swing his arms in time with the music in the manner of a conductor. He found it was such fun doing this that he decided to stand up, facing the radio, in order to give himself more freedom of movement.
He stood there in the middle of the room, tall, thin and shoulderless, dressed in his tight blue double- breasted suit, his small bald head jerking from side to side as he waved his arms in the air. He knew the symphony well enough to be able occasionally to anticipate changes in tempo or volume, and when the music became loud and fast he beat the air so vigorously that he nearly knocked himself over, when it was soft and hushed, he leaned forward to quieten the players with gentle movements of his outstretched hands, and all the time he could feel the presence of the huge audience behind him, tense, immobile, listening. When at last the symphony swelled to its tremendous conclusion, Mr Botibol became more frenzied than ever and his face seemed to thrust itself round to one side in an agony of effort as he tried to force more and still more power from his orchestra during those final mighty chords.
Then it was over. The announcer was saying something, but Mr Botibol quickly switched off the radio and collapsed into his chair, blowing heavily.
'Phew!' he said aloud. 'My goodness gracious me, what have I been doing!' Small globules of sweat were oozing out all over his face and forehead, trickling down his neck inside his collar. He pulled out a handkerchief and wiped them away, and he lay there for a while, panting, exhausted, but exceedingly exhilarated.
'Well, I must say,' he gasped, still speaking aloud, 'that was fun. I don't know that I have ever had such fun before in all my life. My goodness, it was fun, it really was!' Almost at once he began to play with the idea of doing it again. But should he? Should he allow himself to do it again? There was no denying that now, in retrospect, he felt a little guilty about the whole business, and soon he began to wonder whether there wasn't something downright immoral about it all. Letting himself go like that! And imagining he was a genius! It was wrong. He was sure other people didn't do it. And what if Mason had come in the middle and seen him at it! That would have been terrible!
He reached for the paper and pretended to read it, but soon he was searching furtively among the radio programmes for the evening. He put his finger under a line which said '8.30 Symphony Concert. Brahms Symphony No .2'. He stared at it for a long time. The letters in the word 'Brahms' began to blur and recede, and gradually they disappeared altogether and were replaced by letters which spelt 'Botibol'. Botibol's Symphony No .2. It was printed quite clearly. He was reading it now, this moment. 'Yes, yes,' he whispered. 'First performance. The world is waiting to hear it. Will it be as great, they are asking, will it perhaps be greater than his earlier work? And the composer himself had been persuaded to conduct. He is shy and retiring, hardly ever appears in public, but on this occasion he has been persuaded..
Mr Botibol leaned forward in his chair and pressed the bell beside the fireplace. Mason, the butler, the only other person in the house, ancient, small and grave, appeared at the door.
'Er… Mason, have we any wine in the house?'
'Wine, sir?'
'Yes, wine.'
'Oh no, sir. We haven't had any wine this fifteen or sixteen years. Your father, sir..
'I know, Mason, I know, but will you get some please. I want a bottle with my dinner.'
The butler was shaken. 'Very well, sir, and what shall it be?'
'Claret, Mason. The best you can obtain. Get a case. Tell them to send it round at once.'
When he was alone again, he was momentarily appalled by the simple manner in which he had made his decision. Wine for dinner! Just like that! Well, yes, why not? Why ever not now he came to think of it? He was his own master. And anyway it was essential that he have wine. It seemed to have a good effect, a very good effect indeed. He wanted it and he was going to have it and to hell with Mason.
