me to break out of my immobility. The headlights are a mere couple of car lengths away, propelling toward me at ninety miles an hour. I leap away, fall on my hands, and roll backward just as the car roars past. It’s an old Citroen. I turn my head to watch them, and the car screeches to a halt, half a block down. I see the silhouettes of three men inside. Namik Basaran and the bodyguard are still behind me in front of the restaurant and haven’t moved.
The Citroen’s driver throws the car into reverse and begins rolling back at a high speed. A guy in the passenger seat thrusts his upper body out the window and leans over the hood — and he’s holding an AK-47. I jump to my feet and run for cover, but there’s nothing but the storefronts behind me. The shooter fires and the street becomes a crashing war zone. I slam forward and hit the ground as bullets rip over my head. The windows of the travel agency behind me shatter, and someone inside shouts. The Citroen squeals to a halt again, ready to move forward for another volley. I’m aware of other civilians, alerted by the noise, looking out of restaurants and shops.
When the gunfire begins again, the bystanders scream and run. I realize I have to lead the killers away from the pedestrians, so I do what might be considered a foolhardy thing and jump to my feet. I run into the middle of the road and stand behind the Citroen as it moves along the street. They seem to have lost sight of me. Should I run for my car? It’s about fifty yards away in a small lot on the opposite side of the square. No, it’s too risky. By the time I got there, they’d be on top of me. The Pazhan could never withstand a round of fire from an AK-47.
The shooter points and says something to the driver. They’ve spotted me. The Citroen performs a wild U-turn and accelerates in my direction. I run to the opposite side of the square, the side next to the water. A short brick wall separates the road from the marina and a small lot where seven or eight cars are parked. I sail over the wall just as the bullets begin to fly again. Chips from the stones in the wall scatter like shrapnel, so I hug the ground. I hear the car zoom past, shriek to a stop, and back up, swerving closer to the edge of the road.
This time my instincts don’t fail me. I roll like a log toward the parked cars and then squirm between a Chevrolet pickup and a Volkswagen. The passenger sprays the side of the street, perforating the two vehicles with dozens of bullets. Windshields and headlights explode and tires are blown. I snake beneath the pickup as the rounds ricochet within inches of my body. The noise is deafening and must surely be attracting the local police. I
I crawl on my belly out from under the front of the pickup, putting the truck between them and me. I keep low and rally toward the dock where dozens of small boats are moored. The guy stops shooting, but I hear the Citroen’s door open and slam shut. Now they’re on foot.
I run to the edge of the dock and weigh my options. I could jump into the water and swim. Or I could jump into one of the sailboats to my left or right, but by the time I untie one and push it off, they’d be in the boat with me. The last recourse would be to draw my Five-seveN from the holster I wear at the small of my back and fight back. That could cause problems with the local authorities, though, and my mission is too sensitive to get involved in foreign legal problems. I don’t fancy spending the rest of my life in a Turkish prison.
The shooter appears at the other end of the dock. He raises the AK-47 and fires. The wood splinters in a million places at my feet as I turn and dive into the cold, murky water.
It’s a shock. Thank heavens I’m wearing my uniform; otherwise I’d be freezing. It’s dark as hell, but I don’t risk using the LED on my OPSAT for illumination. They might be able to see me from the surface.
As I swim away from the shore, bullets chop through the water, producing that otherworldly slow-motion effect you get when you fire a gun into water. Even in the pitch black I can see the trails of the rounds cutting lines on all sides of me. One comes dangerously close to my ear, and I feel the heat emanating from it as it groans past. I quickly reverse direction and swim back toward the dock and hope they can’t see me. I’m pretty good at holding my breath. That’s another thing that Krav Maga classes teach you — stamina and resistance to pain. My lungs are strong — the last time I timed myself holding my breath, I clocked a little less than four minutes. It was Katia Loenstern that pushed me to achieve a score past three minutes. I’ll have to remind myself to be nicer to her when I get back to Baltimore.
