Accounting for the Color of Light........177
Chapter 11: Adding Interest through Framing and Formatting..179
Making the Most of Framing.........180
Giving your image a sense of depth......181
Adding interest by getting creative with your
compositional frame........183
Keeping a viewer in the frame........183
Choosing between the Horizontal and Vertical Formats...185
Understanding how your message influences
which format to use.........186
Determining format based on the subject......188
Letting the environment dictate format......190
Chapter 12: Exploring Other Compositional Ideas..193
Creating Harmony with Balance and a Sense of Scale....193
Keeping the elements balanced and properly weighted..194
Including a sense of scale.........197
Using Rhythm and Repetition of Elements.......200
Pulling harmony out of chaos........201
Shooting simple compositions.......202
Reinforcing your subject or intended message with repeating elements........204
Creative Ways to Break the Rules or Cheat the System...205
Experimenting with the tilt-shift lens......205
Taking multiple digital exposures.......208
Crafting soft, dream-like compositions.....210
Chapter 13: Showing People in Their Best Light...215
Showing a Person's Essence in Portraits......216
Capturing genuine expressions........216
Choosing your angle and your lens.......217
Adding interest by integrating your subject's hands
into the photo.........218
Taking advantage of a person's surroundings.....218
Getting Great Results from Both Candid and Posed Portraits..220
Making a case for candids........221
Taking control with posed shots.......222
Photographing People Together: Showing Connections....224
Overcoming the technical challenges of
photographing groups.........224
Composing portraits of couples......225
Setting up group portraits........226
Fabulous Darling, You're Gorgeous: Shooting Fashion Photography. 227
Chapter 14: In Nature: Landscapes and Wildlife...231
Recognizing Compositional Elements in Nature.....232
Expansive landscapes: Basking in your surroundings..232
Narrowing in on intimate landscapes.....234
Exploring fine detail through macro photography....236
Capturing Wildlife..........238
Finding animals to photograph........238
Getting the best-composed shot......239
Developing a Respect for Nature's Elements.....241
Photographing the Forest.........243
Determining what you want to photograph.....243
Factoring in light when in the forest.......243
Taking advantage of night in the forest......245
Chapter 15: Shooting Still-Life Photography...247
Making Everyday Objects Interesting.......248
Seeing objects as fine art........248
Selling objects with photography......249
Photographing Flowers in Studio and in Nature.....252
Producing images in the studio.......252
Capturing flowers in their natural environments....254
Cooking Up Beautiful Food Photos........255
Working with Architectural and Interior Photography....258
Crafting images of building exteriors......259
Taking a look inside: Composing interior shots....260
Chapter 16: Capturing (Or Stopping) Motion through Photography.....263
Following Compositional Principles When a Subject
Isn't Stationary.........264
Focusing on moving subjects.......264
Composing subjects in motion.......265
Deciding whether to freeze or show motion....266
Up for the Challenge: Photographing Subjects
Constantly on the Move..........273
Taking successful images of children.....273
Catching shots of the family pet......274
Tackling sporting events........275
Chapter 17: Artsy Photos: Fine Art, Composite Pictures, and Abstracts.......279
Classifying Photography as Fine Art.......280
Lighting your subject........281
Making the best of your situation......283
Composing Abstract Photos........284
Keeping the effects of color in mind......285
Using shapes and lines to create meaning.....285
Playing with tonality..........285
Putting it all together.........286
Combining Multiple Shots to Create a Single Photo.....287
Mimicking a made-up scene with multiple exposures..287
Creating collages..........289
Chapter 18: Improving Composition through Postproduction Editing.....293
Cleaning Up Your Composition.........294
