placing the present moment in the stream of American history: Today we celebrate the mystery of American renewal. This ceremony is held in the depth of winter. But, by the words we speak and the faces we show the world, we force the spring. A spring reborn in the world’s oldest democracy, that brings forth the vision and courage to reinvent America. When our founders boldly declared America’s independence to the world and our purposes to the Almighty, they knew that America, to endure, would have to change…. Each generation of Americans must define what it means to be an American.

After a salute to President Bush, I described the current situation:

Today, a generation raised in the shadows of the Cold War assumes new responsibilities in a world warmed by the sunshine of freedom but threatened still by ancient hatreds and new plagues. Raised in unrivaled prosperity, we inherit an economy that is still the world’s strongest, but is weakened…. Profound and powerful forces are shaking and remaking our world, and the urgent question of our time is whether we can make change our friend and not our enemy…. There is nothing wrong with America that cannot be cured by what is right with America.

Still, I warned, “It will not be easy; it will require sacrifice…. We must provide for our nation the way a family provides for its children.” I asked my fellow citizens to think of posterity, “the world to come—the world for whom we hold our ideals, from whom we have borrowed our planet, and to whom we bear sacred responsibility. We must do what America does best: offer more opportunity to all and demand responsibility from all.”

I said that, in our time, there is no longer a clear division between what is foreign and what is domestic. The world economy, the world environment, the world AIDS crisis, the world arms race—they affect us all…. America must continue to lead the world we did so much to make.

I closed the speech with a challenge to the American people, telling them that, by their votes, they had “forced the spring,” but that government alone could not create the nation they wanted: “You, too, must play your part in our renewal. I challenge a new generation of young Americans to a season of service…. There is so much to be done…. From this joyful mountaintop of celebration, we hear a call to service in the valley. We have heard the trumpets. We have changed the guard. And now, each in our way, and with God’s help, we must answer the call.”

Although several commentators panned the speech, saying it was devoid of both ringing phrases and compelling specifics, I felt good about it. It had flashes of eloquence, it was clear, it said we were going to reduce the deficit while increasing critical investments in our future, and it challenged the American people to do more to help those in need and to heal our divisions. And it was short, the third-shortest inaugural address in history, after Lincoln’s second inaugural, the greatest of them all, and Washington’s second speech, which lasted less than two minutes. Essentially, Washington just said, Thanks, I’m going back to work, and if I don’t do a good job, reprimand me. By contrast, William Henry Harrison gave the longest address in history, in 1841, speaking without a coat on a cold day for well over an hour and catching a bad case of pneumonia, which cost him his life thirty-three days later. At least I was mercifully and uncharacteristically brief, and the people knew how I saw the world and what I intended to do.

By far the most beautiful words of the day were spoken by Maya Angelou, a tall woman with a deep strong voice whom I had asked to write a poem for the occasion, the first poet to do so since Robert Frost spoke at President Kennedy’s inauguration in 1961. I had followed Maya’s career since I’d read her memoir, I Know Why the Caged Bird Sings, which recounts her early years as a traumatized mute girl in a poor black community in Stamps, Arkansas.

Maya’s poem, “On the Pulse of Morning,” riveted the crowd. Built on powerful images of a rock to stand on, a river to rest by, and a tree with roots in all the cultures and kinds that make up the American mosaic, the poem issued a passionate plea in the form of a neighborly invitation: Lift up your faces, you have a piercing need

For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced With courage, need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. ……. . Here on the pulse of this new day You may have the grace to look up and out And into your sister’s eyes, and into Your brother’s face, your country And say simply Very simply With hope Good morning.

Billy Graham ended our good morning with a brief benediction, and Hillary and I left the stage to accompany the Bushes down the back steps of the Capitol, where the presidential helicopter, Marine One, was waiting to take them on the first leg of their journey home. We went back inside for lunch with the Congressional Committee, then drove up Pennsylvania Avenue toward the viewing stand in front of the White House for the inaugural parade. With Chelsea, we got out of the car and walked the last few blocks of the route so that we could wave to the crowds packed several deep along the way. After the parade, we went into our new home for the first time, with only about two hours to greet the staff, rest, and get ready for the evening. Miraculously, the movers had gotten all our belongings in during the inaugural ceremonies and the parade.

At seven, we started our evening marathon with a dinner, followed by visits to all eleven inaugural balls. My brother sang for me at the MTV Youth Ball, and at another I played a tenor saxophone duet on

“Night Train” with Clarence Clemons. However, at most of the balls Hillary and I would first say a few words of thanks, then dance to a few bars of one of our favorite songs, “It Had to Be You,” showing off her beautiful purple gown. Meanwhile, Chelsea was off with friends from Arkansas at the Youth Ball, and Al and Tipper kept their own schedule. At the Tennessee ball, Paul Simon regaled them with his hit “You Can Call Me Al.” At the Arkansas Ball, I introduced Mother to Barbra Streisand and told them both I thought they’d get along. They did more than that. They became fast friends, and Barbra called my mother every week until she died. I still have a picture of them walking hand in hand on that inaugural evening.

When we got back to the White House, it was after 2 a.m. We had to be up the next morning for a public reception, but I was too excited to go right to bed. We had a full house: Hillary’s parents, Mother and Dick, our siblings, Chelsea’s friends from home, and our friends Jim and Diane Blair and Harry and Linda Thomason. Only our parents had retired.

I wanted to look around. We had been in the second-floor living quarters before, but this was different. It was beginning to sink in that we actually lived there and would have to make it a home. Most of the rooms had high ceilings and beautiful but comfortable furniture. The presidential bedroom and living room face the south, with a small room off the bedroom that would become Hillary’s sitting room. Chelsea had a bedroom and study across the hall, just beyond the formal dining room and the small kitchen. At the other end of the hall were the main guest bedrooms, one of which had been Lincoln’s office and has one of his handwritten copies of the Gettysburg Address. Next to the Lincoln Bedroom is the Treaty Room, so named because the treaty ending the SpanishAmerican War was signed there in 1898. For several years it had been the private office of the President, usually configured with multiple televisions so the Chief Executive could watch all the news programs at once. I believe President Bush had four TVs there. I decided I wanted it to be a quiet place where I could read, reflect, listen to music, and hold small meetings. The White House carpenters made me floorto-ceiling bookshelves, and the staff brought up the table on which the Spanish-American War treaty had been signed. In 1869, it had been Ulysses Grant’s cabinet table, with

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