(He’s a sharp fellow! He won’t let a chance slip!) The count, their relative, who’s a great gentleman at court you remember, has given his approval too: a fortune of three millions is worth considering. ‘Excellent’, he said, ‘talk it over with the countess.’ So the prince told the countess of his wishes. She opposed it tooth and nail. She’s an unprincipled woman, a regular termagant, they say! They say some people won’t receive her here; it’s very different from abroad. ‘No,’ she says, ‘you marry me, prince, instead of my stepdaughter’s marrying Alyosha.’ And the girl, they say, gives way to her stepmother in everything; she almost worships her and always obeys her. She’s a gentle creature, they say, a perfect angel! The prince sees how it is and tells the countess not to worry herself. ‘You’ve spent all your money,’ says he, ‘and your debts you can never pay. But as soon as your stepdaughter marries Alyosha there’ll be a pair of them; your innocent and my little fool. We’ll take them under our wing and be their guardians together. Then you’ll have plenty of money, What’s the good of you’re marrying me?’ He’s a sharp fellow, a regular mason! Six months ago the countess wouldn’t make up her mind to it, but since then they say they’ve been staying at Warsaw, and there they’ve come to an agreement. That’s what I’ve heard. All this Marya Vassilyevna told me from beginning to end. She heard it all on good authority. So you see it’s all a question of money and millions, and not her being delightful!”

Anna Andreyevna’s story impressed me. It fitted in exactly with all I had heard myself from Alyosha. When he talked of it he had stoutly declared that he would never marry for money. But he had been struck and attracted by Katerina Fyodorovna. I had heard from Alyosha, too, that his father was contemplating marriage, though he denied all rumour of it to avoid irritating the countess prematurely. I have mentioned already that Alyosha was very fond of his father, admired him and praised him; and believed in him as though he were an oracle.

“She’s not of a count’s family, you know, the girl you call delightful!” Anna Andreyevna went on, deeply resenting my praise of the young prince’s future fiancee. “Why, Natasha would be a better match for him. She’s a spirit-dealer’s daughter, while Natasha is a well-born girl of a good old family. Yesterday (I forgot to tell you) my old man opened his box-you know, the wrought-iron one; he sat opposite me the whole evening, sorting out our old family papers. And he sat so solemnly over it. I was knitting a stocking, and I didn’t look at him; I was afraid to. When he saw I didn’t say a word he got cross, and called me himself, and he spent the whole evening telling me about our pedigree. And do you know, it seems that the Ichmenyevs were noblemen in the days of Ivan the Terrible, and that my family, the Shumilovs, were well-known even in the days of Tsar Alexey Mihalovitch; we’ve the documents to prove it, and it’s mentioned in Karamzin’s history too, so you see, my dear boy, we’re as good as other people on that side. As soon as my old man began talking to me I saw what was in his mind. It was clear he felt bitterly Natasha’s being slighted. It’s only through their wealth they’re set above us. That robber, Pyotr Alexandrovitch, may well make a fuss about money; everyone knows he’s a cold-hearted, greedy soul. They say he joined the Jesuits in secret when he was in Warsaw. Is it true?”

“It’s a stupid rumour,” I answered, though I could not help being struck by the persistence of this rumour.

But what she had told me of her husband’s going over his family records was interesting. He had never boasted of his pedigree before.

“It’s all the cruel-hearted villains!” Anna Andreyevna went on. “Well, tell me about my darling. Is she grieving and crying? Ach, it’s time you went to her! (Matryona! She’s a saucy baggage.) Have they insulted her? Tell me, Vanya?”

What could I answer her? The poor lady was in tears. I asked her what was the fresh trouble of which she had been about to tell me just now.

