The Wrath of Angels

and the woods, those damned woods. Everything came back to them. They were the only reason anyone ever came here, the only reason the town thrived.

Grady hated those woods.

So Grady had stopped shouting at his sister, right there and then. He realized that it didn’t matter what happened with the banks, or how much the house might be worth and what his cut might be. He wasn’t about to put pressure on her to take out a loan that might endanger her hold on the place, not in this economic climate. She wasn’t earning much as a schoolteacher, even supplementing it with waitressing on weekends. He’d decided to tell her not to worry, and planned to go over and clear the air the next day. When, or if, the money came through, she could send it on to him. For now he’d stay with Teddy, and paint, and try to figure out where to go next. There were still houses in which he hadn’t worn out his welcome, couches and basements where he could crash. He’d put up some flyers offering to do murals, design work, whatever it took.

His old man was dead. What did it matter?

The painting was coming together quickly. It showed the house, and his parents, and was reminiscent of Grant Wood’s American Gothic except that the couple were happy, not dour, and in the background two children, a boy and a girl, pressed their faces against the inside of their bedroom windows, waving at their parents below. He intended to give it to Marielle as an apology, and as a token of what he felt for her, and their mother and, yes, their father too.

‘He went to your show!’ Marielle had said, screaming the words at him as the tattooed girl pulled on her jeans, realizing that she was in the middle of a serious domestic meltdown and there was no percentage in her hanging around to see how it all panned out.

‘What?’ He wished he hadn’t drunk so much at Darryl’s. He wished he hadn’t smoked that second blunt. He wished he’d never even spoken to the Fabulous Tattooed Lady. This was important, but he couldn’t get his head clear.

‘Your show, your lousy New York show, he went to it,’ said Marielle, and she was crying now, the first time he’d seen her cry since the funeral. ‘He took the bus to Bangor, and from there to Boston and on to New York. He went in the first week. He didn’t want to go on the opening night because he didn’t think that he’d fit in. He thought you’d be ashamed of him because he lived out by the edge of the woods, and he couldn’t talk about art and music, and he only owned one suit. So he went to your show, and he looked at what you’d done, what you’d achieved, and he was proud. He was proud of you, but he couldn’t say it and you couldn’t see it, because you were too out of it to understand, and when you weren’t out of it you were just angry. And it was all fucked up, all of it. You and him, the way it could have been, it was all lost over nothing but pride and booze and drugs and . . . Ah, Christ, just get out. Get out!’

I didn’t know, he wanted to say; I didn’t know. But the words wouldn’t come, and ignorance was no excuse. It wasn’t even true. He had known that his old man was proud of him, or suspected as much, because how many times had his father tried to reach out to him in his way, and how many times had he been rebuffed? Now it was too late, because it was always too late. Some revelations only came with the sound of dirt falling on a coffin: the ones that mattered, the ones that made for regrets.

So he was painting a picture for his sister, and maybe for himself too. It would be the first such offering he had made to her since they were children, and the most important. He wanted it to be beautiful.

He heard the sound of a vehicle slowing down, and headlights raked the house as Teddy’s truck pulled into the drive. Grady swore softly. Teddy had a heart of gold, and there was nothing that he wouldn’t do for Grady, but he liked background noise in his home: the sound of the TV, or the radio, or music on the stereo, usually something from the sixties or seventies sung by men with beards. Grady thought that it came from living alone for too long while being uncomfortable with his own company. Now that Grady was around, Teddy liked being in his presence as much as possible. He’d insist that Grady watch old sci-fi movies with him, or smoke some weed while listening to Abbey Road or Dark Side of the Moon or Frampton Comes Alive.

The engine died. He heard the doors of the truck opening and closing, and footsteps approaching the house. The front door was unlocked. Teddy always left it that way. It was Falls End, and nothing bad ever happened in Falls End.

Doors, Grady realized: Teddy had brought company. Hell, that meant that any small hope Grady had of working for an hour or two had just gone right out the window. Grady put down his brush and walked to the living room.

Teddy was kneeling on the floor, his head bowed and his hands clasped behind his back. He looked like a man bobbing for apples.

‘You okay, Teddy?’ asked Grady, and Teddy looked up at him. His nose was broken, and his mouth was bloody. Grady wasn’t sure, but even through the blood it looked as if some of Grady’s teeth were missing because there were gaps where there had not been gaps before.

‘I’m sorry,’ said Teddy. ‘I’m so sorry.’

A boy jumped from behind the couch, like this was all just a big game, a game whose main purpose was to scare Grady Vetters to childhood and back, which the sight of the boy had pretty much done. He had the swollen, unhealthy pallor of a cancer sufferer, and his hair was already thinning. There was bruising around his eyes, his nose was swollen, and his throat was distended by an ugly purple mass. Under other circumstances Grady might almost have pitied him, except the boy wore an expression that was simultaneously blank and malevolent, the way Grady had always imagined concentration camp executioners looked after their victims grew too many to count. The boy was holding a pair of blood-stained pliers in his right hand. He made a throwing motion in Grady’s direction with his left, and four teeth landed at Grady’s feet, roots and all.

Grady wondered if this was a nightmare. Perhaps he was still asleep, and if he willed himself awake none of this would be happening. He’d always dreamed vividly: it came with being an artist. But he felt the night air on his face, and he knew that he was not dreaming.

A woman appeared in the doorway behind Teddy, her face partially marred by what at first might have been mistaken for a roseate birthmark but was quickly revealed as a terrible, blistered burn. A patch of gauze covered her left eye. All of these details were incidental, though, next to the gun that she held in her right hand, and the plastic cable ties that dangled from her left.

She pointed the gun at the back of Teddy’s head and pulled the trigger. There was an explosion that made Grady’s ears ring, and Teddy was no more.

Grady turned on his heel and ran back into the bedroom, slamming the door behind him. There was no lock, so he pushed his bed against the door before he began opening the window. He heard the sound of the doorknob turning, and the bed moving across the floor, but he did not look back. The window was stiff, and he had to punch the frame to force it open. He already had one foot on the windowsill when he felt a weight land on his back and a small arm snake around his neck. He tried to pull himself forward and out, but he was off balance and the boy’s full weight was hanging from him. Grady teetered on the windowsill, his arms straining against the frame, and then there were more hands on him, stronger hands, and his fingers lost their grip. He fell back and landed awkwardly on the floor, the boy rolling away from him so that he would not be trapped under the weight of Grady’s body. The woman spread herself across Grady’s chest, one knee on either side of his body pinning his arms to the ground, and she leveled the gun at the center of his face.

‘Stop moving,’ she said, and Grady obeyed. There was a sharp pain in his left forearm, and he saw that the boy had injected him from an old metal syringe.

Grady tried to speak, but the woman placed a hand over his mouth.

‘No. No talking, not yet.’

A great tiredness came over Grady, but he did not sleep, and when the woman’s questions commenced, he answered them, every one.

29

Davis Tate had been forced to secure himself to the heavy radiator in the living room. The intruder had already attached one cuff to the pipe before Tate’s arrival, so now only Tate’s left hand remained free. At least the radiator wasn’t on, which was something, and the mild weather meant that the apartment wasn’t too cold. The fact