'Why fix on them?'
'Because of their youth,' said Miss Marple. 'Because youth is so often associated with suicide, with violence, with intense jealousy and tragic love. A man kills his girl – it happens. Yes, my mind went to them but it did not seem to me there was any association there. No shadow of evil, of despair, of misery. I used the idea of them later as a kind of false pointer when we were drinking sherry at The Old Manor House that last evening. I pointed out how they could be the most easy suspects in the death of Elizabeth Temple. When I see them again,' said Miss Marple, punctiliously, 'I shall apologise to them for having used them as useful characters to distract attention from my real ideas.'
'And the next thing was the death of Elizabeth Temple?'
'No,' said Miss Marple. 'Actually the next thing was my arrival at The Old Manor House. The kindness of my reception and taking up my stay there under their hospitable roof. That again had been arranged by Mr Rafiel. So I knew that I must go there, but not for what reason I was to go there. It might be merely a place where more information would come to me to lead me onwards in my quest. I am sorry,' Miss Marple said suddenly becoming her normal apologetic and slightly fussy self, 'I am talking at much too great a length. I really must not inflict on you all that I thought and…'
'Please go on,' said Professor Wanstead. 'You may not know it but what you are telling me is particularly interesting to me. It ties up with so much I have known and seen in the work I do. Go on giving me what you felt.'
'Yes, go on,' said Sir Andrew McNeil.
'It was feeling,' said Miss Marple. 'It wasn't really, you know, logical deduction. It was based on a kind of emotional reaction or susceptibility to, well, I can only call it atmosphere.'
'Yes,' said Wanstead, 'there is atmosphere. Atmosphere in houses, atmosphere in places, in the garden, in the forest, in a public house, in a cottage.'
'The three sisters. That is what I thought and felt and said to myself when I went into The Old Manor House. I was so kindly received by Lavinia Glynne. There's something about the phrase – the three sisters, that springs up in your mind as sinister. It combines with the three sisters in Russian literature, the three witches on Macbeth's heath. It seemed to me that there was an atmosphere there of sorrow, of deep felt unhappiness, also an atmosphere of fear and a kind of struggling different atmosphere which I can only describe as an atmosphere of normality.'
'Your last word interests me,' said Wanstead.
'It was due, I think, to Mrs Glynne. She was the one who came to meet me when the coach arrived and explained the invitation. She was an entirely normal and pleasant woman, a widow. She was not very happy, but when I say she was not very happy it was nothing to do with sorrow or deep unhappiness, it was just that she had the wrong atmosphere for her own character. She took me back with her and I met the other two sisters. The next morning I was to hear from an aged housemaid who brought my early morning tea, a story of past tragedy, of a girl who had been killed by her boyfriend. Of several other girls in the neighbourhood who'd fallen victims to violence, or sexual assault. I had to make my second appraisal. I had dismissed the people in the coach as not being personally concerned in my search. Somewhere still there was a killer. I had to ask myself if one of the killers could be here. Here in this house where I had been sent, Clotilde, Lavinia, Anthea. Three names of three weird sisters – three happy – unhappy, suffering – frightened what were they? My attention was caught first by Clotilde. A tall, handsome woman. A personality. Just as Elizabeth Temple had been a personality. I felt that here where the field was limited, I must at least sum up what I could about the three sisters. Three Fates. Who could be a killer? What kind of a killer? What kind of a killing? I could feel then rising up rather slowly, rather slowly like a miasma does, an atmosphere. I don't think there is any other word that expresses it except evil. Not necessarily that any one of these three was evil, but they were certainly living in an atmosphere where evil had happened, had left its shadow or was still threatening them. Clotilde, the eldest, was the first one I considered. She was handsome, she was strong, she was, I thought, a woman of intense emotional feeling. I saw her, I will admit, as a possible Clytemnestra. I had recently,' Miss Marple dropped into her everyday tones, 'been taken very kindly to a Greek play performed at a well-known boys' public school not far from my home. I had been very, very impressed by the acting of the Agamemnon and particularly the performance of the boy who had played Clytemnestra. A very remarkable performance. It seemed to me that in Clotilde I could imagine a woman who could plan and carry out the killing of a husband in his bath.'
