More Five-Star Praise for the Nationally Bestselling Mysteries of Diane Mott Davidson
“The Julia Child of mystery writers.”
“Mouthwatering.” —
“Hearty fare for those who like their murder with a bit of nosh on the side.”
“A surprisingly tart and savory reading experience.”
“If devouring Diane Mott Davidson’s newest whodunit in a single sitting is any reliable indicator, then this was a delicious hit.” —
“You don’t have to be a cook or a mystery fan to love Diane Mott Davidson’s books. But if you’re either—her tempting recipes and elaborate plots add up to a literary feast!”
“Mixes recipes and mayhem to perfection.”
“Davidson is one of the few authors who has been able to seamlessly stir in culinary scenes without losing the focus of the mystery … [she] has made the culinary mystery more than just a passing phase.”
“Goldy and her collection of friends and family continue to mix up dandy mysteries and add tempting recipes to the readers’ cookbooks at the same time.”
Dying for Chocolate
The Cereal Murders
The Last Suppers
Killer Pancake
The Main Corpse
The Grilling Season
Prime Cut
Tough Cookie
Sticks & Scones
Chopping Spree
Catering
to
Nobody
Diane Mott
Davidson
Copyright © 1992, 2002 by Diane Mott Davidson. All rights reserved.
ACKNOWLEDGMENTS
The author wishes to acknowledge the assistance of the following people: Jim Davidson; Jeffrey Davidson; Sandra Dijkstra; Katherine Goodwin; John William Schenk, J. William’s Catering, Bergen Park, Colorado; John B. New-kirk, D.Sc.; William Harbridge; Charles Blakeslee; Emerson Harvey, M.D.; John Hutto, M.D.; Alan Rapaport, M.D.; Doug Palczynski, R.Ph.; Deidre Elliot, Karen Sbrockey, and Elizabeth Green; Kitty Hirs and the writing group that assembled at her house; and Investigator Richard Millsapps, Jefferson County Sheriff’s Department, Golden, Colorado.
INTRODUCTION
Some years ago, I pulled over onto the shoulder of one of our narrow mountain roads. About twenty yards away, a pickup looked as if it had vaulted into the enormous roadside meadow, and then stalled. Its front wheels were precariously perched over a creekbank. Wanting to see if the driver needed help, I approached. “Is anyone in there?” I called. “Do you need help?” When I was six feet away, a mane of frizzy blond hair came into view. The head with the hair was stuck at an impossible horizontal angle. My body chilled; I could not find my voice. I raced back to my car and hit the accelerator hard. (This was before the widespread use of cell phones.) At home four minutes later, I phoned the Jefferson County Sheriff’s Department (a fabulous, dedicated group of law enforcement officers). I explained what I’d seen, then begged them to call me back once they knew what had happened. The young woman driver was okay, a cop told me later. She’d spun the truck’s wheels and lost control. She was on some kind of medication (!), and she’d blacked out.
I was relieved the woman was not dead or injured. Still, I chastised myself.
Goldy’s background emerged from my years of volunteer work. Back then, I was continually startled by the number of middle- and upper-class women—women who labored beside me in volunteering—who were physically abused by their husbands. (In the years before the arrest and trial of O.J. Simpson, this demographic aspect of domestic abuse was not well known.) The idea for Goldy came out of what I call the “emotional refrigerator.” The emotional refrigerator provides ingredients for books, and foremost among these was this caterer who survives abuse, dumps her cruel husband, and
The first response to the manuscript was mixed. Scores of editors rejected it. Virginia Rich had written three culinary mysteries in the early eighties, but she had been dead for several years. Who would buy a culinary mystery in 1989? When my wonderful agent, Sandra Dijkstra, pointed out to editors that no one—not a single author—had ever had a caterer (who offered recipes!) as a main character, the response was equally negative. Even more damning, the fact that Goldy had survived spousal abuse was seen as “too dark.” The recipes were viewed as