sit down in a row along the opposite wall on four mahogany chairs, covered with shabby black leather. The monks sat, one at the door and the other at the window. The divinity student, the novice, and Alyosha remained standing. The cell was not very large and had a faded look. It contained nothing but the most necessary furniture, of coarse and poor quality. There were two pots of flowers in the window, and a number of holy pictures in the corner. Before one huge ancient ikon of the virgin a lamp was burning. Near it were two other holy pictures in shining settings, and, next them, carved cherubim, china eggs, a Catholic cross of ivory, with a Mater Dolorosa embracing it, and several foreign engravings from the great Italian artists of past centuries. Next to these costly and artistic engravings were several of the roughest Russian prints of saints and martyrs, such as are sold for a few farthings at all the fairs. On the other walls were portraits of Russian bishops, past and present.
Miusov took a cursory glance at all these 'conventional' surroundings and bent an intent look upon the elder. He had a high opinion of his own insight a weakness excusable in him as he was fifty, an age at which a clever man of the world of established position can hardly help taking himself rather seriously. At the first moment he did not like Zossima. There was, indeed, something in the elder's face which many people besides Miusov might not have liked. He was a short, bent, little man, with very weak legs, and though he was only sixty-five, he looked at least ten years older. His face was very thin and covered with a network of fine wrinkles, particularly numerous about his eyes, which were small, light-coloured, quick, and shining like two bright points. He had a sprinkling of grey hair about his temples. His pointed beard was small and scanty, and his lips, which smiled frequently, were as thin as two threads. His nose was not long, but sharp, like a bird's beak.
'To all appearances a malicious soul, full of petty pride,' thought Miusov. He felt altogether dissatisfied with his position.
A cheap little clock on the wall struck twelve hurriedly, and served to begin the conversation.
'Precisely to our time,' cried Fyodor Pavlovitch, 'but no sign of my son, Dmitri. I apologise for him, sacred elder!' (Alyosha shuddered all over at 'sacred elder'.) 'I am always punctual myself, minute for minute, remembering that punctuality is the courtesy of kings....
'But you are not a king, anyway,' Miusov muttered, losing his self-restraint at once.
'Yes; that's true. I'm not a king, and, would you believe it, Pyotr Alexandrovitch, I was aware of that myself. But, there! I always say the wrong thing. Your reverence,' he cried, with sudden pathos, 'you behold before you a buffoon in earnest! I introduce myself as such. It's an old habit, alas! And if I sometimes talk nonsense out of place it's with an object, with the object of amusing people and making myself agreeable. One must be agreeable, mustn't one? I was seven years ago in a little town where I had business, and I made friends with some merchants there. We went to the captain of police because we had to see him about something, and to ask him to dine with us. He was a tall, fat, fair, sulky man, the most dangerous type in such cases. It's their liver. I went straight up to him, and with the ease of a man of the world, you know, ‘Mr. Ispravnik,’ said I, ‘be our Napravnik.’ ‘What do you mean by Napravnik?’ said he. I saw, at the first half-second, that it had missed fire. He stood there so glum. ‘I wanted to make a joke,’ said I, ‘for the general diversion, as Mr. Napravnik is our well-known Russian orchestra conductor and what we need for the harmony of our undertaking is someone of that sort.’ And I explained my comparison very reasonably, didn't I? ‘Excuse me,’ said he, ‘I am an Ispravnik, and I do not allow puns to be made on my calling.’ He turned and walked away. I followed him, shouting, ‘Yes, yes, you are an Ispravnik, not a Napravnik.’ ‘No,’ he said, ‘since you called me a Napravnik I am one.’ And would you believe it, it ruined our business! And I'm always like that, always like that. Always injuring myself with my politeness. Once, many years ago, I said to an influential person: ‘Your wife is a ticklish lady,’ in an honourable sense, of the moral qualities, so to speak. But he asked me, ‘Why, have you tickled her?’ I thought I'd be polite, so I couldn't help saying, ‘Yes,’ and he gave me a fine tickling on the spot. Only that happened long ago, so I'm not ashamed to tell the story. I'm always injuring myself like that.'
'You're doing it now,' muttered Miusov, with disgust.
Father Zossima scrutinised them both in silence.
