in Hong Kong. They plug it in to an outlet, point the little dish at the ceiling, and turn it on. I can hear the familiar hum as before, but this time my implants are not affected. Thanks to Grimsdottir’s work and the operation Coen had me undergo in L.A., their sonic torture device is no longer effective.
The men look at each other questioningly. One man checks the machine to see if it’s working properly. He shrugs his shoulders. One guy shouts some orders. Men hustle back and forth. They’re not sure if I’m really up here or not. Meanwhile, Zdrok, Herzog, Putnik, and Wu huddle near the door, watching and waiting to see if their intelligence proves to be correct.
So far they haven’t seen me. Hell, I’ll stay here all day if I have to. As long as I don’t move I just might be safe. My biggest worry is how did they learn I’m here?
A man wearing civilian clothes walks into the pen from the front door. Before I have a chance to get a good look at him, he turns to Zdrok and his crew, has a word with them, and then moves onto the ramp by the sub. When he looks up at the ceiling, I feel my heart skip a beat. I now have the answers to a lot of questions. I now know how the enemy has been able to track my movements in Hong Kong, in L.A., and here. I now know how the Shop knew where I’d be and when.
Mason Hendricks, alive and well, shouts, “Fisher, you had better come down like a good boy. Otherwise they’re going to shoot you down.”
34
A soldier brings in another searchlight and aims it on the trap in the ceiling, so I won’t be going out that way. To put it bluntly, I’m trapped. Sooner or later one of those light beams is going to catch a part of my leg or shoulder and it’ll be all over. The only thing I can do is to make it more difficult for them to see me.
But I have to risk moving to reach into my trouser pocket and retrieve three smoke grenades. The eye is most attracted by motion, so I inch my hand along my side as slowly as possible. I finally reach the pocket and unsnap the flap but I forgot that I placed my corner periscope in there, loose. The damned thing slides out and gravity does the rest. I watch in horror as the device falls to the platform, hitting it with a
“There!” Hendricks shouts, pointing at me.
The soldiers aim their assault rifles as I reach into the pocket and grasp a grenade. I pull the pin and let it drop. The
There’s one other option. I reach into my backpack and grab my only wall mine. It takes me five seconds to activate it and another five to attach it to the ceiling. I set it to explode in ten seconds, which better be enough time for me to scoot along the beam far enough out of the way!
The men below are still blinded by the smoke and are wildly shooting their guns. The wall mine is a gamble I have to take. I’m counting on it to blow a hole big enough for me to get through and at the same time provide even more smoke to cover my escape.
I move to the far end of the beam I’m on and cover my head as bullets rattle the ceiling around me.
The building shakes with unexpected roughness, causing the beam I’m sitting on to jerk precariously and come loose! I hug the girder, feeling it sway with my body weight. I can’t see a damned thing — smoke has filled the place and I have no idea if I’m falling or hanging by a couple of steel bolts. After a moment my equilibrium calms down and I perceive the beam isn’t dropping, it’s just dangerously close to doing so. I flip down my goggles and turn on the night vision, which sometimes helps to see through smoke screens. It outlines some objects and I can now plainly see the big hole in the ceiling that’s at least six feet in diameter. The smoke will ventilate quickly so I’d better get moving.
The girder I’m hugging is still attached to the ceiling behind me by a few bolts. The end in front of me is hanging out into space above the slip. I have to inch my butt in reverse, move up the beam to the ceiling, and then grab hold of another girder to do a hand-over-hand in order to reach the hole. If I move too quickly, the girder I’m on will surely come loose. And of course the soldiers below are still firing their weapons into the air, creating a random hazard no matter what direction I go.
Ain’t this the life?
When I’m about five feet from the ceiling, I hear the bolts begin to give way. There’s a horrible wrenching sound behind me as I feel the beam jerk and drop a few inches. I can’t risk sitting on it any longer, so I focus on the stationary beam above my head and try to propel myself those five feet from a sitting position. This is where that Krav Maga training comes in handy. By using the muscles in my thighs and performing a painful stretch between my waist and arms, I’m able to
I don’t look down but I can hear the men shouting to each other. The girder must have fallen on a few of them. It seems like an eternity before I reach the hole and the smoke clears quickly while I’m in transit. Sure enough, just as I reach the hole I hear Hendricks shout, “There he is! Shoot him!” The bullets fly but I’m already climbing through the opening and crawling onto the roof. I roll my body toward the edge of the building as the rounds perforate the steel, inches behind my trail.
As soon as I figure it’s safe to do so, I stand and run to the rung ladder on the side of the building. Three guys are in the process of ascending it. I draw the Five-seveN and shoot the first man. He falls, knocking off the two behind him. The ground is crawling with soldiers and they’re surrounding the building. For the second time in the last ten minutes I’m trapped, so I reach into the backpack to check my stock of smoke grenades. Damn, only two left. I do have a couple of chemical flares, though. And something else that might be useful.
I swing the SC-20K from off my back and load it with a diversion camera. Timing is crucial. In situations like this I wish I had four more hands. First I run to an edge of the building where there are fewer soldiers below. It happens to be the north side, in between submarine pens one and two. If I can get to the ground, at least I’ll have a
Next, I take a chemical flare, break the seal, point it laterally from the pen’s roof, and shoot it over the soldiers’ heads. It bursts beautifully, spreading flame and sparks over the area. It won’t hurt them but hopefully it will cause confusion. A smoke grenade is next — I pull the pin and toss it below me. It explodes and covers the ground with thick darkness. Flare number two is next and this time I aim it laterally in the opposite direction from the first one. It, too, explodes neatly and serves to disorient the men. I then drop my last smoke grenade, allowing it to detonate in the space between pens.
Finally, I launch a diversion camera, aiming the SC- 20K at the side of sub pen one that’s nearest to the coast. As soon as the camera sticks it begins to broadcast the sounds of single-shot gunfire. I then quickly load the second diversion camera and fire it over the soldiers’ heads, sticking it onto the side of a military jeep about thirty yards west of sub pen two. For a gag I set it to play — very loudly — a marching band’s rendition of “Stars and Stripes Forever.”
Total chaos on the ground. The Chinese soldiers don’t know what the fuck is going on. They think someone’s shooting at them from the beach side of the pens and a fifty-piece band has suddenly appeared on the other side. The flares continue to burn brightly over their heads, illuminating the smoke as if it were part of a psychedelic concert stage show.
I take the opportunity to leap off the roof. Because of the smoke, it’s difficult to determine exactly where the ground is. I’ve made jumps like this before and know how to fall and roll to avoid hurting myself — but that’s usually when I can see where I’m going to end up. My night vision goggles don’t help much in this particular instance,
