24
Wolgast had come to Amy at last. He had come to her in dreams.
They were sometimes in one place and sometimes another. They were stories of things that had happened, events and feelings from the past replayed; they were a jumble, a pastiche, an overlap of images that in their reconfiguration felt entirely new. They were her life, her past and present commingling, and they occupied her consciousness with such completeness that upon awakening she would startle to discover herself existing in a simple reality of firm objects and ordered time. It was as if the waking world and the sleeping world had exchanged positions, the latter possessing a superseding vividness that did not abate as she moved into the traces of her day. She would be pouring water from a pot, or reading to the children in circle, or sweeping leaves in the courtyard and without warning her mind would drown with sensation, as if she had slipped beneath the surface of the visible world into the currents of an underground river.
A carousel, its gyring lights and ringing, bell-like music falling. A taste of cold milk and the dust of powdered sugar on her lips. A room of blue light, her mind floating with fever, and the sound of a voice—Wolgast’s voice— gently leading her out of the darkness.
Most powerful of all was the dream of the room: dirty, stale-smelling, clothing scattered in piles, containers of old food atop every surface, a television blaring with meaningless cruelty in the corner, and the woman Amy understood to be her mother—she experienced this awareness with a gush of hopeless longing—moving through the cramped space with panicked energy, scooping things from the floor, tossing them into sacks.
But it wasn’t just the two of them. Wolgast was there as well. This made no sense; Wolgast had entered her life later. Yet the logic of the dream was such that his presence was intrinsically unremarkable; Wolgast was there because he was. At first Amy experienced his presence not as a bodily reality but a vaporous glow of emotion hovering over the scene. The more she felt her mother moving away from her, into a private urgency Amy neither shared nor comprehended—something terrible had happened—the more vivid became her sense of him. A deep calm infused her; she watched with a feeling of detachment, knowing that these events, which seemed to be occurring in a vivid present, had actually happened long ago. She was simultaneously experiencing them for the first time while also remembering them—she was both actor and observer—with the anomaly of Wolgast, whom she now discovered was sitting on the edge of the bed, her mother nowhere to be seen. He was wearing a dark suit and tie; his feet were bare. He was gazing absorbedly at his hands, which he held before him with the tips of his fingers touching.
—Hello, she said.
—I’ve missed you, too.
The space around them had altered; the room had dispersed into a darkness in which only the two of them existed, like a pair of actors on a spotlit stage.
—Yes. I think that it is.
—Who? Who should I go to?
—Yes.
He had yet to look at her; Amy sensed that the conversation neither required nor even allowed this. Then:
—I think you let me.
Wolgast chuckled to himself.
—I remember all of it. The day it snowed. Making the snow angels.
Here was the river, Amy thought. The great, coursing river of the past.
—I don’t think it’s anywhere. I think that I’m asleep.
He considered these words with a faint nod.
—I miss you, Daddy.
—But you did. You saved me.
A wave of sorrow broke inside her. How she longed to comfort him, to take him in her arms. Yet she knew that if she attempted this, were she to move even one step closer, the dream would dissolve, and she would be alone again.
—I do. Of course I do. There’s nothing to forgive.
—You didn’t have to, Daddy. I knew, I knew. I always knew.
As if these words had willed it, the image of the room had begun to recede, the space between the two of