written by his French contemporary, St Bernard of Clairvaux, the great twelfth-century theologian whom Malachy visited on his journeys from Ireland to Rome. Indeed, on his last such visit to Clairvaux Malachy fell ill and literally died in St Bernard’s arms.
Malachy’s prophecy was unknown, or at least unpublished, during his lifetime. It was the Benedictine historian Arnold de Wyon who first published it in 1595 in his book
Malachy’s prophecies were short and abstruse. Beginning with Celestine II who was elected in the year 1130, he foresaw an unbroken chain of 112 popes lasting until the end of the papacy – or, as some believed, until the end of the world.
Each pope was assigned a mystical title, pithy and evocative:
Elisabetta skipped through the list with rapt fascination. The prophecy concerning Urban VIII was
Marcellus II was
Innocent XII was
Benedict XV was
In 1958, following the death of Pius XII, Cardinal Spellman from Boston had a little fun with Malachy’s prediction that the next Pope would be
Pope John Paul II was
And Malachy’s prophetic chain led all the way to the 267th and penultimate pope who was now freshly interred within three nested coffins in a crypt beneath the Basilica of St Pietro.
The 268th pope, to be chosen at the Conclave which would begin tomorrow, would be the last. Malachy called him Petrus Romanus and gave him the longest title:
During the final persecution of the Holy Roman Church, the seat will be occupied by Peter the Roman, who will feed his sheep in many tribulations; and when these things are finished, the seven-hilled city will be destroyed, and the formidable Judge will judge his people. The End.
To Elisabetta, the vague nature of these prophecies reminded her of the quatrains of Nostradamus, notions concocted by a charlatan so that people might find one or two snippets from a pope’s life to connect the man to his title. In fact, diverse scholars claimed Malachy’s Prophecy was no more than an elaborate sixteenth-century hoax intended – unsuccessfully – to help Cardinal Girolamo Simoncelli reach the papacy.
Yet here, embedded within Marlowe’s
Elisabetta’s training in anthropology kicked in. The documented use of tattoos reached all the way to the Neolithic period, and probably even further than that. Tattoos were evidence of rites of passage, marks of status and rank, cultural affiliation, symbols of religious and spiritual devotion. The symbolism and importance of tattoos varied from culture to culture, but she was certain of one thing: these sacral tattoos were important to the Lemures.
So it stood to reason that Malachy was important to them too, perhaps forming the basis of some kind of belief system. And Marlowe must have either known of them or been one himself!
HAIL LEMURES. Elisabetta fingered her crucifix.
She wanted to reach out to Father Tremblay but realized she didn’t have a contact number for him.
There was a sound at the front door, someone fumbling at the lock.
She approached cautiously. The door swung open and Micaela burst in. ‘Sorry I’m late. I had a patient to see.’
They kissed and Elisabetta put the kettle on.
‘Where’s Papa?’
‘A retirement dinner for someone in his department.’
Micaela frowned. ‘I’m sure he was thrilled about that. Arturo’s coming later – do you mind?’
‘Of course not.’
Micaela stripped off her jacket. She was looking stylishly professional in a blue skirt and silk top and seemed compelled to comment on the sartorial gulf between herself and her sister. ‘For heaven’s sake, Elisabetta, why are you wearing your habit around the house? Aren’t you off duty?’
Elisabetta held up her left hand, showing off her gold wedding band. ‘Still married, remember?’
‘So how’s Christ been treating you in His role as a husband?’ Micaela asked dryly.
Elisabetta remembered her recent daydream about Marco. ‘Better, I think, than I’ve been treating Him in my role as a wife.’ She changed the subject abruptly. ‘Did you hear about Zazo?’
Micaela knew; he’d called her. She went into a rant, heaping invectives upon the Vatican, stupid bosses and assholes in general. Elisabetta halted her diatribe. ‘If you calm down, I’ll tell you something.’
‘What?’
‘Papa solved the tattoo code.’
‘Tell me!’
They were interrupted by the sound of the buzzer. Micaela said it was probably Arturo and scrambled to answer it but she came back shaking her head. ‘It wasn’t him. It’s a Father Tremblay. He said you’re expecting him. Is it okay?’
‘Yes, but …’
‘But what?’
‘Please don’t comment on the way he looks, all right?’
Elisabetta greeted Father Tremblay at the door and showed him into the kitchen where, upon seeing Micaela, he immediately apologized for intruding. Elisabetta assured him that it wasn’t a problem and hastened to add that she wanted to speak with him anyway. She introduced him. Micaela looked him up and down and promptly asked, ignoring Elisabetta’s request, ‘You have Marfan’s, don’t you?’
‘Don’t be so rude!’ Elisabetta scolded.
‘I’m not rude, I’m a doctor.’
‘It’s okay,’ Tremblay said, his ears glowing with visible embarrassment. ‘Yes, I do – you’re a good diagnostician.’
‘I knew it,’ Micaela said, satisfied.
At the kitchen table it was left to Elisabetta to explain to Micaela Father Tremblay’s involvement in the affair