For a moment Professor Wanstead had all he could do to repress a laugh. It was the seriousness of Miss Marple's tone. She gave him a slight twinkle from her eyes.
'Yes, it sounds rather silly, does it not, said like that? But I could see her that way, playing that part, that is to say. Very unfortunately, she had no husband. She had never had a husband, and therefore did not kill a husband. Then I considered my guide to the house, Lavinia Glynne. She seemed an extremely nice, wholesome and pleasant woman. But alas, certain people who have killed have produced much that effect on the world round them. They have been charming people. Many murderers have been delightful and pleasant men and people have been astonished. They are what I call the respectable killers. The ones who would commit murder from entirely utilitarian motives. Without emotion, but to gain a required end. I didn't think it was very likely and I should be highly surprised if it was so, but I could not leave out Mrs Glynne. She had had a husband. She was a widow and had been a widow for some years. It could be. I left it at that. And then I came to the third sister, Anthea. She was a disquieting personality. Badly coordinated, it seemed to me, scatter-brained, and in a condition of some emotion which I thought on the whole was fear. She was frightened of something. Intensely frightened of something. Well, that could fit in too. If she had committed a crime of some kind, a crime which she had thought was finished with and past, there might have been some recrudescence, some raising up of old problems, something perhaps connected with the Elizabeth Temple enquiries; she might have felt fear that an old crime would be revived or discovered. She had a curious way of looking at you, and then looking sharply from side to side over one shoulder as though she saw something standing behind her. Something that made her afraid. So she too was a possible answer. A possibly slightly mentally unhinged killer who could have killed because she considered herself persecuted. Because she was afraid. These were only ideas. They were only a rather more pronounced assessment of possbilities that I had already gone through on the coach. But the atmosphere of the house was on me more than ever. That next day I walked in the garden with Anthea. At the end of the principal grass path was a mound. A mound created by the falling down of a former greenhouse. Owing to a lack of repairs and of gardeners at the end of the war it had fallen into disuse, come to pieces, bricks had been piled up surmounted with earth and turf, and had been planted with a certain creeper. A creeper well known when you want to hide or cover some rather ugly pieces of building in your garden. Polygonum it is called. One of the quickest flowering shrubs which swallows and kills and dries up and gets rid of everything it grows over. It grows over everything. It is in a way a rather frightening plant. It has beautiful white flowers, it can look very lovely. It was not yet in bloom but it was going to be. I stood there with Anthea, and she seemed to be desperately unhappy over the loss of the greenhouse. She said it had had such lovely grapes, it seemed to be the thing she remembered most about the garden when she had been a child there. And she wanted, she wanted desperately to have enough money so as to dig up the mound, level the ground and rebuild the greenhouse and stock it with muscat grapes and peaches as the old greenhouse had been. It was a terrible nostalgia for the past she was feeling. It was more than that. Again, very clearly, I felt an atmosphere of fear. Something about the mound made her frightened. I couldn't then think what it was. You know the next thing that happened. It was Elizabeth Temple's death and there was no doubt from the story told by Emlyn Price and Joanna Crawford, that there could be only one conclusion. It was not accident. It was deliberate murder.
'I think it was from then on,' said Miss Marple 'that I knew. I came to the conclusion there had been three killings. I heard the full story of Mr Rafiel's son, the delinquent boy, the ex-jailbird and I thought that he was all those things, but none of them showed him as being a killer or likely to be a killer. All the evidence was against him. There was no doubt in anyone's mind that he had killed the girl whose name I had now learned as being Verity Hunt. But Archdeacon Brabazon put the final crown on the business, as it were. He had known those two young people. They had come to him with their story of wanting to get married and he had taken it upon himself to decide that they should get married. He thought that it was not perhaps a wise marriage, but it was a marriage that was justified by the fact that they both loved each other. The girl loved the boy with what he called a true love. A love as true as her name. And he thought that the boy, for all his bad sexual reputation, had truly loved the girl and had every intention of being faithful to her and trying to reform some of his evil tendencies. The Archdeacon was not
