The Rock
‘A Sullivan And Broderick Murder Mystery’
by
Robert Daws
© 2012 Robert Daws. The book’s author retains sole copyright to his or her contribution to this book.
All rights reserved.
Acknowledgments
I have been fortunate enough to be a yearly visitor to Gibraltar for some twenty-three years. The warmth and spirit of its people, together with the wonder and magnitude of the Rock upon which they live, has never ceased to amaze me. Even as I write I am looking forward to my next visit.
I would like to thank those within the Metropolitan Police Service and the Royal Gibraltar Police Force who have given their valuable time to offer help and guidance. It has been invaluable.
I hope I will be forgiven for playing hard and fast with the internal geography of the Gibraltar Police H.Q, as well as Gibraltar’s main General Hospital. I have also changed the names of several places and establishments. Other than that, I have tried to be as accurate as possible with situation and location.
I would like to thank my publisher Circlehouse for faith and encouragement, especially my editor Jenni Bird and designer Aldren Gamalo.
Also thanks to Adam Croft for his knowledge and enthusiasm for books, writing, pubs and fine ales.
To Ted Robbins for access to his huge brain and endless enthusiasm.
Last but not least, my wife Amy, for her wisdom, patience and wonderfully creative mind. A dear writer friend, Christopher Matthew once wrote, ‘Eighty-five percent of a writer’s life is spent thinking and thinking very hard. Unfortunately for writers, unless they are seen to be pounding away at a laptop keyboard, nobody really thinks they are working at all’ Amy has always understood this strange process, even when my ‘thinking’ has drifted into a pleasant little afternoon siesta.
To Messrs Adam Croft and Kempston Hardwick - men of mystery and imagination.
William Blake
Gibraltar. 1966.
The Captain’s House stands proud above its high walls. From it’s imposing gates, statuesque lions gaze down impassively in reminiscence of it’s colonial past.
A lone Austin Wolesley glides past the gates and continues down the dusty road, the silence of the afternoon broken only by the hum of it’s engine and the strains of Dave Brubeck’s ‘Take Five’ floating from the nearby French windows of the house’s large drawing room. To the east, the garden rises in three terraces finally ending at the base of the gigantic limestone Rock itself. To the west, the view crosses the town to the Straits of Gibraltar and the Moroccan coast of Africa. Below the surface of the narrow and busy seaway that separates these land masses, two mighty continents meet. But here on high ground, net curtains flutter in the breeze as a gramophone needle skips and jumps across deep black grooves.
The boy does not move, nor blink, as he stares at his reflection and his reflection stares back at him. For a fleeting moment, he no longer knows which is which. He needs to know. With huge effort he turns his head from the mirror and forces himself to look once more upon the carnage at the centre of the room.
A woman’s hand hangs limply across the arm of a chaise longue - the trickles of deep scarlet blood dried to the greying skin. The sodden nightdress offers a single bare leg in hope and desperation. The glistening lipstick on her sumptuous lips belies the horror that shines through her bloodshot eyes. The steel handle of a knife protrudes from her chest, its sharpened tip buried deep within her heart.
A man steps in through the French window and surveys the scene. The fine lines of his tailored three-piece suit a sharp contrast to the chaos within the room. He turns and sees the boy trembling in a corner. The boy meets his stare and screams. Screams uncontrollably.
The Rock. Present day.
She sighed contentedly as she looked out through the French windows and took in the sights and smells of the house’s compact but perfectly formed grounds. Even after all these years she never failed to smile when she stood on this spot. This she did every day, enjoying the delicate scent of breeze through the garden, the high westward easing sun beating down on the tall gates at the end of the driveway and the fluttering of the drawing room curtains in the warm summer air.
The radio played, barely audible, as the newsreader continued unperturbed.
As she raised the glass of orange juice to her lips, the blood-curdling scream rang out, piercing through the ceiling above. A blue rock thrush , momentarily perched on the terrace walls, took flight as the glass of orange hit the cold tiles.
She moved now, as fast as her ageing legs would carry her, up to the first-floor landing. Another scream. She stood frozen to the spot, knowing that she must do something. But what? She moved slower now to the bedroom door at the end of the upper hall and tapped gently upon it.
‘Are you all right, dear?’
Silence. Another tap.
‘Hello? Are you all right?’
Silence. Then the single click of the key turning in the lock. The heavy wooden door began to slowly creak open, revealing the terrible scene within. She could utter only four words.
‘Oh... you poor thing.’
1
The violent thrust of the aircraft’s engines sent a disturbing vibration through the plane as it started to power its way down the runway of Luton’s International Airport. Although she had experienced it a hundred times before, the outwardly composed thirty-one year old woman sitting in a window seat at the front of the passenger deck could not completely hide her anxiety. Nothing about the process of aviation seemed natural to her and the grisly mental images from a dozen disaster movies were now running on a loop through her mind. This mental torture had not been helped by the five hour delay the passengers had been forced to endure because of yet another strike by both French and Spanish Air Traffic Controllers. The vented frustration of some of her fellow flyers meant that the
