Caruso's head turned to the house. His mind was moving quickly now. What did he really have? Not much. He'd looked into an ordinary light truck with no direct evidence at all in it, just an empty truck with a roll of duct tape and a small rug on the steel floor.
Even so…
The young agent took the cell phone out of his pocket and speed-dialed the office.
'FBI. Can I help you?' a female voice asked.
'Caruso for Ellis.' That moved things quickly.
'What you got, Dom?'
'White Ford Econoline van, Alabama tag Echo Romeo Six Five Zero One, parked at my location. Sandy—'
'Yeah, Dominic?'
'I'm going to knock on this guy's door.'
'You want backup?'
Caruso took a second to think. 'Affirmative — roger that.'
'There's a county mountie about ten minutes away. Stand by,' Ellis advised.
'Roger, standing by.'
But a little girl's life was on the line…
He headed toward the house, careful to keep out of the sight lines from the nearest windows. That's when time stopped.
He nearly jumped out of his skin when he heard the scream. It was an awful, shrill sound, like someone looking at Death himself. His brain processed the information, and he suddenly found that his automatic pistol was in his hands, just in front of his sternum, pointed up into the sky, but in his hands even so. It had been a woman's scream, he realized, and something just went
As quickly as he could move without making much noise, he was on the porch, under the uneven, cheaply made roof. The front door was mostly wire screening to keep the bugs out. It needed painting, but so did the whole house. Probably a rental, and a cheap one at that. Looking through the screen he could see what seemed to be a corridor, leading left to the kitchen and right to a bathroom. He could see into it. A white porcelain toilet and a sink were all that was visible from this perspective.
He wondered if he had probable cause to enter the house, and instantly decided that he had enough. He pulled the door open and slipped in as stealthily as he could manage. A cheap and dirty rug leading down the corridor. He headed that way, gun up, senses sandpapered to ultimate alertness. As he moved, the angles of vision changed. The kitchen became invisible, but he could see into the bathroom better…
Penny Davidson was in the bathtub, naked, china blue eyes wide open, and her throat cut from ear to ear, with a whole body's supply of blood covering her flat chest and the sides of the tub. So violently had her neck been slashed that it lay open like a second mouth.
Strangely, Caruso didn't react physically. His eyes recorded the snapshot image, but for the moment all he thought about was that the man who'd done it was alive, and just a few feet away.
He realized that the noise he heard came from the left and ahead. The living room. A television. The subject would be in there. Might there be a second one? He didn't have time for that, nor did he particularly care at the moment.
Slowly, carefully, his heart going like a trip-hammer, he edged forward and peeked around the corner. There he was, late thirties, white male, hair thinning, watching the TV with rapt attention — it was a horror movie, the scream must have come from that — and sipping Miller Lite beer from an aluminum can. His face was content and in no way aroused. He'd probably been through that, Dominic thought. And right in front of him — Jesus — was a butcher knife, a bloody one, on the coffee table. There was blood on his T-shirt, as if sprayed. From a little girl's throat.
'The trouble with these mutts is that they never resist,' an instructor had told his class at the FBI Academy. 'Oh, yeah, they're John Wayne with an attitude when they have little kids in their hands, but they don't resist armed cops — ever. And, you know, that's a damned shame,' the instructor had concluded.
Just at the corner, where you turned left to enter the room, was a battered old end table. Octagonal in shape, atop it was a transparent blue glass vase, a cheap one, maybe from the local Kmart, probably intended for flowers, but none were there today. Slowly, carefully, Caruso cocked his leg, then kicked the table over. The glass vase shattered loudly on the wooden floor.
The subject started violently, and turned to see an unexpected visitor in his house. His defensive response was instinctive rather than reasoned — he grabbed for the butcher knife on the coffee table. Caruso didn't even have time to smile, though he knew the subject had made the final mistake of his life. It's regarded as holy gospel in American police agencies that a man with a knife in his hand less than twenty-one feet away is an immediate and lethal threat. He even started to rise to his feet.
But he never made it.
Caruso's finger depressed the trigger of his Smith, sending the first round straight through the subject's heart. Two more followed in less than a second. His white T-shirt blossomed in red. He looked down at his chest, then up at Caruso, total surprise on his face, and then he sat back down, without speaking a word or crying out in pain.
Caruso's next action was to reverse direction and check out the house's only bedroom. Empty. So was the kitchen, the rear door still locked from the inside. There came a moment's relief. Nobody else in the house. He took another look at the kidnapper. The eyes were still open. But Dominic had shot true. First he disarmed and handcuffed the dead body, because that was how he'd been trained. A check of the carotid pulse came next, but it was wasted energy. The guy saw nothing except the front door of hell. Caruso pulled his cell phone out and speed- dialed the office again.
'Dom?' Ellis asked when he got the phone.
'Yeah, Sandy, it's me. I just took him down.'
'What? What do you mean?' Sandy Ellis asked urgently.
'The little girl, she's here, dead, throat cut. I came in, and the guy came up at me with a knife. Took him down, man. He's dead, too, dead as fuckin' hell.'
'Jesus, Dominic! The county sheriff is just a couple of minutes out. Stand by.'
'Roger, standing by, Sandy.'
Not another minute passed before he heard the sound of a siren. Caruso went out on the porch. He decocked and holstered his automatic; then he took his FBI credentials out of his coat pocket, and held them up in his left hand as the sheriff approached, his service revolver out.
'It's under control,' Caruso announced in as calm a voice as he could muster. He was pumped up now. He waved Sheriff Turner into the house, but stayed outside by himself while the local cop went inside. A minute or two later, the cop came back out, his own Smith & Wesson holstered.
Turner was the Hollywood image of a southern sheriff, tall, heavyset, with beefy arms, and a gun belt that dug deeply into his waistline. Except he was black. Wrong movie.
'What happened?' he asked.
'Want to give me a minute?' Caruso took a deep breath and thought for a moment how to tell the story. Turner's understanding of it was important, because homicide was a local crime, and he had jurisdiction over it.
'Yeah.' Turner reached into his shirt pocket and pulled out a pack of Kools. He offered one to Caruso, who shook his head.
The young agent sat down on the unpainted wooden deck and tried to put it all together in his head. What, exactly, had happened? What, exactly, had he just done? And how, exactly, was he supposed to explain it? The whispering part of his mind told him that he felt no regret at all. At least not for the subject. For Penelope Davidson — too damned late. An hour sooner? Maybe even a half hour? That little girl would not be going home tonight, would never more be tucked into bed by her mother, or hug her father. And so Special Agent Dominic Caruso felt no remorse at all. Just regret for being too slow.
'Can you talk?' Sheriff Turner asked.
