stood stiffly in a bathrobe, leaning on a crutch, apparently roused by the sound of their entrance.

“Proctor, please have Mrs. Trask run a bath for Miss Swanson,” Pendergast said. “And have her clothes washed and pressed, please.”

Corrie turned toward him. “But—”

“I’ll await you in the library.”

Ninety minutes later, feeling renewed, Corrie walked into the library. The room was dark, and no fire had been laid on. Pendergast was seated in a wing chair in a far corner, motionless and almost invisible. There was something about his presence—a restless stillness, if such a thing were possible—that gave her an odd feeling.

She took a seat opposite him. Pendergast sat, his fingers tented, his eyes half closed. Feeling unaccountably nervous, she hurried into her story. She told him about Betterton, his accusations and theories about Pendergast, the yacht, and her crazy decision to break into the house on East End he had mentioned to her.

While she spoke, Pendergast had seemed distant, almost as if he wasn’t listening. But the mention of the house seemed to catch his attention.

“You engaged in breaking and entering,” he said.

“I know, I know.” Corrie colored. “I’m stupid, but you already know that…” She tried to laugh and found no corresponding amusement—or even reaction—in him. Pendergast was weirder than usual. She took a deep breath and went on. “The place looked like it’d been deserted for years. So I broke in. And you won’t believe what I found. It’s some kind of Nazi safe house. Stacks of Mein Kampf in the basement, old radio equipment, and even a torture room. Upstairs it looked like they were packing up to leave. I found a room full of documents in the process of being shredded.”

She paused, waited. Still no reaction.

“I rifled through the documents, thinking they might be important. A lot of them were covered with swastikas and dated back to the war. Some were stamped STRENG GEHEIM, which I later found out means ‘top secret’ in German. And then I saw the name Esterhazy.”

At this, Pendergast woke up. “Esterhazy?”

“Your late wife’s maiden name, right? I learned that researching the website.”

An incline of the head. God, he looked awful.

“Anyway,” she went on, “I stuffed as many documents as I could into my knapsack. But then—” She paused. The memory was still so fresh. “A Nazi caught me. He tried to kill me. I sprayed the mother with capsicum and managed to get away. I’ve been scared shitless and on the run ever since, living in shelters and hanging out in Bryant Park. I haven’t been in my apartment, I haven’t been at school. All this time I’ve been just trying to reach you!” Quite suddenly, she felt herself on the verge of tears. She forced them back roughly. “You wouldn’t answer the phone. I couldn’t stake out the Dakota, those doormen are like the KGB.”

When he did not respond, she reached into her knapsack, pulled out the sheaf of papers, and put them on an end table. “Here they are.”

Pendergast did not look at the papers. He seemed to have gone far away again. Now, with her spike of anxiety ebbing, Corrie looked at him more closely. He was shockingly thin, even gaunt, and in the dim light she could see the bags under his eyes, the paleness of his skin. But most surprising of all was his demeanor. While his movements were usually languid, you nevertheless had a sense that it was the languor of a cat: a coiled spring, ready to strike out at any moment. But Corrie did not have that sense now. Pendergast seemed unfocused, detached, barely interested in her story. He seemed little concerned by what had happened to her, the danger she had put herself in for his sake.

“Pendergast,” she said. “Are you all right? You look… sort of funny. I’m sorry, but you do.”

He waved this away as he might a fly. “These so-called Nazis. Did they get your name?”

“No.”

“Did you leave anything behind that might lead them to your identity?”

“I don’t think so. Everything I had was in this.” And she nudged the knapsack with her foot.

“Any indication that they’ve been tracking you?”

“I don’t think so. But I stayed underground. Those guys were freaking scary.”

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