He rested for the remainder of the afternoon, and at seven-thirty Mason announced dinner. The bottle of wine was on the table and he began to drink it. He didn't give a damn about the way Mason watched him as he refilled his glass. Three times he refilled it; then he left the table saying that he was not to be disturbed and returned to the living-room. There was quarter of an hour to wait. He could think of nothing now except the coming concert. He lay back in the chair and allowed his thoughts to wander deliciously towards eight-thirty. He was the great composer waiting impatiently in his dressing-room in the concert-hall. He could hear in the distance the murmur of excitement from the crowd as they settled themselves in their seats. He knew what they were saying to each other. Same sort of thing the newspapers had been saying for months. Botibol is a genius, greater, far greater than Beethoven or Bach or Brahms or Mozart or any of them. Each new work of his is more magnificent than the last. What will the next one be like? We can hardly wait to hear it! Oh yes, he knew what they were saying. He stood up and began to pace the room. It was nearly time now. He seized a pencil from the table to use as a baton, then he switched on the radio. The announcer had just finished the preliminaries and suddenly there was a burst of applause which meant that the conductor was coming on to the platform. The previous concert in the afternoon had been from gramophone records, but this one was the real thing. Mr Botibol turned around, faced the fireplace and bowed graciously from the waist. Then he turned back to the radio and lifted his baton. The clapping stopped. There was a moment's silence. Someone in the audience coughed. Mr Botibol waited. The symphony began.
Once again, as he began to conduct, he could see clearly before him the whole orchestra and the faces of the players and even the expressions on their faces. Three of the violinists had grey hair. One of the cellists was very fat, another wore heavy brown-rimmed glasses, and there was a man in the second row playing a horn who had a twitch on one side of his face. But they were all magnificent. And so was the music. During certain impressive passages Mr Botibol experienced a feeling of exultation so powerful that it made him cry out for joy, and once during the Third Movement, a little shiver of ecstasy radiated spontaneously from his solar plexus and moved downward over the skin of his stomach like needles. But the thunderous applause and the cheering which came at the end of the symphony was the most splendid thing of all. He turned slowly towards the fireplace and bowed. The clapping continued and he went on bowing until at last the noise died away and the announcer's voice jerked him suddenly back into the living-room. He switched off the radio and collapsed into his chair, exhausted but very happy.
As he lay there, smiling with pleasure, wiping his wet face, panting for breath, he was already making plans for his next performance. But why not do it properly? Why not convert one of the rooms into a sort of concert-hall and have a stage and row of chairs and do the thing properly? And have a gramophone so that one could perform at any time without having to rely on the radio programme. Yes by heavens, he would do it!
The next morning Mr Botibol arranged with a firm of decorators that the largest room in the house be converted into a miniature concert-hall. There was to be a raised stage at one end and the rest of the floor-space was to be filled with rows of red plush seats. 'I'm going to have some little concerts here,' he told the man from the firm, and the man nodded and said that would be very nice. At the same time he ordered a radio shop to instal an expensive self-changing gramophone with two powerful amplifiers, one on the stage, the other at the back of the auditorium. When he had done this, he went off and bought all of Beethoven's nine symphonies on gramophone records, and from a place which specialized in recorded sound effects he ordered several records of clapping and applauding by enthusiastic audiences. Finally he bought himself a conductor's baton, a slim ivory stick which lay in a case lined with blue silk.
In eight days the room was ready. Everything was perfect; the red chairs, the aisle down the centre and even a little dais on the platform with a brass rail running round it for the conductor. Mr Botibol decided to give the first concert that evening after dinner.
At seven o'clock he went up to his bedroom and changed into white tie and tails. He felt marvellous. When he looked at himself in the mirror, the sight of his own grotesque shoulderless figure didn't worry him in the least. A great composer, he thought, smiling, can look as he damn well pleases. People expect him to look peculiar. All the same he wished he had some hair on his head. He would have liked to let it grow rather long. He went downstairs to dinner, ate his food rapidly, drank half a bottle of wine and felt better still. 'Don't worry about me, Mason,' he said. 'I'm not mad. I'm just enjoying myself.'
'Yes, sir.'
'I shan't want you any more. Please see that I'm not disturbed.' Mr Botibol went from the dining-room into the miniature concert-hall. He took out the records of Beethoven's First Symphony, but before putting them on the gramophone, he placed two other records with them. The one, which was to be played first of all, before the music began, was labelled 'prolonged enthusiastic applause'. The other, which would come at the end of the symphony, was labelled 'Sustained applause, clapping, cheering, shouts of encore'. By a simple mechanical device on the
