'I was speaking generally,' said Miss Marple, with dignity. 'First we had Mrs Badcock apparently murdered. One asked oneself who could have done such a thing and the first answer would naturally be the husband. So one had to examine that possibility. Then we decided that the real object of the crime was Marina Gregg and there again we have to look for the person most intimately connected with Marina Gregg, starting as I say with the husband. Because there is no doubt about that husbands do, very frequently, want to make away with their wives, though sometimes, of course, they only wish to make away with their wives and do not actually do so. But I agree with you, my dear boy, that Jason Rudd really cares with all his heart for Marina Gregg. It might be very clever acting, though I can hardly believe that. And one certainly cannot see a motive of any kind for his doing away with her. If he wanted to marry somebody else there could, I should say, be nothing more simple. Divorce, if I may say so, seems second nature to film stars. A practical advantage does not seem to arise either. He is not a poor man by any means. He has his own career, and is, I understand, most successful in it. So we must go farther afield. But it certainly is difficult. Yes, very difficult.'
'Yes,' said Craddock, 'it must hold particular difficulties for you because of course this film world is entirely new to you. You don't know the local scandals and all the rest of it.'
'I know a little more than you may think,' said Miss Marple. 'I have studied very closely various numbers of Confidential, Film Life, Film Talk and Film Topics.'
Dermot Craddock laughed. He couldn't help it.
'I must say,' he said, 'it tickles me to see you sitting there and telling me what your course of literature has been.'
'I found it very interesting,' said Miss Marple. 'They're not particularly well written, if I may say so. But it really is disappointing in a way that it is all so much the same as it used to be in my young days. Modern Society and Tit Bits and all the rest of them. A lot of gossip. A lot of scandal. A great preoccupation with who is in love with whom, and all the rest of it. Really, you know, practically exactly the same sort of thing goes on in St Mary Mead. And in the Development too. Human nature, I mean, is just the same everywhere. One comes back, I think, to the question of who could have been likely to want to kill Marina Gregg, to want to so much that having failed once they sent threatening letters and made repeated attempts to do so. Someone perhaps a little -' very gently she tapped her forehead.
'Yes,' said Craddock, 'that certainly seems indicated. And of course it doesn't always show.'
'Oh, I know,' agreed Miss Marple, fervently. 'Old Mrs Pike's second boy, Alfred, seemed perfectly rational and normal. Almost painfully prosaic, if you know what I mean, but actually, it seems, he had the most abnormal psychology, or so I understand. Really positively dangerous. He seems quite happy and contented, so Mrs Pike told me, now that he is in Fairways Mental Home. They understand him there, and the doctors think him a most interesting case. That of course pleases him very much. Yes, it all ended quite happily, but she had one or two very near escapes.'
Craddock revolved in his mind the possibility of a parallel between someone in Marina Gregg's entourage and Mrs Pike's second son.
'The Italian butler,' continued Miss Marple, 'the one who was killed. He went to London, I understand, on the day of his death. Does anyone know what he did there – if you are allowed to tell me, that is,' she added conscientiously.
'He arrived in London at eleven-thirty in the morning,' said Craddock, 'and what he did in London nobody knows until a quarter to two he visited his bank and made a deposit of five hundred pounds in cash. I may say that there was no confirmation of his story that he went to London to visit an ill relative or a relative who had got into trouble. None of his relatives there had seen him.'
Miss Marple nodded her head appreciatively.
'Five hundred pounds,' she said. 'Yes, that's quite an interesting sum, isn't it. I should imagine it would be the first instalment of a good many other sums, wouldn't you?'
'It looks that way,' said Craddock.
'It was probably all the ready money the person he was threatening could raise. He may even have pretended to be satisfied with that or he may have accepted it as a down payment and the victim may have promised to raise further sums in the immediate future. It seems to knock out the idea that Marina Gregg's killer could have been someone in humble circumstances who had a private vendetta against her. It would also knock out, I should say, the idea of someone who'd obtained work as a studio helper or attendant or a servant or a gardener. Unless' – Miss Marple pointed out – 'such a person may have been the active agent whereas the employing agent may not have been in the neighbourhood. Hence the visit to London.'
'Exactly. We have in London Ardwyck Fenn, Lola Brewster and Margot Bence. All three were present at the party. All three of them could have met Giuseppe at an arranged meeting-place somewhere in London between the hours of eleven and a quarter to two. Ardwyck Fern was out of his office during those hours. Lola Brewster had left her suite to go shopping. Margot Bence was not in her studio. By the way -'
'Yes?' said Miss Marple, 'have you something to tell me?'
'You asked me,' said Dermot, 'about the children. The children that Marina Gregg adopted before she knew she could have a child of her own.'
'Yes I did.'
Craddock told her what he had learned.
'Margot Bence,' said Miss Marple softly. 'I had a feeling, you know, that it had something to do with children…'
'I can't believe that after all these years -'
'I know, I know. One never can. But do you really, my dear Dermot, know very much about children? Think back to your own childhood. Can't you remember some incident, some happening that caused you grief, or a passion quite incommensurate with its real importance? Some sorrow or passionate resentment that has really never been equalled since? There was such a book, you know, written by that brilliant writer. Mr Richard Hughes. I forget the name of it but it was about some children who had been through a hurricane. Oh yes – the hurricane in Jamaica. What made a vivid impression on them was their cat rushing madly through the house. It was the only thing they remembered. But the whole of the horror and excitement and fear that they had experienced was bound up in that one incident.'
'It's odd you should say that,' said Craddock thoughtfully.
'Why, has it made you remember something?'
'I was thinking of when my mother died. I was five I think. Five or six. I was having dinner in the nursery, jam roll pudding. I was very fond of jam roll pudding. One of the servants came in and said to my nursery governess, 'Isn't it awful? There's been an accident and Mrs Craddock has been killed.'… Whenever I think of my mother's death, d'you know what I see?'
'What?'
'A plate with jam roll pudding on it, and I'm staring at it. Staring at it and I can see as well now as then, how the jam oozed out of it at one side. I didn't cry or say anything. I remember just sitting there as though I'd been frozen stiff, staring at the pudding. And d'you know, even now if I see in a shop or a restaurant or in anyone's house a portion of jam roll pudding, a whole wave of horror and misery and despair comes over me. Sometimes for a moment I don't remember why. Does that seem very crazy to you?'
'No,' said Miss Marple, 'it seems entirely natural. It's very interesting, that. It's given me a sort of idea…'
The door opened and Miss Knight appeared bearing the tea tray.
'Dear, dear,' she exclaimed, 'and so we've got a visitor, have we? How very nice. How do you do, Inspector Craddock. I'll just fetch another cup.'
'Don't bother,' Dermot called after her. 'I've had a drink instead.'
Miss Knight popped her head back round the door.
'I wonder – could you just come here a minute, Mr Craddock?'
Dermot joined her in the hall. She went to the dining-room and shut the door.
'You will be careful, won't you,' she said.
'Careful? In what way, Miss Knight?'
'Our old dear in there. You know, she's so interested in everything but it's not very good for her to get excited over murders and nasty things like that. We don't want her to brood and have bad dreams. She's very old and frail,
