Cutting Edge

La Casa Real held a further advantage of convenience for him. It was a short walk west to the green line Metro station or east to the Iglesia de San Jose on Calle de Alcala. Past the church on that same street was the circular Plaza de Cibelles, where its statue of the Roman fertility goddess Cybele — known as Rhea to the Greeks — sat in her stone chariot hitched to stone lions on a stone island from which her naked stone cherubs, their forever- young, never-innocent faces bloated like the faces of dying cats, poured their bowls of water into the surrounding fountain pool. There at the lower rim of the fountain he could bear right into Paseo del Prado and then cross the green toward the great old art museum, where he would admire Brueghel’s The Triumph of Death in its ground-floor Flemish gallery, only paces beyond the Puerta de Goya entrance.

These past days as September rain clouds arrived to douse the summer heat, he had been drawn to another destination at the corner of Calle del Arenal and Calle de los Boradores, in the ancient district north and west of Gran Via — Iglesia de San Gines, whose bell tower struck its Sunday calls to worship mere hours after the Joy Eslava discotheque in its shadow had its last call for drinks, and the Saturday-night crowds that flung heatedly across its dance floor emptied, staggering and shuffling, onto the streets. With the lens of his digital camera, he had photographed the church from every angle to capture its solid ledges and brickwork, the architectural repetitions that hinted at that deep-rooted Moorish tendency to hold fast, the forceful and domineering thrust of the tower’s spire. Back in his suite, he had used the images for detailed reference as he sketched out plans for a wooden scale model of the church.

Without any previous experience, Kuhl had scrupulously crafted three such models during his extended hibernation. The gothic Saint Jean Cathedral of Lyon was his first; if his goal was to task himself, he would move with audacity to capture a resplendent citadel of heaven, an archbishop’s throne. The next church he had built was the Basilica of Santa Croce, where the bones of Galileo, the seeker of answers accused of heresy, and Machiavelli, the seeker of power banished for conspiracy, lay entombed. His most recently completed model was the Church of Saint Thomas, in Austria. The small, severe building was a relatively undemanding bit of work for him, but he had known that in advance, having mastered his woodcraft long before the project was undertaken. And the church’s cloistered austerity had seemed a perfect expression of his circumstances as one year of withdrawal and cover made a slow passage into another.

A man who hungered for action, Siegfried Kuhl had needed to remain dormant. It was an adaptation that ran against his innermost grain, and he had often thought of surfacing to face the Sword operative whose seething cathexis of revenge had made his pursuit of Kuhl a constant threat. But Kuhl had been advanced a handsome sum to vanish from the face of the earth, with additional payments of one million dollars a year deposited to a numbered Swiss account in monthly installments. A soldier of fortune by self-definition, he was bound to honor this contract — and his sponsor’s exceptional reach of imagination, his resourcefulness, was no less an inducement than the monetary retainer. There was in him nothing of the mediocre or the common. His mannered delicacy en-framed a hot rebellion against the boot of order that Kuhl recognized and found impressive. While the payments toward their unwritten agreement continued, he would stay out of sight, and attempt to stanch the dreams of combat bleeding into his mind.

Kuhl’s work on the model churches was the wrap, the tourniquet he applied, a means of control that had come to him in an unexpected, almost startling moment of revelation back in Lyon. He did not know what precipitated it. Saint Jean Cathedral was on the Saone not far from his hotel, and Kuhl had passed it along the river walk many times before the day he paused to gaze up at its buttresses and pinnacles, its transept spire piercing the sky. All at once, Kuhl believed he had come upon an understanding of the aggressive vision it must have taken to conceive and raise so magnificent a structure… a thought followed immediately by his own visions of the torch, the bonfire, and the raised sword. What furies of the human soul must have needed such an elaborate, soaring cage? How great a will to contain them must have driven its construction? And what if its deconstruction were achieved with comparable purpose and discipline? What measure of will would that be? What consecration of the fervent thing within?

Kuhl had decided to put himself to a private test. Soon afterward, he started his model of Saint Peter in his hotel room, working at a sunlit window that overlooked the site where one of Caesar’s lieutenants had founded the city, declaring it a home to his veteran warriors. And his work in each of its phases had been ongoing ever since.

