Two Graves

Just as they came up to the cabin door, Corrie heard the latch turn. The door opened suddenly, hitting Corrie in the wrist. With a cry of pain, she dropped the gun.

Her father stood in the doorway, looking from Foote to her and back again. “Corrie?” he asked, his face a mask of confusion. “I heard noises. What are you doing here? I thought you were going to town—”

Corrie leapt for the gun, but Foote was quicker. He grabbed it, shoving her roughly back at the same time. Jack Swanson stared uncomprehendingly at the gun as Foote raised it toward him. Just at the last moment, Jack leapt back into the wooded area behind the cabin, but the gun roared and Corrie could tell from the way her father’s body twisted around that the bullet had hit home.

“You bastard!” she screamed, running at Foote, the box cutter raised. But Foote wheeled around toward her, slamming the butt of the handgun into her temple, and abruptly the world shut down.

She came to rapidly, her brain clearing. She had been hastily bound with plastic cuffs, hands and feet, and dumped unceremoniously in the backseat of Foote’s car, where she was propped sideways.

She waited, unbearably tense, straining, listening. She had planned it all so carefully—and it had all unraveled in the space of fifteen seconds. What was she going to do now? What was going to happen? Oh, God, it was all her fault—she should have gone to the police instead of trying to handle it herself, but she was afraid they’d just arrest her father…

Then she heard more shots—two of them in rapid succession. And then silence. It was broken eventually by a gust of wind that started the tree branches swaying, knocking, knocking, knocking.

55

THE NATURALIST WAITED IN THE SHADE, RESTING ON HIS pack, for Senhor Michael Jackson Mendonca to arrive. The man eventually made his appearance, with fanfare: a big, broad, brown, relatively young man with a gigantic smile, long curly hair tied with a bandanna, wearing a sleeveless shirt, shorts, and flip-flops. He bulled his way through the crowd, his loud, friendly voice urging one and all to make way. He extended his hand twenty yards before he even reached the naturalist, striding up and pumping the limp arm vigorously.

“Michael Jackson Mendonca!” he said. “At your service!”

The naturalist retrieved his much-shaken hand as quickly as he could. “I am Percival Fawcett,” he said, somewhat stiffly. At least Mendonca’s English was near perfect.

“Percival! May I call you Percy?”

This was permitted with another stiff nod.

“Good, good! I myself am from New York. Queens! Twenty years in your great country of America. So… I hear you want to go to Nova Godoi?”

“Yes. Although it seems that it may be difficult.”

“No, not at all!” cried Mendonca. “It’s a long journey, yes. And Nova Godoi isn’t a real town, a public town, that is. It’s way up there in the forest. Off limits to outsiders. They’re not friendly. Not friendly.”

“I’m not in need of friends,” said the naturalist. “I won’t bother anyone. If there are problems, I can pay. You see, I’m on the trail of the Queen Beatrice. Are you familiar with it?”

Mendonca scrunched his face up in puzzlement. “No.”

“No? It’s the rarest butterfly in the world. Only one specimen was ever collected—it’s now in the British Museum, specimen number 75935A1901.” His voice took on a reverent tone as he recited the number. “Everyone assumes it’s extinct… but I have reason to believe it’s not. You see—” he was now waxing eloquent on his subject—“from what my research tells me, the Nova Godoi crater is a unique ecosystem, with special conditions all its own. The butterfly lived there and nowhere else. And that crater hasn’t seen a professional lepidopterist since the Second World War! So what do you expect? Of course no more have been sighted— because no entomologist has been there to see one! But now there is: me.”

He fumbled in his pack and extracted a laminated photograph, showing a small brown butterfly pinned to a white card, with writing below it.

Mendonca peered at the image. “That is the Queen Beatrice?”

“Isn’t it magnificent?”

“Esplendido. Now we must talk about expense.”

“That’s the specimen in the British Museum. You can see it’s sadly faded. The original is said to have a rich mahogany color.”

“About the expense,” continued Mendonca.

“Yes, yes. How much?”

“Three thousand reals,” said Mendonca, trying to keep his voice nonchalant. “That includes four days. Plus cost of food and supplies.”

“On top of the boat rental? Hmm. Well, if that’s what it costs, that’s what it costs.”

“All up front,” he added quickly.

A pause. “Half and half.”

“Two thousand up front, a thousand when we arrive.”

“Well, all right.”

“When do we leave?” Mendonca asked.

The naturalist looked surprised. “Right now, of course.” He began counting out the money.

The naturalist sat in the bow with his backpack, reading a book by Vladimir Nabokov, while Mendonca loaded the boat with a cooler of food, along with dry foodstuffs, a tent, sleeping bags, and his own modest kit bag containing a change of clothes.

In no time they were heading upstream, Mendonca at the tiller, the skiff cutting a creamy wake through the brown water. It was already late morning and Mendonca was thinking that they could reach the last town before the forest by nightfall. While there was no lodging there, they could at least get dinner and—especially—cold beer at a local fornecimento. They could camp in a field by the river. And there, he hoped to God, he could find out from someone how to get up the final leg of the Rio Itajai do Sul to Nova Godoi, a place that in truth he had never been to, although he had heard plenty of rumors about it.

As the boat moved up the river, passing various fishermen and river travelers, a nice breeze came over the water, cooling them and keeping away the mosquitoes. They passed the last few houses of Alsdorf, green fields coming into view, some planted with crops, others pastures for cattle. Everything was very neat and tended; that was how things were in southern Brazil. Not like chaotic, criminal-ridden Rio de Janeiro.

The naturalist put down his book. “Have you been to Nova Godoi?” he asked pleasantly.

“Well, not exactly,” said Mendonca. “But I know how to get there, of course.”

“What do you know about the place?”

Mendonca gave a little laugh, to cover up his nervousness. He’d been afraid the man might start asking questions like this. While he didn’t believe half the rumors he’d heard, he didn’t want to frighten a customer off.

“I’ve heard some things.” Mendonca shook his head, steering the boat past a group of fishermen hauling in a net.

“How many people live there?”

“I don’t know. It’s not a real town, like I said. It’s on an old tobacco plantation, private property, closed to the public. It’s a German colony of the kind that used to exist all around here, only much more remote.”

“And it used to be a tobacco plantation?”

“Yes. Tobacco is one of our biggest agricultural products,” said Mendonca proudly. To underscore this he removed a pair of cigars from his pocket, offering one to the naturalist.

“No, thank you. I don’t smoke coffin nails.”

“Ha, ha,” said Mendonca, lighting his up. “You are funny.” He puffed. “Tobacco. The plantation was