smaller, on the main road, heading west.
For a moment Danny felt more lonely than he ever had in his life.
13. The Front Porch
The Torrance family stood together on the long front porch of the Overlook Hotel as if posing for a family portrait, Danny in the middle, zippered into last year's fall jacket which was now too small and starting to come out at the elbow, Wendy behind him with one hand on his shoulder, and Jack to his left, his own hand resting lightly on his son's head.
Mr. Ullman was a step below them, buttoned into an expensive-looking brown mohair overcoat. The sun was entirely behind the mountains now, edging them with gold fire, making the shadows around things look long and purple. The only three vehicles left in the parking lots were the hotel truck, Ullman's Lincoln Continental, and the battered Torrance VW.
“You've got your keys, then;” Ullman said to Jack, “and you understand fully about the furnace and the boiler?”
Jack nodded, feeling some real sympathy for Ullman. Everything was done for the season, the ball of string was neatly wrapped up until next May 12-not a day earlier or later-and Ullman, who was responsible for all of it and who referred to the hotel in the unmistakable tones of infatuation, could not help looking for loose ends.
“I think everything is well in hand,” Jack said.
“Good. I'll be in touch.” But he still lingered for a moment, as if waiting for the wind to take a hand and perhaps gust him down to his car. He sighed. “All right. Have a good winter, Mr. Torrance, Mrs. Torrance. You too, Danny.”
“Thank you, sir,” Danny said. “I hope you do, too.”
“I doubt it,” Ullman repeated, and he sounded sad. “The place in Florida is a dump, if the out-and-out truth is to be spoken. Busywork. The Overlook is my real job. Take good care of it for me, Mr. Torrance.”
“I think it will be here when you get back next spring,” Jack said, and a thought flashed through Danny's mind
(but will we?)
and was gone.
“Of course. Of course it will”
Ullman looked out toward the playground where the hedge animals were clattering in the wind. Then he nodded once more in a businesslike way.
“Good-by, then.”
He walked quickly and prissily across to his car-a ridiculously big one for such a little man-and tucked himself into it. The Lincoln's motor purred into life and the taillights flashed as he pulled out of his parking stall. As the car moved away, Jack could read the small sign at the head of the stall: RESERVED FOR MR. ULLMAN, MGR.
“Right,” Jack said softly.
They watched until the car was out of sight, headed down the eastern slope. When it was gone, the three of them looked at each other for a silent, almost frightened moment. They were alone. Aspen leaves whirled and skittered in aimless packs across the lawn that was now neatly mowed and tended for no guest's eyes. There was no one to see the autumn leaves steal across the grass but the three of them. It gave Jack a curious shrinking feeling, as if his life force had dwindled to a mere spark while the hotel and the grounds bad suddenly doubled in size and become sinister, dwarfing them with sullen, inanimate power.
Then Wendy said: “Look at you, doc. Your nose is running like a fire hose. Let's get inside.”
And they did, closing the door firmly behind them against the restless whine of the wind.
Part Three. The Wasps' Nest
14. Up On the Roof
“Oh you goddam fucking son of a bitch!”
Jack Torrance cried these words out in both surprise and agony as he slapped his right hand against his blue chambray workshirt, dislodging the big, slowmoving wasp that had stung him. Then he was scrambling up the roof as fast as he could, looking back over his shoulder to see if the wasp's brothers and sisters were rising from the nest he had uncovered to do battle. If they were, it could be bad; the nest was between him and his ladder, and the trapdoor leading down into the attic was locked from the inside. The drop was seventy feet from the roof to the cement patio between the hotel and the lawn.
The clear air above the nest was still and undisturbed.
Jack whistled disgustedly between his teeth, sat straddling the peak of the roof, and examined his right index finger. It was swelling already, and he supposed he would have to try and creep past that nest to his ladder so he could go down and put some ice on it.
It was October 20. Wendy and Danny had gone down to Sidewinder in the hotel truck (an elderly, rattling Dodge that was still more trustworthy than the VW, which was now wheezing gravely and seemed terminal) to get three gallons of milk and do some Christmas shopping. It was early to shop, but there was no telling when the snow would come to stay. There had already been flurries, and in some places the road down from the Overlook was slick with patch ice.
So far the fall had been almost preternaturally beautiful. In the three weeks they had been here, golden day had followed golden day. Crisp, thirty-degree mornings gave way to afternoon temperatures in the low sixties, the perfect temperature for climbing around on the Overlook's gently sloping western roof and doing the shingling. Jack had admitted freely to Wendy that he could have finished the job four days ago, but he felt no real urge to hurry. The view from up here was spectacular, even putting the vista from the Presidential Suite in the shade. More important, the work itself was soothing. On the roof he felt himself healing from the troubled wounds of the last three years. On the roof he felt at peace. Those three years began to seem like a turbulent nightmare.
The shingles had been badly rotted, some of them blown entirely away by last winter's storms. He had ripped them all up, yelling “Bombs away!” as he dropped them over the side, not wanting Danny to get hit in case he had wandered over. He had been pulling out bad flashing when the wasp had gotten him.