Here today, however, Kuhl had no room in his affairs for the final camera shots of San Gines tower he felt were necessary for the accurate weathering and detailing of its twin on his scale miniature. Nor was the Breughel a present lure to him. Leaving his hotel at six A.M. under a Madrid sun that had arisen hot and contemptuous of autumn, he had instead gone toward Calle de Alcala and the San Jose church, a structure of lesser distinction than San Gines that interested him only because of the daily hours its diocese kept and how they in turn determined the hours of a sidewalk newspaper and magazine stand down the street from its steps.

In Madrid even churches neglected by travel brochures held valuable art and artifacts, and admittance was generally restricted to scheduled prayer services to ensure the presence of a watch against thieves who might drift in among the worshipers and sightseers. It was unusual for a church to open its doors before nine or ten o’clock in the morning, but Iglesia de San Jose was an exception, opening at seven to accommodate legions of international travelers, VIP businessmen, and morning traders at the nearby stock exchange in this most visited district of the city.

The news vender outside Iglesia de San Jose capitalized on its early hours by getting a similar jump on his sales. He received the morning papers well before any competing dealers in town and would arrive at his stand at the break of dawn to set up his display racks and have them filled for his sidewalk trade as the congregation moved on from its prayers at the church.

Kuhl presumed the vender had convinced his delivery-men to make him the first stop along their routes with ample greasing of their palms, but that was of no importance to him. The relevant point was that it enabled him to pick up his first-Thursday-of-the-month copy of El Mundo almost as it shipped from the press. The window of opportunity for which the personal ad would be useful was an hour, not one second more or less. Precisely when that hour commenced was part of the information relayed by the code, and any chance that Kuhl could miss it was eliminated by his getting hold of the paper on release.

The electronic editions of El Mundo and other papers that Kuhl read for the communique in his scattered lodgings across the Continent would not do. Their posting times could be irregular, and the Web sites sometimes went down. Moreover, the online sites were not uniformly comprehensive. Some of them omitted personal columns, and some offered partial or alternate listings. For Kuhl to be confident, his sources had to be dependable. Thus he relied exclusively on the print versions of the newspapers.

This morning Kuhl’s brisk pace had carried him to the stand as its owner was still slicing open the wide plastic straps of his newspaper bundles. With a few minutes to spare before the papers were separated, he had turned into the church and paused at a side altar to light a votive candle for a lover he remembered with particular fondness, and whose life he had reluctantly taken to preserve secrets of which she had known far too much, leaving her body in the beautiful rolling hills of Castilla y Leon in the Spanish countryside. The votive was a memorial Kuhl believed she would have appreciated.

Now he came down the porch onto the street, noticed El Mundo had been put out for sale, took a copy, dropped his pesetas into the vender’s hand, and pushed his way back through the thickening foot traffic on Calle de Alcala to Casa Real. Waiting for a stoplight to change at the street’s busy intersection with Calle de Hortaleza, Kuhl folded it open to the classified pages and traced his eyes down columns of personal entries. Most were straightforward casts for sex or companionship that shared a certain banal, desperate vocabulary. There were the people seeking long-term partners, thrill dates, discreet adulteries. The common descriptions of age and appearance, and predictable mentions of candlelight, music, and travel.

Kuhl found the entry meant for his eyes in the third column. Adhering to the established format, it was a brief lettre d’amour, identifiable by distinctive matched, reusable pairs of sender and recipient names chosen from a list of twenty-four he had committed to memory — twelve of them male, twelve female. In fact, mnemonic triggers were the basis of the code. Information stored away in his mind provided the context for its key elements, making it absolutely foolproof. Kuhl knew the first letter of the recipient’s name always corresponded to a time at which he would, if necessary, have the ability to reach his sponsor over a secure Internet live conferencing connection. The letter “A” matched with one o’clock, “B” two o’clock, “C” three o’clock, and so forth. Whether the start time for the viable SILC was before or after noon depended on the sender’s first initial: a vowel pointed to the morning while a consonant marked it for the afternoon.