almost gotten clear when a TV commentator rushed forward and thrust a microphone under his nose.
'Hey, fella, are you a member of the Titanic's salvage crew?'
'No, I work for the shipyard,' Pitt said, waving like a yokel at the camera.
The commentator's face fell. 'Cut it, Joe,' he yelled to his cameraman. 'We grabbed a bummer.' Then he turned and moved his way toward the ship, shouting for the crowd to keep their feet off his mike cord.
Six blocks, and a whole half-hour later, Pitt finally found a cab driver who was more interested in hauling a fare than in ogling the derelict.
'Where to?' the driver asked.
Pitt hesitated, looking down at his grimly, sweat-stained shirt and pants under the torn and just as grimy windbreaker. He didn't need a mirror to see the bloodshot eyes and five o'clock shadow. He could easily imagine himself as the perfect reflection of a Bowery wino. But then he figured, what the hell, he'd just stepped off what was once the most prestigious ocean liner in the world.
'What's the most luxurious and expensive hotel in town?'
'The Pierre, on Fifth Avenue and Sixty-first, ain't cheap.
'The Pierre it is then.'
The driver looked over his shoulder, studied Pitt, and wrinkled his nose. Then he shrugged and pulled into the traffic. He took less than a half hour to reach the curb in front of the Pierre, overlooking Central Park.
Pitt paid off the cabby and walked through the revolving doors and up to the desk.
The clerk gave him a look of disgust that was a classic. 'I'm sorry, sir,' he said haughtily before Pitt could open his mouth. 'We're all filled up.'
Pitt knew it would only be a matter of minutes before a mob of reporters discovered his whereabouts if he gave his real name. He wasn't ready to face the ordeal of celebrity status yet. All he wanted was uninterrupted sIeep.
'I am not what I appear,' Pitt said, trying to sound indignant. 'I happen to be Professor R. Malcolm Smythe, author and archaeologist. I have just stepped off the plane after a four-month dig up the Amazon, and I haven't had time to change. My man will be here shortly with my luggage from the airport.'
The desk clerk was instantly transformed into peaches and cream. 'Oh, I am sorry, Professor Smythe, I didn't recognize you. However, we're still filled up. The city is crowded with people who came to see the arrival of the Titanic. I'm sure you understand.'
It was a masterful performance. He didn't buy Pitt or one word of his fanciful tale.
'I'll vouch for the professor,' said a voice behind Pitt. 'Give him your best suite and charge it to this address.'
A card was thrown on the counter. The desk clerk picked it up and read it and lit up like a roman candle. Then with a flourish he laid a registration card before Pitt and produced a room key as if by sleight of hand.
Pitt slowly turned and met a face that was every bit as worn and haggard as his. The lips were turned up in a crooked smile of understanding, but the eyes were dulled with the lost and vacant stare of a zombie. It was Gene Seagram.
'How did you track me down so fast?' Pitt asked. He was lying in a bathtub nursing a vodka on the rocks. Seagram sat across the bathroom on the john.
'No great exercise in intuition,' he said. 'I saw you leave the shipyard and followed you.'
'I thought you'd be dancing on the Titanic about now.'
'The ship means nothing to me. My only concern is the byzanium in its vault, and I've been told it will be another forty-eight hours before the derelict can be moved into dry dock and the wreckage in the cargo hold removed.'
'Then why don't you relax for a couple of days and have some fun. In a few weeks your problems will be over. The Sicilian Project will be off the drawing boards and a working reality.'
Seagram's eyes closed for a moment. 'I wanted to talk to you,' he said quietly. 'I wanted to talk to you about Dana.'
Oh God, Pitt thought, here it comes. How do you keep a straight face, knowing you made love to the man's wife. Up to now, it had been all he could do to maintain a casual tone in his conversation. 'How is she getting along after her ordeal?'
'All right, I suppose.' Seagram shrugged.
'You suppose? She was airlifted off the ship by the Navy two days ago. Haven't you seen her since she came ashore?'
'She refuses to see me . . . said it was all over between us.'
Pitt contemplated the vodka in the glass. 'So it's hearts and flowers time. So who needs her? If I were you, Seagram, I'd find myself the most expensive hooker in town, charge her off on your government expense account, and forget Dana.'
'You don't understand. I love her.'
'God, you sound like a letter to Ann Landers.' Pitt reached for the bottle on the tiled floor and freshened his drink. 'Look, Seagram, you're a pretty decent guy underneath your pompous, bullshit facade. And who knows, you may go down in history as the great merciful scientist who saved mankind from a nuclear holocaust. You've still got enough looks to attract a woman, and I'm willing to bet that when you clean off your desk in Washington and bid a fond farewell to government service you'll be a rich man. So don't expect tears and violins from me over a lost love. You've got it made.'
'What good is it without the woman I love?'
'I see I'm not getting through to you.' Pitt was one third into the bottle and a warm glow had begun to course through his body. 'Why throw yourself down the sewer over a broad who suddenly thinks she's found the fountain of youth. If she's gone, she's gone. Men come crawling back, not women. They persevere. There isn't a man alive a woman can't persevere into the grave. Forget Dana, Seagram. There are millions of other fish in the stream. If you need the phony security of a pair of tits making your bed and fixing your supper, go hire a maid; they're cheaper and a hell of a lot less trouble in the long run.'
'So now you think you're Sigmund Freud,' Seagram said, rising from the john. 'Women are nothing to you. A beautiful relationship with you is a love affair with a bottle. You're out of touch with the world.'
'Am I?' Pitt stood up in the tub and yanked open the door to the medicine cabinet so that Seagram was staring at his refection in the mirror. 'Take a good look. There's the face of a man who's out of touch with the world. Behind those eyes there's a man who's driven by a thousand demons of his own making. You're sick, Seagram. Mentally sick over problems you've magnified out of all proportion. Dana's desertion is only a crutch to enhance your black depression. You don't love her as much as you think you do. She's only a symbol, a prop you lean on. Look at the glaze over the eyes; look at the slack skin around the mouth. Get yourself to a psychiatrist, and damned soon. Think about Gene Seagram for once. Forget about saving the world. It's time you saved yourself.'
Seagram's face was violently flushed. He clenched his fists and trembled. Then the mirror before his eyes began to mist, not on the outside but from within, and another face slowly emerged. A strange face with the same haunted eyes.
Pitt stood mute and watched as Seagram's expression turned from anger to sheer terror.
'God, no . . . it's him!'
'Him?'
'Him!' he cried, 'Joshua Hays Brewster!' Then Seagram struck the mirror with both fists, shattering the glass, and fled the room.
76
Pensive and dreamy-eyed, Dana stood in front of a full length mirror and scrutinized herself. The bruise on her head was neatly covered by a new hair style and, except for several fading black-and-blue marks, her body looked as lithe and perfect as ever. It definitely passed inspection. Then she stared at the eyes that stared back. There were no additional crow's feet, no new puffiness around the edges. The mythical hardened look of a fallen woman was nowhere to be seen. Instead, they seemed to gleam with a vibrant expectancy that hadn't been there before. Her rebirth as an unfettered woman of the world had been a complete success.
'Care for any breakfast?' Marie Sheldon's voice carried up the stairs.
Dana donned a soft lace dressing gown. 'Just coffee, thanks,' she said. 'What time is it?'