The ironic part was that he warned himself each time he climbed onto the roof to keep an eye out for nests; he had gotten that bug bomb just in case. But this morning the stillness and peace had been so complete that his watchfulness had lapsed. He had been back in the world of the play he was slowly creating, roughing out whatever scene he would be working on that evening in his head. The play was going very well, and although Wendy had said little, he knew she was pleased. He had been roadblocked on the crucial scene between Denker, the sadistic headmaster, and Gary Benson, his young hero, during the last unhappy six months at Stovington, months when the craving for a drink had been so bad that he could barely concentrate on his in-class lectures, let alone his extracurricular literary ambitions.
But in the last twelve evenings, as he actually sat down in front of the office-model Underwood he had borrowed from the main office downstairs, the roadblock had disappeared under his fingers as magically as cotton candy dissolves on the lips. He had come up almost effortlessly with the insights into Denker's character that had always been lacking, and he had rewritten most of the second act accordingly, making it revolve around the new scene. And the progress of the third act, which he had been turning over in his mind when the wasp put an end to cogitation, was coming clearer all the time. He thought he could rough it out in two weeks, and have a clean copy of the whole damned play by New Year's.
He had an agent in New York, a tough red-headed woman named Phyllis Sandler who smoked Herbert Tareytons, drank Jim Beam from a paper cup, and thought the literary sun rose and set on Sean O'Casey. She had marketed three of Jack's short stories, including the Esquire piece. He had written her about the play, which was called The Little School, describing the basic conflict between Denker, a gifted student who had failed into becoming the brutal and brutalizing headmaster of a turn-of-the-century New England prep school, and Gary Benson, the student he sees as a younger version of himself. Phyllis had written back expressing interest and admonishing him to read O'Casey before sitting down to it. She had written again earlier that year asking where the hell was the play? He had written back wryly that The Little School had been indefinitely-and perhaps infinitely-delayed between hand and page “in that interesting intellectual Gobi known as the writer's block.” Now it looked as if she might actually get the play. Whether or not it was any good or if it would ever see actual production was another matter. And he didn't seem to care a great deal about those things. He felt in a way that the play itself, the whole thing, was the roadblock, a colossal symbol of the bad years at Stovington Prep, the marriage he had almost totaled like a nutty kid behind the wheel of an old jalopy, the monstrous assault on his son, the incident in the parking lot with George Hatfield, an incident he could no longer view as just another sudden and destructive flare of temper. He now thought that part of his drinking problem had stemmed from an unconscious desire to be free of Stovington and the security he felt was stifling whatever creative urge he had. He had stopped drinking, but the need to be free had been just as great. Hence George Hatfield. Now all that remained of those days was the play on the desk in his and Wendy's bedroom, and when it was done and sent off to Phyllis's hole-in-the-wall New York agency, he could turn to other things. Not a novel, he was not ready to stumble into the swamp of another three-year undertaking, but surely more short stories. Perhaps a book of them.
Moving warily, he scrambled back down the slope of the roof on his hands and knees past the line of demarcation where the fresh green Bird shingles gave way to the section of roof he had just finished clearing. He came to the edge on the left of the wasps' nest he had uncovered and moved gingerly toward it, ready to backtrack and bolt down his ladder to the ground if things looked too hot.
He leaned over the section of pulled-out flashing and looked in.
The nest was in there, tucked into the space between the old flashing and the final roof undercoating of three-by-fives. It was a damn big one. The grayish paper ball looked to Jack as if it might be nearly two feet through the center. Its shape was not perfect because the space between the flashing and the boards was too narrow, but he thought the little buggers had still done a pretty respectable job. The surface of the nest was acrawl with the lumbering, slowmoving insects. They were the big mean ones, not yellow jackets, which are smaller and calmer, but wall wasps. They had been rendered sludgy and stupid by the fall temperatures, but Jack, who knew about wasps from his childhood, counted himself lucky that he had been stung only once. And, he thought, if Ullman had hired the job done in the height of summer, the workman who tore up that particular section of the flashing would have gotten one hell of a surprise. Yes indeedy. When a dozen wall wasps land on you all at once and start stinging your face and hands and arms, stinging your legs right through your pants, it would be entirely possible to forget you were seventy feet up. You might just charge right off the edge of the roof while you were trying to get away from them. All from those little things, the biggest of them only half the length of a pencil stub.
He had read someplace-in a Sunday supplement piece or a back-of-the-book newsmagazine article-that 7 per cent of all automobile fatalities go unexplained. No mechanical failure, no excessive speed, no booze, no bad weather. Simply one-car crashes on deserted sections of road, one dead occupant, the driver, unable to explain what had happened to him. The article had included an interview with a state trooper who theorized that many of these so-called “foo crashes” resulted from insects in the car. Wasps, a bee, possibly even a spider or moth. The driver gets panicky, tries to swat it or unroll a window to let it out. Possibly the insect stings him. Maybe the driver just loses control. Either way it's bang!.,. all over. And the insect, usually completely unharmed, would buzz merrily out of the smoking wreck, looking for greener pastures. The trooper had been in favor of having pathologists look for insect venom while autopsying such victims, Jack recalled.
