Saucer

There were at least a hundred thousand people on the Mall outside the Air and Space Museum when the saucer came into view. Apparently every government worker within five miles of the museum had taken the afternoon off. A gaggle of congressmen and senators hoping to get on the evening news surrounded the president, who was surreptitiously scoping the crowd for pretty girls.

The museum staff had opened the front of the main display bay, an emergency operation that had taken all night and most of the morning. The last of the workmen finished cleaning up just minutes before the saucer became visible as a black dot in the western sky. At Olie's insistence, a clear area a hundred feet wide and a hundred yards long was roped off leading to the open bay.

'There,' someone said, pointing. Hundreds of other fingers probed the air, thousands of eyes scanning, then as one the whole crowd saw the dark circular shape and fell silent.

Rip dropped over the Lincoln Memorial, still decelerating. He was flying hands off, letting the computer do the work. Now he knew: Flying the saucer over a crowd was extremely dangerous. If the saucer got below fifty feet and needed the antigravity rings after aerodynamic lift was lost, the earth would literally push anything loose toward the saucer. When the saucer was above fifty feet, objects on the ground didn't seem to be affected.

To think that he and Charley had blithely flown this thing into the baseball stadium in Denver! It was a miracle that someone, or a group of someones, hadn't been sucked out of his seat to his death.

He could see the spot where he wanted to go, the clear area in front of the Air and Space; he kept his gaze on that area except for an occasional glance at the computer graphics. The vector crosshairs were in exactly the right place.

Past the Washington Monument at about three hundred feet, still making a hundred knots but decelerating… He was on the antigravity system as he slowed through fifty knots at about two hundred feet, still above the treetops.

Then the saucer was settling onto the patio area in front of the museum, just to one side of a silver-and-gold monument.

As the saucer neared the pavement, dirt and trash began to fly.

Hovering just above the patio, Rip looked at the spot inside the museum where he wanted the saucer to come to rest, in the clear area under the Wright Flyer. The saucer moved toward it, closer and closer, through the open side of the building…

Gear down!

He could feel the thumps as the landing struts locked down. Then the saucer touched down… swayed once… and gently came to rest.

For the first time he really saw all the faces looking at him. A sea of faces, thousands packed into every square foot inside the building. Suspended from the ceiling near the Wright Flyer were Lindbergh's Spirit of St. Louis, Chuck Yeager's Bell X-1, and an X–I5.

Rip killed the reactor, took off the computer headband, and unstrapped from the pilot's seat.

On the floor of the compartment he paused, took a last good look around.

'You've come to the right place, ol' girl,' he said and bent to open the hatch.

The first people Rip saw as he came out from under the saucer were Uncle Egg and Charley Pine. He hugged Charley and shook hands with Egg, both at the same time.

'Hey, Charley.'

'Hey, Rip.'

'Right now you are on every television set on this planet,' Egg said above the buzz of the crowd.

'If everyone is watching, we might as well give them a show,' he said to Charley and kissed her. When they came up for air, Charley asked, 'What happened to your eye? And your neck?' The marks from Hedrick's fingernails were raw scabs.

'Had an accident. Tell you about it later.'

'I'd like you to meet the director of the museum,' Egg said and put a hand on Rip's arm. Rip shook a hand.

Egg whispered into Rip's ear, 'We need to go upstairs to sign some papers.'

The director led the way up the stairs to the second level of the building while flashes popped and television cameras pointed. When they entered the administrative office area they were alone.

Once they reached the director's office, he shook Rip's hand again. 'It's a pleasure, Mr. Cantrell, a real pleasure. We are so thrilled you are presenting the saucer to the museum.'

Rip just nodded.

'Here are the papers transferring title. Perhaps you'd like to read them?'

'Who wrote these?' Rip asked Egg. 'Olie did,' his uncle told him.

Rip borrowed a pen from the director and signed three copies. He handed his copy to Egg. 'I left the hatch open.'

'Ms. Pine has been very helpful. She has spent the morning telling us all she could about the machine, including the operation of the hatch.'

Rip nodded. 'I must caution you that anyone under the saucer will be killed when the ship is lifted off the ground.'

'Under the terms of your gift, we cannot fly the saucer. And I assure you, we will have the reactor removed as soon as possible.'

The director wanted him to meet some of the staff. Rip shook more hands, smiled, didn't even try to remember names.

'Perhaps you would like to say a few words to the public, answer some questions from the press?' 'No, thank you,' said Rip Cantrell. 'The president is here. He has asked to meet you.' Rip tried to decline graciously. 'I voted for the other guy. Maybe some other time, huh, when I'm older.'

With that he led Charley and Egg out of the administrative suite by a side door, picked his way through the crowd. They wound up on the balcony, looked at the saucer on the main floor below surrounded by people.

Anonymous bits of humanity, they were pushed and shoved until they found themselves against the balcony rail. Egg gestured at the Spirit of St. Louis. 'You made the right decision, Rip. This is where the saucer belongs.' He put his elbows on the rail, intent on the scene below.

Rip and Charley found themselves being pressed together by the warm, restless crowd. 'You can kiss me again, if you want,' Charley whispered.

On the main floor below, the president and senior congressional leaders were examining the saucer, touching it, running their hands over the landing gear and rocket nozzles as the museum security staff and Secret Service held back the crowd.

A half hour later, out on the street, Rip asked, 'Is there a decent restaurant not too far?'

As they walked, Egg asked, 'Why did you decide to donate the saucer to the museum?'

Rip told them about the night at the lake, about Hedrick and Taggart and the German test pilot. Charley Pine gripped his hand even tighter. 'So what did you do with the bodies?' 'I recycled them. Mauna Loa in Hawaii is erupting.' The weight of the saucer was gone from his shoulders, the sun felt good, Charley's hand felt terrific… It was time to shift gears, to come back to earth. 'What's with the briefcase, Uncle?' 'Patents. Remember the computer you and I took out of the saucer?' 'Yeah.'

'I figured out how to wire a laser printer to it. This morning Charley and I filed twenty-six patents on saucer technology.' 'Twenty-six?'

'Wellstar sent us a couple of engineers to help with the applications. You remember Dutch Haagen? He works for us now.'

Rip shook his head in amazement. Egg continued, 'We figure if we can do maybe three patent applications a week for the next ten weeks or so, we'll pretty well have the critical stuff covered. I put all three of our names on the patent applications, signed for you as your attorney in fact.' 'Okay, but… '

'You may recall that we gave Wellstar an interest in the propulsion technology in return for a bill of sale. I thought we might license the propulsion stuff, make enough money to keep me in a nursing home and you and Charley in tall cotton. With your consent, I thought we might put the rest of the patents in the public domain, make