“Jane! That's the job answer, don't you see? If you're any good at it, you can do it in your own time, make some extra money. This is a great idea. What's the name of the book?”
Murder was forgotten for the moment.
“I don't know. There's a wolf in it, and I'd like to work 'wolf' into the title. It's a dark story, sort of gothic, and 'wolf' is a great word for that mood. But it can't just be
“Hmmm. Wolf whistle. Wolf in sheep's clothing. No. All wrong. Wolf pack—'
“No. Cry wolf?'
“Maybe. Depends on the story. Holding a wolf by the ears—'
“What's that mean?'
“It's Greek, I think. It's the same as holding a tiger by the tail. Gone to the wolves?'
“That's dogs. Gone to the dogs.'
“Oh, yeah. She-wolf? Wolf bane? Wolf at the door?'
“Wolf bane ...' Jane mused. 'I like that. Bane is a good word. Gothic, a little spooky and ominous. A hint of the psychic. What is wolf bane?'
“I have no idea. A plant, maybe? Or a drink? It couldn't be a place, could it?'
“No, I think it's a plant. I'll look it up. I like the sound of that. I hope it's appropriate and isn't a disfiguring disease or something.'
“Good. We've solved one of the really important questions in life,' Shelley said wryly. 'Now all that's left is murder. Frankly, I don't think the birdcage and flowers have anything to do with it.'
“You're forgetting the extra copy of Mrs. Pryce's book.'
“I was trying to.'
“But why would anybody leave the birdcage on the patio?'
“How about this: Somebody saw it, thought you'd like it, and came over to give it to you. Maybe, when they saw your car wasn't here, they sat down on the patio to wait and see if you came home soon. When you didn't, they left it for you.'
“Without a note?'
“Didn't have a pen and paper along. She meant to ask you later if you got it and hasn't run into you yet.'
“But everybody was in class but my mother.'
“I don't mean anybody in class, Jane. Just some friend. Your uncle Jim—well, maybe not—or Suzie Williams. Maybe it was for Katie!'
“Katie doesn't have admirers who could afford a flower arrangement that cost a good sixty bucks.' 'No, but that's a different matter.'
“Is it? I still think there's a connection.”
Shelley sighed. 'All right. Let's suppose there is—only for a moment, mind you. I don't want to encourage these delusions. What would a book, a toy birdcage, and flowers have to do with the murder,and much more important, if they do have to do with it, why would someone give them to you?' 'As hints? Clues?'
“But who would do that? The murderer? If he wanted to get caught, he'd just tell the police without you. And if he didn't, he wouldn't mess with you either.'
“For the thrill of it? To increase the danger?' Jane said, but shook her head as she was speaking. 'What if somebody else knows or thinks they know who did it?'
“Same questions,' Shelley said. 'Why tell you instead of the police, and why not say it right out if they wanted the person caught? Likewise, if they wanted to protect the murderer, they'd protect him instead of strewing clues around on purpose.”
Jane leaned back in her chair and stared past Shelley at Meow swishing his tail furiously, pretending there was a mouse under the stove. At least Jane hoped he was pretending. 'All right. I give up. You must be right. But it is still strange, especially the flowers.'
“I'll grant you that. But strange and murderous aren't synonyms. There's probably a boring, logical explanation for the flowers. Like the florist just delivered them to the wrong house by mistake. Now, we're going about this backwards. We need to consider the people as suspects, one by one. Go over everything we know about them and see if we can't at least eliminate a few.'
“I have a lot of information about Grady that I haven't told you yet. Missy said I could, but only if you swore it would go no farther.”
Shelley dutifully swore, and Jane told her about Grady's wife and her relationship to Mrs. Pryce. She also added what Mel had said about Grady's wife being so far down the list of heirs that there was virtually no motive at all.
“Still,' Shelley said slowly. 'It might not be about money. It probably isn't, in fact. She didn't have that much, and nobody had any reason to suppose she had secret fantastic wealth.' As Shelley was talking, she got up and went to Jane's refrigerator to pour herself some orange juice. Jane gestured, and Shelley fixed her one, too. 'Jane, what if they'd had some terrible family blowup? Just imagine that she was responsible, in some peripheral way, for Grady's wife's accident. Might he not hate her enough for how she's wrecked up his life to kill her?”
It was Jane's turn to throw cold water on a theory. 'Why wait till now? The wife's been in a coma for years, probably decades, if they married young.'
“Maybe he just never got the chance before.”
Jane looked at her skeptically.
“Grady's got to be an awfully patient man,' Shelley said.
“And a pretty stupid one if he couldn't think up a way to bump her off without waiting years to be invited to dinner with a mob of other people.'
“Maybe you're right. All right, let's go through everybody then. Grady Wells—'
“Motive,' Jane said, 'possible revenge for—' 'No, get a piece of paper. First, what we know, then the possibilities.”
Jane fetched a notepad and pencil—and let the cats in while she was up. She headed the page SUSPECTS. 'Okay, what we know Grady could have had against her is that she was accusing him of embezzling city funds.'
“And put under that, 'Not likely to be true,' 'Shelley instructed her. 'Then on the other side of the page, the possible theories like a family row involving his wife.”
Jane did as she was told, and they both sat and looked at the page for a while. 'I'd give him a seven out of ten,' Jane said. 'For a real motive and a possible one.' She wrote a 7 next to his name.
“Missy,' Shelley said. 'Real motive: Pryce accused her of writing pornography.'
“Theoretical motive: to protect Grady,' Jane said. 'Another seven?'
“No! Missy's so nice, I'd feel like a traitor giving her a seven.”
Jane looked at her and spoke sternly. 'This has nothing to do with liking people. We like everybody but Bob Neufield. This is a purely intellectual evaluation.'
“All right. A seven.'
“Maybe even an eight for both of them,' Jane said. 'Just on the grounds that they're both so damned good at keeping a secret. Not that having an affair is really underhanded, but the way they've kept it quiet does show a certain cunning.'
“Seven and a half,' Shelley said.
“Desiree Loftus.”
Shelley considered. 'Pryce called her a drunk. If she is an alcoholic and knows it, that might have really gotten to her. And there's the means, too. All those herbs.'
“Both pretty thin,' Jane said. 'I wouldn't give her over a three.'
“You're forgetting the Paris connection that you were so het up about earlier.'
“Oh, yes! Well, maybe with all three, a six? What about Bob Neufield?'
“A ten!'
“No, Shelley, intellectual consideration, remember?'
“Pryce accused him—we think—of homosexuality. To a military man, that would be a motive. Especially if it wasn't true.'
“But she was raving. And Mel says his military discharge doesn't bear it out.'
