If Sarah was here, there was nothing to worry about. Later that afternoon she would be calling me Doctor. The little eight-year-old in my head (who was frankly reeling at the fact that I was in that room at all) was soothed, and of course
Of course later I would get to know Lis and realise she was just as nervous as me that day, but in that moment she represented all that made me want the job in the first place. It was her voice that transported me. In one line she catapulted me back to Saturday tea times, the little catch in her voice as she confronted the latest intergalactic horror. The jeopardy was always palpable; everything seemed so real, almost raw. Everything Sarah did was alive and true. Lis’s absolute conviction in playing that role brought the worlds of
And here she was, just the same: the same conviction, the same passion for it. She was utterly consummate. And of course, she looked the same. Everybody would say it, but Elisabeth Sladen never seemed to age, either in looks or spirit. As an actor you’re not supposed to get star-struck; it isn’t the done thing to be in awe of someone you are working with. It wouldn’t be very helpful if you couldn’t look your co-star in the eye when you’re supposed to be playing their boss, or their lover. It’s a professional necessity that you can at least
Reading through the script was easy. I was doing scenes with Sarah Jane Smith, I’d played them out a million times in the playground as a kid, but actually meeting Elisabeth Sladen, who used to be on posters on my bedroom wall, and having to talk to her as an
That day around that long conference table was the beginning of a fantastic journey for me. For Lis it was the continuation of a much longer one (albeit the beginning of a glorious new chapter for Sarah Jane Smith). Those scenes in the episode ‘School Reunion’ where the Doctor sees Sarah again after all that time were some of the most thrilling I had on
I loved my time on
As a child I was delighted to know Sarah Jane Smith.
As an adult I was privileged to know Elisabeth Sladen.
David Tennant
September 2011
Prologue
IT SHOULD have been the happiest day of my life.
Sweeping up to the front door in a vintage white Rolls, a vision in ivory, from the flower in my hair to the heels on my feet; this was the moment I’d been waiting for all my life.
I entered the hall and saw him waiting: the man of my dreams. I stared into his eyes and the world melted away. Nothing else mattered. Not our guests – neighbours, an old editor, my hairdresser and accountant – or my trusty dog hidden under the table. Not even my son, who had given me away. Those people were my past. My future was standing next to me. In a few minutes it would all be over and we would be together. Forever.
Finally, the wedding music stopped and the ceremony began. The registrar’s words drifted past like clouds; she could have been saying anything. I wished she’d hurry up.
The formalities continued: ‘If any person can show just cause or impediment why they may not be joined together, let them speak now or forever hold their peace.’
And then the skinny man in the blue suit ruined everything with four simple words.
‘Stop this wedding –
* * *
‘And cut!’
It was May 2009. We were shooting
Back in my trailer, after an amazing first day with our guest star, I had to pinch myself. Was it really more than thirty years since I had first stepped into the TARDIS – and into the living rooms of millions of viewers? It seemed like yesterday, but that’s time travel for you. In fact, even though I’d said goodbye to relative dimensions in space in 1976, my character, Sarah Jane Smith, seemed to have lived on in the memories and hearts of so many fans. I don’t know why she was so popular, but the letters from new generations of audiences never dried up, not when I left