“Ach, my dear boy! As though we hadn’t trouble enough! It seems our cup was not full enough! You remember, my dear, or perhaps you don’t remember, I had a little locket set in gold — a keepsake, and in it a portrait of Natasha as a child. She was eight years old then, my little angel. We ordered it from a travelling artist at the time. But I see you’ve forgotten! He was a good artist. He painted her as a cupid. She’d such fair hair in those days, all fluffy. He painted her in a little muslin smock, so that her little body shows through, and she looked so pretty in it you couldn’t take your eves off her. I begged the artist to put little wings on her, but he wouldn’t agree. Well after all our dreadful troubles, I took it out of its case and hung it on a string round my neck; so I’ve been wearing it beside my cross, though I was afraid he might see it. You know he told me at the time to get rid of all her things out of the house, or burn them, so that nothing might remind us of her. But I must have her portrait to look at, anyway; sometimes I cry, looking at it, and it does me good. And another time when I’m alone I keep kissing it as though I were kissing her, herself. I call her fond names, and make the sign of the cross over it every night. I talk aloud to her when I’m alone, ask her a question and fancy she has answered, and ask her another. Och, Vanya, dear, it makes me sad to talk about it! Well, so I was glad he knew nothing of the locket and hadn’t noticed it. But yesterday morning the locket was gone. The string hung loose. It must have worn through and I’d dropped it. I was aghast. I hunted and hunted high and low-it wasn’t to be found. Not a sign of it anywhere, it was lost! And where could it have dropped? I made sure I must have lost it in bed, and rummaged through everything. Nowhere! If it had come off and dropped, some one might have picked it up, and who could have found it except him or Matryona? One can’t think of it’s being Matryona, she’s devoted to me heart and soul (Matryona, are you going to bring that samovar?). I keep thinking what will happen if he’s found it! I sit so sad and keep crying and crying and can’t keep back my tears. And Nikolay Sergeyitch is kinder and kinder to me as though he knows what I am grieving about, and is sorry for me. ‘Well I’ve been wondering, how could he tell? Hasn’t he perhaps really found the locket and thrown it out of the window? In anger he’s capable of it, you know. He’s thrown it out and now he’s sad about it himself and sorry he threw it out. I’ve been already with Matryona to look under the window — I found nothing. Every trace has vanished. I’ve been crying all night. It’s the first night I haven’t made the sign of the cross over her. Och, it’s a bad sign, Ivan Petrovitch, it’s a bad sign, it’s an omen of evil; for two days I’ve been crying without stopping. I’ve been expecting you, my dear, as an angel of God, if only to relieve my heart . . .” and the poor lady wept bitterly.

“Oh yes, I forgot to tell you,” she began suddenly, pleased at remembering. “Have you heard anything from him about an orphan girl?”

“Yes, Anna Andreyevna. He told me you had both thought of it, and agreed to take a poor girl, an orphan, to bring up. Is that true?”

“I’ve never thought of it, my dear boy, I’ve never thought of it; I don’t want any orphan girl. She’ll remind me of our bitter lot, our misfortune! I want no one but Natasha. She was my only child, and she shall remain the only one. But what does it mean that he should have thought of an orphan? What do you think, Ivan Petrovitch? Is it to comfort me, do you suppose, looking at my tears, or to drive his own daughter out of his mind altogether, and attach himself to another child? What did he say about me as you came along? How did he seem to you — morose, angry? Tss! Here he is! Afterwards, my dear, tell me afterwards.... Don’t forget to come tomorrow.”

Last updated on Wed Jan 12 09:26:21 2011 for eBooks@Adelaide.

The Insulted and the Injured, by Fyodor Dostoyevsky

Chapter XIII

THE old man came in. He looked at us with curiosity and as though ashamed of something, frowned and went up to the table.

“Where’s the samovar?” he asked. “Do you mean to say she couldn’t bring it till now?”

“It’s coming, my dear, it’s coming. Here, she’s brought it!” said Anna Andreyevna fussily.

Matryona appeared with the samovar as soon as she saw Nikolay Serge, as though she had been waiting to bring it till he came in. She was an old, tried and devoted servant, but the most self-willed and grumbling creature in the world, with an obstinate and stubborn character. She was afraid of Nikolay Sergeyitch and always curbed her tongue in his presence. But she made-up for it with Anna Andreyevna, was rude to her at every turn, and openly attempted to govern her mistress , though at the same time she had a warm and genuine affection for her and for Natasha. I had known Matryona in the old days at Ichmenyevka.

“Hm! ... It’s not pleasant when one’s wet through and they won’t even get one tea,” the old man muttered.

Anna Andreyevna at once made a sign to me. He could not endure these mysterious signals; and though at the minute he tried not to look at us, one could see from his face that Anna Andreyevna had just signalled to me about him, and that he was fully aware of it.

“I have been to see about my case, Vanya,” he began suddenly. “It’s a wretched business. Did I tell you? It’s

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