should be, while also not letting her know he’s leaving and why?
Their relationship began in 1862. Booth became enchanted after glimpsing her in a crowd and sent Lucy an anonymous Valentine’s Day love letter. This was followed shortly afterward by another missive, revealing his identity. If its intended effect was to make twenty-one-year-old Lucy swoon, it worked. Booth was at the height of his fame and good looks, delighting women across the country with his performance as the male lead in a traveling production of
But Lucy Lambert Hale was not in the habit of throwing herself at men. So while Booth might have had the upper hand at the start, she made him work hard for her affection. The relationship simmered for two years, starting with flirtation and then blossoming into something more. The pair became intimate. When he was on the road, Booth was as faithful as a traveling thespian could be, which is to say that he made love to other women but considered them second to Lucy in his heart.
Booth is not the sort of man to mean it when he says, “I love you.” For the most part, women are the objects of his own gratification. But Lucy has long treated men the same way, holding them at arm’s length emotionally, basking in their charms, and then discarding them when someone newer and better comes along. In each other, Booth and Lucy met their match.
But they are also opposites in many ways. She comes from a more elite level of society, one that does not consider acting a gentlemanly career. She is an abolitionist, and he is most certainly not. He professes a heartfelt belief in the southern cause, while she is the daughter of a ferociously partisan northern senator. The engagement is doomed.
Booth has not seen Lucy since their ill-fated getaway to Newport. They haven’t so much as exchanged letters or passed each other in the hallway, even though they live in the same hotel. He has no idea how she will react to his visit.
A servant answers the door and ushers him inside the suite. Lucy appears a moment later, the unfinished business of their argument hanging between them. They both know that it’s over. Nothing more needs to be said, much to Booth’s relief. They make small talk, skirting the obvious issue. And then it is time to say good-bye. Before leaving, Booth asks Lucy for a photograph so that he might have something to remember her by.
She steps out of the room and returns with a small portrait of her face in profile. Her hair is pulled back off her forehead and her lips are creased in a Mona Lisa smile. Booth thanks Lucy and gives her a long last look. He then turns and walks out of the Hales’ suite, explaining breezily that he is off to get a shave, wondering if he will ever make it to Spain to see Lucy again.
As he walks back down the hallway, the sound of the closing door still echoing in the corridor, he admires the picture and slips it into his breast pocket, next to the pictures of four other women who have enjoyed his charms. The life of a narcissist is often cluttered.
The pictures will remain in Booth’s pocket for the rest of his short life.
CHAPTER TWENTY-NINE
Mary Lincoln has tickets for a play—and what a spectacular performance it will be. Grover’s Theatre is not only staging a lavish production of
But Mary is torn. Word has come from James Ford, the manager of Ford’s Theatre, that he is staging the wildly popular farce Our American Cousin. Tonight the legendary actress Laura Keene is celebrating her one thousandth performance in her signature role as Florence Trenchard. This milestone, Ford has politely suggested to Mary, is something not to be missed.
Keene, thirty-eight, is not only one of America’s most famous actresses but also very successful as a theater manager. In fact, she is the first woman in America to manage her own high-profile career and purchase a theater. That theater will later be renamed the Winter Garden, and it is still in existence today at a different location in New York City. Offstage, Laura Keene’s life is not so tidy—she pretends to be married to her business manager, but in truth she is secretly married to a convicted felon who has run off to Australia. During an extended tour of that faraway continent, Keene quarreled mightily with her costar, the equally vain Edwin Booth.
But onstage Laura Keene is a force. The gimlet-eyed actress owes much of that success to Our American Cousin. At first she thought very little of the script, which places a country bumpkin in the upper class of British society. But then Keene changed her mind and bought worldwide rights. Debuting seven years earlier at Laura Keene’s Theatre on Broadway, it soon became the first blockbuster play in American history. It was performed in Chicago on the same night in May 1860 that Lincoln was confirmed as the Republican nominee for the presidency. Many of the play’s screwball terms, like “sockdologizing” and “Dundrearyisms” (named for the befuddled character Lord Dundreary), have become part of the cultural lexicon, and several spinoff plays featuring characters from the show have been written and performed.
Despite all that, ticket sales for this run of the play have been so sluggish that Ford’s will be nearly empty. But Mary Lincoln doesn’t mind. What matters most to her is that on this most patriotic of evenings, she and the president will celebrate their first visit to the theater since the war’s end by enjoying the quintessential American comedy, on a night that features one of America‘s—if not the world’s—most famous actresses.
With this sudden and impulsive decision to attend one show and not the other, an eerie coincidence will unravel: thanks to the performance that took place in Chicago in 1860, Our American Cousin will bracket both the beginning and the end of the Lincoln administration.
Over breakfast a few hours earlier, Mary told the president that she wanted to go to Ford’s. Lincoln absentmindedly said he would take care of it.
Now, between Oval Office appointments, Lincoln summons a messenger. He wants a message delivered to Ford’s Theatre, saying that he will be in attendance this evening if the state box is available. General Grant and his wife will be with him, as will Mary.
Abraham Lincoln is the undisputed leader of the world’s most ascendant nation, a country spanning three thousand miles and touching two oceans. During the war, he could send men off to die with a single command to his generals. He has freed the slaves. This is a man who has the power to do almost anything he wants. And tonight, if truth be told, he would prefer to see
Yet Lincoln would never dream of contradicting Mary’s wishes. His life is much easier when she is appeased. A volatile and opinionated woman whose intellect does not match her considerable capacity for rage, Mary Lincoln is short and round, wears her hair parted straight down the middle, and prefers to be called “Madame President,” which some believe is pretentious, to say the least. Mary’s rants about some person or situation that has angered her can sidetrack Lincoln’s day and drain him of precious energy, so he does all he can to make sure nothing upsets her unstable psyche.
But to be fair, Mary Lincoln has also suffered the deaths of two young sons during her twenty-two-year