I make my way to the line of sailboats on one side of the dock. I feel the hull of the first one and swim on, past the second and third. I figure it’s been at least two minutes since I submerged because my lungs are burning. When I can’t take it anymore, I dare to surface between the boats so I can catch a breath. As I hold on to the side of one of the rocking crafts, I hear two men talking on the dock above me. They’re down at the end, maybe thirty feet away. It sounds as if they’re arguing. I can’t understand the language, but I know it’s not Turkish. Actually it sounds like Farsi, but I’m not positive.
The man with the gun suddenly lets loose with another barrage of gunfire into the water, and the other one shouts at him to stop. More arguing. Then I hear the men walk toward the shore, their boots clomping on the wood above me. I dunk my head and position myself directly beneath the sailboat and wait. More gunfire darts the water between the boats, but I’m safely out of the way.
Where the hell are the police in this town? This is one time when I wouldn’t mind some interference.
Another minute passes and I feel the pressure in my chest. The gunfire stops and I need to suck some air, but I’m not moving yet. I wait at least another thirty seconds — when I know I can’t take it anymore — before coming back up. When I do, I gasp for oxygen as quietly as possible and listen. I hear nothing. They’re gone. Maybe they think I’m dead.
I wait another three minutes before pulling myself up and onto the dock. I walk back to the square and hear a police siren approaching from the distance. The Citroen is gone and the street is deserted. I run to the Pazhan and get in, even though I’m soaking wet. I start the car, back out, and head out of town before the cops arrive.
I do notice that Namik Basaran and his goon are no longer standing in front of the restaurant.
21
After midnight I park the Pazhan on the hill overlooking Akdabar Enterprises and survey the scene. There are plenty of floodlights illuminating the compound, and I see a handful of security guards patrolling the premises. This isn’t going to be easy.
First I tune in to the bugs I left in Basaran’s office. The OPSAT’s silence tells me that the room is empty. I quickly leave my civilian clothes in the car, take my SC- 20K and sling it over my shoulder, adjust my headset and goggles, regulate the temperature control of my uniform, and I’m off.
Once I’m at the bottom of the hill near the wire fence, I crouch behind a large shrub to assess the situation. Two huts are directly across the fence from where I am — and this will be a good place from which to operate. I wait as a guard walks past, between the huts and the fence, heading toward the front gate. His beat must be this entire side of the compound — so I estimate his return trip to be a little less than ten minutes.
Armed with heavy-duty wire cutters, I clip the fence enough so I can bend the loose section out far enough for me to slip inside. I close this “trapdoor” behind me and carefully position the cut ends together so that unless someone carefully inspects them, the fence appears normal.
I quickly skirt to the space between the two huts and pause to map out my plan of attack. I want to hit the administrative building, especially Basaran’s office. I’d also like to get inside the Tirma office and see what I might find in there. Finally, the big warehouse and steel mill must hold some secrets. It will be a busy night.
I decide to begin at the end of the complex near the lake — the Tirma building and Basaran’s office — and then make my way back this way. The key is to stay in the shadows. My uniform is embedded with photosensors that detect and let me know how much light falls on me. When I switch on the OPSAT meter, I can see exactly how invisible I really am. At the moment I’m at thirty-two percent. It’s very luminous throughout the compound, and my only screens are the broad shadows of buildings, cast by the floodlights. Walkways between buildings are so bright it’s like daylight.
The corner periscope comes in handy here. I use it to look around the corner of the hut and determine that the walkway is clear. I scan the pole supporting a floodlight and don’t spot any cameras. I go for it.
I run across the walkway and stop at the next building, my back to the wall. I then inch around to the next corner and repeat the process. I count six buildings between my goal and me. It goes smoothly until I reach the fifth building. The periscope shows two guards in the walkway, smoking and talking. I have to find a way to distract them, so I take the SC-20K off my shoulder and load it with a diversion camera. If I wanted to, I could set the
