Stephen Hunter

Havana

This one, as promised, is for Amy

ACKNOWLEDGMENTS

The author would like to thank those who gave so generously of their time and their imaginations. First, thanks to Ernie Erber, who actually spent part of 1936 in Barcelona. Thanks to Mike Hill and Joe Fanzone for valuable early consultations; they see their ideas reflected on every page of the book. Thanks to Fred Rasmussen, of The Sun library, for digging out the Spanish Civil War photos that were of so much help; Antero Pietila of The Sun’s Moscow bureau, for unearthing the location, size, and architecture of the Hotel Lux; to another colleague, Matt Sieden, for his kind words and good suggestions. Thanks to my old college roommate, Lenne Miller, for his enthusiasms for the book. Thanks to my mother, Virginia Hunter, and my brother, Tim Hunter, for their comments and patience; and to my brother-in-law, medical consultant, and good friend, John D. Bullock, M.D. Thanks to David Petzal for his reading. Thanks to the night-shift concierge at the Hotel Colon in Barcelona for numerous courtesies and unfailing good humor. Thanks to Jeff Bass, for suggesting the epigram from the Mason book. And to Susan Carnochan and Zita Dabars, for assistance with my Spanish. Thanks especially to my courageous and stubborn agent, Victoria Gould Pryor, who believed in this book from the very start and fought for it as if it were her own; and to my brilliant editor, Barbara Grossman, of Crown, for her quotient of belief and her refusal to accept anything less than my best. And thanks ? special thanks ? to my wife, Lucy Hageman Hunter, for her glamourless, thankless, and yet heroic efforts on behalf of this book. Needless to say, errors are entirely my own.

The Ruy-Lopez is more popular than any other king pawn opening…. The Gambit is astonishingly complicated, embodying as it does a perpetual intertwining of grandiose strategical planning with an alarming maze of difficult tactical finesses and combinative motifs. It is no exaggeration to affirm that mastery of the Spanish Gambit is a requisite for anyone aspiring to become a strong chess player.

Adapted from James Mason,

The Art of Chess,

London, April 1898

PROLOGUE

The trial of the assassin Benny Lal in the old courthouse at Moulmein, lower Burma, in February of 1931, caused a bit of a stir in its own day, but its memory has not lingered. It was a forgotten moment in the history of a vanished empire.

Yet a case could be made that it changed the political history of our century, however secretly, however subtly. Still, in the mind of one man, the event was important for exactly what it was, and not for what it eventually made possible. He was, on the last day of the trial, the Crown’s chief witness, a tall, not unpleasant-looking young officer in the service khaki of the India Imperial Police. It was his duty to put the noose around the neck of Benny Lal.

* * *

The blades of the overhead fan moved through the air in a stately whirl, yet without palpable effect. Robert Florry stared at the motion, its easy, hypnotic blur fascinating him.

“Assistant superintendent?”

The magistrate’s voice. Florry swallowed awkwardly and, blinking, embarrassed, redirected his vision toward the bench. He hoped his discomfort did not show, knowing of course that it did. He swallowed again. It had taken such a long time for this moment to arrive, but now it rushed at him with the power of the undeniable future.

“Assistant superintendent?”

Florry attempted a wretched smile. The courtroom, jammed with other Imperial Policemen and natives, was as still as a photograph. He could feel their scrutiny: it had the weight of accusation.

“Yessir,” he said. His own voice always bothered him. It was a reedy, thin instrument and tended to disappear in key moments such as this one.

“The man I saw?” he said a bit more smartly, raising his finger to point ?

At the defense table, under the slow whirl of the fan, amid a collection of more fortunate members of his race, sat a Hindu.

He was small and had that furtive, shifty, almost liquid swiftness in which the wogs seemed to specialize. He had a shock of thick dark hair and two darting black eyes, his skin so mocha-chocolate that it made his white teeth blaze like diamonds in the firelight. For Benny Lal was smiling; he always smiled. He was an idiot.

“That’s the man,” said Florry, suddenly finding his policeman’s voice. “That’s the man I saw running from the deceased on Tuesday last, half past eleven in the evening, outside the Moulmein officers’ club. Sir.”

He added the bit of recapitulation as if in testimony to his own efficiency, which was on trial here, too. Yet surely every officer and every native in the courtroom would have known that Tuesday last at half-eleven, a drunken Burmese merchant named U Bat had had his throat opened all over his white suit not fifty paces from the veranda of the club where Florry, nursing his fifth gin of the night, had sat trying to write Georgian poetry in the lamplight, amid moths and fancies. Only slightly drunk, the young officer had rushed to the still form in the dust as a smaller, quicker shape had dashed by him. Perhaps, it was being said in certain quarters, a man with more wit about him (or less gin in him) would have made the pinch right there. But Florry, stunned by the suddenness with which the violence had occurred and a little dotty not only with drink but also with dreams of literature and then still further staggered by his first exposure to the gaudy wreckage of a human body soaking in its own blood in the dust, had let the villain slip away in the shadows of an alley.

A manhunt organized rather like a tiger drive had come upon the naked Benny Lal sleeping in blissful abandon by the side of the road a few miles away early the next morning. It developed swiftly, under blunt methods of investigation, that he had once been a houseboy in the domicile of U Bat and a frequent target of the drunken merchant’s weekly rages. Under questioning Benny Lal, idiot child of the East, neither confessed nor defended himself. He merely smiled pleasantly at everybody and tried not to offend the British.

Was he in fact the guilty party?

If Florry could not really say yes, neither could he really say no. Yet he could not say nothing. These were tricky times, it had been explained to him by a fellow in the Intelligence Department. Already ugly rumors were afoot. The British themselves, it was said, had been behind the slaying. U Bat, in certain quarters, was being inflated into some kind of nationalist saint, not the black brute he’d been in reality. It would do, the chap explained with sweet reason and abundant charm on his side, it would do to be done with this matter quickly. It was a duty; sometimes one had to see the bigger picture.

“You’re certain, then?” said the magistrate.

“I am sure, sir, yessir, I am,” said Florry in a clear, unwavering voice.

“Mr. Gupta? Have you any questions?”

Mr. Gupta, who had been fanning himself this long time, at last arose. He was a tiny Hindu lawyer, up at no fee save mischief from Rangoon to speak for Benny Lal. He offered Florry a broad, extremely pleasant smile.

“How much, Constable Florry, would you?”

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