The exit markers, pitted and rusting, leaning like drunks; the ancient highway with its tipping guardrails, calling them forward; the cratered roadside restaurants and filling stations and motels, some with their signs still standing against the wind, declaring incomprehensible names. McDonald’s. Exxon. Whataburger. Holiday Inn Express. Peter watched the scenery flow past. They were making better time, but that wouldn’t last. Darkness was coming on.
The light gave out at Flatonia. They were thirty miles east of the third bridge, moving at a steady twenty- five. The radio, which had crackled all day with banter between the vehicles, fell silent. As they approached the town of Luling there appeared, in the cones of light from the Humvee’s headlamps, an exit sign marked with a red X. A hardbox. Peter glanced at Michael, looking for any change in his face, but detected none. They were moving on.
They were approaching the bridge when Michael suddenly leaned forward in his seat, peering intently over the wheel.
“What in the hell …?”
Peter braced himself against the dash as Michael slammed on the brakes. The cab filled with light as the second Humvee nearly careened into them from behind, braking just in time. They skidded to a halt.
Michael was staring out the windshield. “Am I seeing things?”
Lore’s voice crackled on the radio. “What’s going on? Why did we stop?”
Peter snatched the radio off the dash. “DS three and four, up front on the double. One and two, hold position. Everybody else stay in your cabs.”
A figure was standing in the road. Not viral: human. It appeared to be a woman, head bowed, wearing a kind of cloak.
“What’s she doing?” said Michael. “She’s just standing there.”
“Wait here.”
Peter climbed from the cab. The woman had yet to move or otherwise acknowledge their existence. The two floater DS vehicles, 4?4s, had pulled into position alongside the Humvees. Drawing his sidearm, Peter stepped cautiously forward.
“Identify yourself.”
The woman was standing at the front edge of the bridge. Its iron struts carved lines of darkness against the sky. Peter raised his weapon, inching closer. She was clutching something in her hand. “Hey,” he said, “I’m talking to you.”
The woman raised her head. Her face filled with the light of the trucks’ headlamps. Peter couldn’t tell what he was seeing. Woman? Girl? Crone? The image of her face seemed to flutter in his mind, forming and reforming like something seen through fast-moving water. He felt a jostle of nausea.
“We know where you are.” Her voice was as ethereal as tissue. “It’s just a matter of time.”
Peter cocked his weapon, aiming at her head. “Answer me.”
Her eyes shone an intense, twinkling blue. As they locked onto his own, Peter realized that what he was seeing was a beautiful woman, maybe the most beautiful of his life. The plump, pillowy lips. The delicately upswept nose. The proportionate arrangement of the facial bones and the glowing skin of her cheeks. To look at her was to be swept into a current of almost unbearable sensuality. His mouth was suddenly dry.
“You’re tired,” she said.
The statement, utterly baffling, jarred him from his stupor. He was what?
“I said,” the woman repeated, “you’re tired.”
“I don’t know what you’re talking about.”
Her face fell with puzzlement; it appeared he had disappointed her. Peter’s eyes fell to the object clutched in her hand. A metal box. With her free hand she withdrew a long, metal rod from its side.
Peter knew what it was.
He leapt toward her as her finger found the switch. A sheen of light and a crack of sound like the slamming of an enormous door: a wall of scalding heat blew him backward, off his feet. The bridge, Peter thought. Whoever she is, this woman has blown the bridge. Peter was on his back, blinking at the sky. Time had briefly slipped its moorings. Something large, on fire, was descending toward him from the heavens in a languid arc.
The burning road tie crashed to the ground a few feet from his head. As Peter rolled away he felt someone’s hands upon him, and suddenly he was on his feet again; Michael was pulling him toward the Humvee.
“Back up!” One arm wrapping Peter’s waist, Michael was yelling into the walkie. “Everybody back up now!”
Lights were blazing at them from all directions. Before Peter could fully process the information, a pickup barreled out of the brush, its great mud-choked tires bounding over the ditch. It swerved to a halt before them, angled sideways. Four figures rose like dark apparitions from the truck’s bed, simultaneously raising long, cylindrical objects to their shoulders.
“Oh, shit,” said Michael.
They flung themselves to the ground as the rockets, in a white burst, jetted from their tubes. Behind them, the sound of gunfire was instantly swallowed by the DS vehicles’ detonation. Flaming debris whizzed over their heads.
“Ceps,” Michael barked into the walkie, “get out of there!”
The figures in the truck had paused to reload. Ceps’s tanker would be next. Peter reached for his sidearm, but it was gone; he’d lost it in the first explosion. From the rear of the convoy came another tremendous bang. The oilers were leaping from their trucks, running, shouting. The attack was coming from both ends of the convoy now. They were trapped between the river and whatever was approaching from the rear, presumably more pickups with RPGs. Their fuel was forfeit, the only thing to do was run. Peter and Michael broke for the first tanker just as Ceps leapt down from the cab, tossing Peter a rifle. He snatched it from the air, swung around, took aim at the pickup, and released a barrage of strafing fire, sending the figures diving for cover. He’d bought them a moment, but that was all. Michael grabbed Lore by the wrist as she emerged from her cab and swung her to the ground. He was shouting, waving toward the rear of the convoy. “Get away from the trucks!”
The apparitional figures rose again. One clean shot at the first tanker and it would all be over. Three thousand gallons per truck, thirty-six thousand gallons in all. The entire convoy would go up, detonating like sticks of dynamite in a line. Peter realized that one of the figures was the cloaked woman. He lifted his rifle again and squeezed the trigger, only to hear the click of an empty chamber.
The woman raised her arms and spread them wide.
At the tail end of the convoy, an altogether different sort of vehicle had appeared. It swooped upon them at high speed, engine roaring, banks of sodium vapor lights blazing from the roof of its cab. A six-wheeled semi- tractor: daisy-chained behind it were two large cargo boxes constructed of galvanized metal buffed to a highly reflective finish. In the weeks to come, this curious aspect—it resembled nothing so much as two mirrored boxes rolling down the highway—would emerge as a matter of significance, a clue in a sequence of clues; but at the moment of the truck’s air-braking descent upon the scene, no one paid that much attention. Some of the fleeing oilers, their panicked brains washed clean of logic, and failing to notice that the smaller vehicles that had taken out the rear guard had conveniently vanished into the undergrowth, even permitted themselves the hope of rescue. They were under attack. The attack, mercilessly discombobulating, had come from nowhere. The containers, in their fortified appearance and shining bulk, resembled portables.
Which they were. Though toting a cargo of an altogether different kind.
One to see this was OFC Juan Sweeting. Despite his off-putting manner and intimidating muscularity, Ceps was a man with the soul of a poet. Alone in his rack at the end of each day, he privately put pen to paper, rendering his deepest thoughts in lines of uncommon sensitivity and verbal music. Despite the trials of his life, he steadfastly believed the world to be a beautiful, God-touched place worthy of human hopefulness; he wrote a great deal about the sea, whose companionship he treasured. Though he had never shown anyone these poems, they formed the heart of his life, like a secret lover. Sometimes, scraping oily gunk from a cooker or hurling a bulk of iron above his head in the weight cages, Ceps was so inflamed by the desire to write a poem that it was all he could do not to abandon his task and race back to his rack to celebrate the magnificence of creation.
The arrival of the gleamingly reflective semitruck coincided with his blossoming suspicion, like Peter’s, that