'Am I? Would you believe it, I was aware of that, too, Pyotr Alexandrovitch, and let tell you, indeed, I foresaw I should as soon as I began to speak. And do you know I foresaw, too, that you'd be the first to remark on it. The minute I see my joke isn't coming off, your reverence, both my cheeks feel as though they were drawn down to the lower jaw and there is almost a spasm in them. That's been so since I was young, when I had to make jokes for my living in noblemen's families. I am an inveterate buffoon, and have been from birth up, your reverence, it's as though it were a craze in me. I dare say it's a devil within me. But only a little one. A more serious one would have chosen another lodging. But not your soul, Pyotr Alexandrovitch; you're not a lodging worth having either. But I do believe--I believe in God, though I have had doubts of late. But now I sit and await words of wisdom. I'm like the philosopher, Diderot, your reverence. Did you ever hear, most Holy Father, how Diderot went to see the Metropolitan Platon, in the time of the Empress Catherine? He went in and said straight out, ‘There is no God.’ To which the great bishop lifted up his finger and answered, ‘The fool has said in his heart there is no God and he fell down at his feet on the spot. ‘I believe,’ he cried, 'and will be christened.’ And so he was. Princess Dashkov was his godmother, and Potyomkin his godfather.'
'Fyodor Pavlovitch, this is unbearable! You know you're telling lies and that that stupid anecdote isn't true. Why are you playing the fool?' cried Miusov in a shaking voice.
'I suspected all my life that it wasn't true,' Fyodor Pavlovitch cried with conviction. 'But I'll tell you the whole truth, gentlemen. Great elder! Forgive me, the last thing about Diderot's christening I made up just now. I never thought of it before. I made it up to add piquancy. I play the fool, Pyotr Alexandrovitch, to make myself agreeable. Though I really don't know myself, sometimes, what I do it for. And as for Diderot, I heard as far as ‘the fool hath said in his heart’ twenty times from the gentry about here when I was young. I heard your aunt, Pyotr Alexandrovitch, tell the story. They all believe to this day that the infidel Diderot came to dispute about God with the Metropolitan Platon....'
Miusov got up, forgetting himself in his impatience. He was furious, and conscious of being ridiculous.
What was taking place in the cell was really incredible. For forty or fifty years past, from the times of former elders, no visitors had entered that cell without feelings of the profoundest veneration. Almost everyone admitted to the cell felt that a great favour was being shown him. Many remained kneeling during the whole visit. Of those visitors, many had been men of high rank and learning, some even free thinkers, attracted by curiosity, but all without exception had shown the profoundest reverence and delicacy, for here there was no question of money, but only, on the one side love and kindness, and on the other penitence and eager desire to decide some spiritual problem or crisis. So that such buffoonery amazed and bewildered the spectators, or at least some of them. The monks, with unchanged countenances, waited, with earnest attention, to hear what the elder would say, but seemed on the point of standing up, like Miusov. Alyosha stood, with hanging head, on the verge of tears. What seemed to him strangest of all was that his brother Ivan, on whom alone he had rested his hopes, and who alone had such influence on his father that he could have stopped him, sat now quite unmoved, with downcast eyes, apparently waiting with interest to see how it would end, as though he had nothing to do with it. Alyosha did not dare to look at Rakitin, the divinity student, whom he knew almost intimately. He alone in the monastery knew Rakitin's thoughts.
'Forgive me,' began Miusov, addressing Father Zossima, 'for perhaps I seem to be taking part in this shameful foolery. I made a mistake in believing that even a man like Fyodor Pavlovitch would understand what was due on a visit to so honoured a personage. I did not suppose I should have to apologise simply for having come with him....'
Pyotr Alexandrovitch could say no more, and was about to leave the room, overwhelmed with confusion.
'Don't distress yourself, I beg.' The elder got on to his feeble legs, and taking Pyotr Alexandrovitch by both hands, made him sit down again. 'I beg you not to disturb yourself. I particularly beg you to be my guest.' And with a bow he went back and sat down again on his little sofa.
'Great elder, speak! Do I annoy you by my vivacity?' Fyodor Pavlovitch cried suddenly, clutching the arms of his chair in both hands, as though ready to leap up from it if the answer were unfavourable.
'I earnestly beg you, too, not to disturb yourself, and not to be uneasy,' the elder said impressively. 'Do not trouble. Make yourself quite at home. And, above all, do not be so ashamed of yourself, for that is at the root of it all.'
'Quite at home? To be my natural self? Oh, that is much too much, but I accept it with grateful joy. Do you know, blessed father, you'd better not invite me to be my natural self. Don't risk it.... I will not go so far as that myself. I warn you for your own sake. Well, the rest is still plunged in the mists of uncertainty, though there are
