Pass to Laurel Canyon, and then back again. It was after ten, and the traffic was light and getting lighter, mostly affluent stragglers who'd put in extra hours at the office or in the bar and were only now cresting the mountain in their effort toward home.
When we saw that there were no police stationed at either end of Woodrow Wilson Drive, Pike shut the lights and pulled over. 'You want me to take you in closer?' The turnoff to my house was maybe a mile in along Woodrow Wilson.
'Nope. Too easy to get boxed if we meet a black-and-white coming the other way.'
Pike nodded. 'I know. Just thought I'd offer.'
'There's a turnout about a mile and a half east that the kids use as a parking place, on the valley side overlooking Universal Studios. Wait there. If the police come I'll work my way downslope, then come back around onto Mulholland and meet you there.'
'If you don't get caught.'
Some support, huh?
I slipped out of the Jeep, then trotted off Mulholland and onto Woodrow Wilson Drive, taking it easy and slipping into bushes or shadows or behind parked cars whenever headlights showed around a curve. Woodrow Wilson Drive is narrow and winding and affects sort of a rural quality, even in the midst of high-density housing and fourteen million people. There are trees and coyotes and sometimes even deer, and, though there are many homes in the area, the houses are built for privacy and are often hidden from view. Frank Zappa lives there. So does Ringo Starr. Smaller streets branch off of Woodrow Wilson, and, like mine, lead to areas often more private, and even more rustic. If the police were waiting for me, or came while I was there, it would be easy to work my way downslope, then loop around and work back to Mulholland. Of course, it's always easy if you don't get caught.
I passed three joggers and, twice, couples walking dogs, once a man and woman with an Akita, and once two men with a black Lab. I nodded at them and they nodded back. Elvis Cole, the Friendly Felon, out for an evening's stroll.
I left Woodrow Wilson and turned up my road and moved into the trees. The mountain shoulders up there, and the road follows the shoulder into a little canyon. I crept through the scrub oak until the road curved around to my house, and then I saw the plain unmarked sedan sitting in the shadows beneath a willow tree, maybe sixty yards past my front door. I kept the trunk of an oak between myself and the car and I waited. Maybe eight minutes later someone on the passenger's side moved, then the driver moved, and then they were still again. Shadows within shadows. If there were cops outside the house, there might be cops inside the house. The smart thing to do would be to leave and forget about being in my living room when Jennifer Sheridan called. Of course, if I wasn't there when she called, maybe she'd never call again. For all I knew, Akeem D'Muere was closing in on her at this very moment and her last call would be a call for help and I wouldn't be there to answer it because I'd be off doing the smart thing. Whatever that was.
Across the canyon, headlights moved on mountain roads and someone somewhere laughed and it carried on the night breeze. A woman. I thought about it some more and then I moved down the slope toward my house. Sometimes there is no smart move.
I worked through the trees and the brush until I was beneath my house, and then I climbed up to the deck. There were no police posted along the back and, as best I could tell, none within the house. Of course, I wouldn't know that for sure until I went in, would I?
I checked to see if the two cops were still in their sedan, and then I went back downslope and found the spare key I keep beneath the deck. I moved back across the slope to the far side of the house, climbed up onto the deck, and let myself in through the glass doors.
The house was still and dark and undisturbed. No cops were lying in wait, and the SWAT team didn't rappel down from my loft. If the police had been here, they had come and gone without breaking the door and without abusing my possessions.
The message light on my machine was blinking. I played it back, worried that it was Jennifer and that I had missed her call, but it was Lou Poitras. He called me an asshole, and then he hung up. You've got to love Lou.
I went into the kitchen, opened a Falstaff, and drank some. The moon was waxing three-quarters, and blue light spilled through the glass steeples at the back of my A-frame to flood the living room. I didn't need the light. Behind me the cat door clacked and the cat walked into the kitchen. He went to his food bowl.
I said, 'It's been a pretty crummy day. The least you could do is say hello.'
He stared at his bowl.
I took out his dry food and fed him. I watched as he ate, and then I took down a larger bowl and put it on the floor and emptied the box into it. I didn't know when I would get back, so I figured that this would have to do. I turned on the kitchen tap just enough to drip. He could hop up and drink.
I went to each door to make sure it was locked, then found a nylon overnight bag and packed it with toiletry items and three changes of clothes. The police had my wallet and all the things in it, but I had spare American Express cards and Visa cards in my dresser, along with gas cards and three hundred dollars in cash. I packed that, too.
When I was done I called Charlie Bauman, a lawyer I know who has an office in Santa Monica. I called him at home. Charlie answered on the fourth ring and said, 'Hey, Elvis, how's it going, buddy?' There was music somewhere behind him and he sounded glad to hear from me.
I said, 'I'm sitting on the floor in my living room, in the dark, and I'm wanted on three murder counts and a dope charge.'
Charlie said, 'Shit, are you out of your nut?' He didn't sound so happy to hear from me anymore.
I told him about it. When I got to the arrest and the questioning, he stopped me.
'You should've called me. Never give up your right to an attorney. That was bush.'
'I'm calling you now, Charlie.'
'Yeah, yeah.
