'You don't think…?'
'No, I don't think. But I don't know. Miss Griffith seems an eminently sane, healthy-minded woman – but I say, I don't know.'
'What about the previous week? Could she have slipped the letter in the box?'
'It's possible. She was shopping in the town that afternoon.' He paused. 'The same applies to Miss Emily Barton. She was out shopping early yesterday afternoon and she went for a walk to see some friends on the road past the Symmingtons' house the week before.'
I shook my head unbelievingly. Finding the cut book in Little Furze was bound, I knew, to direct attention to the owner of that house, but when I remembered Miss Emily coming in yesterday so bright and happy and excited… Damn it all – excited… Yes, excited – pink cheeks – shining eyes – surely not because – not because -
I said thickly: 'This business is bad for one! One sees things – one imagines things -'
Nash nodded sympathetically. 'Yes, it isn't very pleasant to look upon these fellow creatures one meets as possible criminal lunatics.'
He paused for a moment, then went on, 'And there's Mr. Pye -'
I said sharply 'Do you have considered him?'
Nash smiled. 'Oh yes, we've considered him all right. A very curious character – not, I should say, a very nice character. He has no alibi. He was in his garden, alone, on both occasions.'
'So you're not only suspecting women?'
'I don't think men wrote the letters – in fact, I'm sure of it – always excepting our Mr. Pye, that is to say, who's got an abnormally female streak in his character. But we've checked up on everybody for yesterday afternoon. That's a murder case, you see. You're all right,' he grinned, 'and so's your sister, and Mr. Symmington didn't leave his office after he got there and Dr. Griffith was on a round in the other direction, and I've checked up on his visits.'
He paused, smiled again, and said, 'You see, we are thorough.'
I said slowly: 'So your case is eliminated down to those three? Mr. Pye, Miss Griffith, little Miss Barton?'
'Oh, no, we've got a couple more – besides the vicar's lady.'
'You've thought of her?'
'We've thought of everybody, but Mrs. Dane Calthrop is a little too openly mad, if you know what I mean. Still, she could have done it. She was in a wood watching birds yesterday afternoon – and the birds can't speak for her.'
He turned sharply as Owen Griffith came into the police station.
'Hullo, Nash. I heard you were around asking for me this morning. Anything important?'
'Inquest on Friday, if that suits you, Dr. Griffith.'
'Right. Moresby and I are doing the P.M. tonight.'
Nash said, 'There's just one other thing, Dr. Griffith. Mrs. Symmington was taking some powders or something, that you prescribed to her -'
He paused.
Owen Griffith said interrogatively, 'Yes?'
'Would an overdose of those powders have been fatal?'
'Certainly not,' Griffith said drily. 'Not unless she'd taken about twenty-five of them!'
'But you once warned her about exceeding the dose, so Miss Holland tells me.'
'Oh, that, yes. Mrs. Symmington was the sort of woman who would go and overdo anything she was given – fancy that to take twice as much would do her twice as much good, and you don't want anyone to overdo even phenacetin or aspirin – bad for the heart. And anyway there's absolutely no doubt about the cause of death. It was cyanide.'
'Oh, I know that – you don't get my meaning. I only thought that when committing suicide you'd prefer to take an overdose of a soporific rather than to feed yourself prussic acid.'
'Oh, quite. On the other hand, prussic acid is more dramatic and is pretty certain to do the trick. With barbiturates, for instance, you can bring the victim around if only a short time has elapsed.'
'I see; thank you, Dr. Griffith.'
Griffith departed, and I said goodbye to Nash. I went slowly up the hill home. Joanna was out – at least there was no sign of her, and there was an enigmatical memorandum scribbled on the telephone block presumably for the guidance of either Partridge or myself:
'If Dr. Griffith rings up, I can't go on Tuesday, but could manage Wednesday or Thursday.'
I raised my eyebrows and went into the drawing room. I sat down in the most comfortable armchair – (none of them were very comfortable, they tended to have straight backs and were reminiscent of the late Mrs. Barton) – stretched out my legs and tried to think the whole thing out.
With sudden annoyance I remembered that Owen's arrival had interrupted my conversation with the inspector, and that he had mentioned two other people as being possibilities.
I wondered who they were.
Partridge, perhaps, for one? After all, the cut book had been found in this house. And Agnes could have been struck down quite unsuspectingly by her guide and mentor. No, you couldn't eliminate Partridge.
But who was the other?
Somebody, perhaps, that I didn't know? Mrs. Cleat? The original local suspect?
I closed my eyes. I considered the four people, these strangely unlikely people, in turn: Gentle, frail little Emily Barton? What points were there actually against her? A starved life? Dominated and repressed from early childhood? Too many sacrifices asked of her? Her curious horror of discussing anything 'not quite nice'? Was that actually a sign of inner preoccupation with just these themes? Was I getting too horribly Freudian? I remembered a doctor once telling me that the mutterings of gentle maiden ladies when going off under an anesthetic were a revelation. 'You wouldn't think they knew such words!'
Aimee Griffith?
Surely nothing; repressed or 'inhibited' about her. Cheery, mannish, successful. A full, busy life. Yet Mrs. Dane Calthrop had said, 'Poor thing!'
And there was something – something – some remembrance… Ah! I'd got it. Owen Griffith saying something like, 'We had an outbreak of anonymous letters up north where I had a practice.'
Had that been Aimee Griffith's work, too? Surely rather a coincidence. Two outbreaks of the same thing.
Stop a minute, they'd tracked down the author of those. Griffith had said so. A schoolgirl.
Cold it was suddenly – must be a draft, from the window. I turned uncomfortably in my chair. Why did I suddenly feel so queer and upset?
Go on thinking… Aimee Griffith? Perhaps it was Aimee Griffith, not that other girl? And Aimee had come down here and started her tricks again. And that was why Owen Griffith was looking so unhappy and hag-ridden. He suspected. Yes, he suspected…
Mr. Pye? Not, somehow, a very nice little man. I could imagine him staging the whole business, laughing…
That telephone message on the telephone pad in the hall – why did I keep thinking of it? Griffith and Joanna – he was falling for her. No, that wasn't why the message worried me.
It was something else…
My senses were swimming, sleep was very near. I repeated idiotically to myself: 'No smoke without fire. No smoke without fire… That's it… it all links up together… '
And then I was walking down the street with Megan, and Elsie Holland passed. She was dressed as a bride, and people were murmuring, 'She's going to marry Dr. Griffith at last. Of course, they've been engaged secretly for years… '
There we were, in the church, and Dane Calthrop was reading the service in Latin.
And in the middle of it Mrs. Dane Calthrop jumped up and cried energetically, 'It's got to be stopped, I tell you. It's got to be stopped!'
For a minute or two I didn't know whether I was asleep or awake. Then my brain cleared, and I realized I was in the drawing room of Little Furze and that Mrs. Dane Calthrop had just come through the window and was standing in front of me saying with nervous violence:
'It has got to be stopped, I tell you.'
