you here is a woman who was once my son’s wife. I am sending her away at once. I expect you to care for my son yourself until I can make other arrangements.” He paused then, and added, “Mrs. Chivery will help you if you need her.”

4

IT IS EASY NOW to understand Conrad Brent; his strength and his weakness; his vanity and his consequent self-deception; his procrastination; his pride and his blind and obstinate prejudices; and, above all, his reluctance to admit a mistake. But then I only sensed that there was something wrong about him; something too hard and too bold which seemed to cover an inner uncertainty.

It was an odd impression. Certainly his outward behavior had no faint hint of uncertainty or secret uneasiness. Certainly, if my impression was a true one then, there was little hope of softening or changing his hatred for Drue; if his bold and arrogant front really concealed weakness then he would cling to a decision, once he made it, merely to keep up that front. I’ve seen it happen before; there is nothing like the obsessed obstinacy of a basically weak and uncertain nature.

He stood on the hearth-rug, waiting for me to say, “yes, sir” (and, unless I was wrong, a little afraid I wouldn’t). He was not a tall man, but he was rather muscular and thick; he had a brown face, a sharply aquiline nose and a bearded and thus equivocal chin. His eyes were heavily lidded and rather bright in color. He was a little bald; he wore, besides the somewhat stringy beard, a short gray mustache with two sharply waxed points at either side.

Just above him on the breast of the mantel was a coat of arms, carved and painted in somber, rich colors; it was an animal, an obese and unidentifiable creature which may have been a unicorn, standing sportively on one leg on a bit of green. The coat of arms was not quartered, which was unusual and showed me how old the direct line must be. It might have showed me too, but I didn’t think of it then, the deliberate casting away of all the hundreds of intermingling and intervening blood streams in order to cling with absurd stubbornness and self-deception to one chosen ancestral line.

I didn’t consciously think of anything however but Drue. I said, so emphatically that my voice rang out against the dark woods and books and red leather of that study, rather more loudly than I intended, “I’m afraid Miss Cable will have to stay.”

“I beg your pardon,” he said, although he couldn’t have helped hearing me.

I made it clearer but lower in tone. “You can’t send Miss Cable away. She is here as a nurse. We are both needed.”

“We can get another nurse up from New York by morning. Tell her to be ready to leave in half an hour.”

I suppose he was not often defied, so, whether his arrogance was assumed or real, obviously it worked. He just didn’t believe my own opposition. So I took a long breath and walked up nearer him. “Look here,” I said, “do you want your son to die?”

That touched him. Something flinched and moved back of his bright eyes and one hand reached out toward the tall back of a chair near him. He said, “He’s not going to die,” and looked at me as if daring me to deny it, but it had frightened him all the same.

“Twenty-four hours-thirty-six at the most will tell the tale. If things go well, there’s not much for us to do, only routine. If things go wrong, that’s different. I’d advise you to let her stay. Besides, he knows she’s here.” That told on him too; I saw it again in the flash away back in his eyes.

“I thought he was unconscious. Chivery told me he would be unconscious for some time.”

“He roused a little, said a few words and then went back to sleep.”

“Said…” he began quickly, checked himself, and then resumed in a more deliberate way. “What did he say?”

“Sorry,” I said. “I’m a nurse. Dr. Chivery reminded me just now of my oath. Florence Nightingale, you know,” I said gently, and watched the purple come up into his cheeks and lips. Too much purple, in fact, in his lips. I couldn’t help making a brief professional note of it.

“Florence Nightingale blazes,” he said. “I’m paying you. I’m his father. What did he say?”

He glared at me and I looked back at him and said, “Sorry. Is that all?” and made a motion toward the door.

“Wait a minute,” he said abruptly when I touched the doorknob. There was a short pause. Somewhere a clock was ticking in a measured way. It was almost dark by then and heavy red curtains had been drawn over the windows and one or two table lamps had been lighted. A cannel coal fire was burning in the hearth below the queerly contemptuous coat of arms; a lump cracked open and sputtered; blue sparks shot upward and Conrad Brent said, “Did he say anything about the accident?” and lifted his light eyes to watch me.

Well, there he had me. In spite of the antagonism Conrad Brent had instantly roused in me, it was clearly my duty to tell someone in authority of the thing Craig had said. So I did.

“He said, well, as a matter of fact, he said this: ‘But that’s murder. Tell Claud.’ And then he said, ‘There’ll be murder done.’ ”

I watched Conrad Brent, and he looked back at me without the slightest change of expression and that was rather odd because he ought to have been, to say the least, a little startled. He ought to have questioned me too; but he didn’t. After a long moment he only shrugged and said, “Delirium. Obviously.”

I said nothing. And Conrad Brent added, “And he did recognize the-the woman?”

I discovered a streak of sadism in my nature and said archly, “Oh, but definitely!”

That affected him as the other hadn’t. He didn’t have a stroke, but it was touch and go for an instant. Then abruptly he crossed to the long, polished desk which stood in the window embrasure. He put his thumb hard upon a bell there and, when after another silence, Beevens opened the door, he sent for Drue.

“Tell Anna to stay with Mr. Craig,” he said. “And bring the other nurse here.”

Beevens said, “Very good, sir,” and vanished.

“I’ve got to go back to my patient…”

He interrupted. “You stay here.”

“But…”

“Anna took care of him till you got here. She can do it for another five minutes.”

He didn’t ask me to sit down, and he didn’t sit down himself. But after a moment of staring down at the desk, he turned and lifted a crystal decanter that stood, with small glasses, on a silver tray. There was brandy in the decanter; it had a rich, golden-brown gleam when the light fell on it and when he had offered me some and I shook my head, he poured some for himself, a generous amount which he drank quickly. I rather felt that he was fortifying himself against the coming interview, which bore out my curious, but thus far unsubstantiated, impression of him.

The library was a warm room, with rich panels which alternated with bookshelves that went to the high ceiling. There were several great, high-backed chairs, upholstered in needlepoint, a long, rather shabby red leather divan, and a rug that, Peter Huber told me later, had been willed to a museum and yet was put down for people to walk upon, which seemed to upset Peter but which struck me as perfectly logical, in that, after all, it was a rug. But he said it ought to have hung on the wall.

Then Drue came. Beevens muttered and closed the door behind her so she was silhouetted sharply against its dark wood, white and slim with her chin held high. Her face was white, too, and her gray eyes quite bright and dark. Conrad Brent put down the glass he still held.

“Why did you come here?” he said heavily.

Drue took a sharp breath. “I was sent here as a nurse.”

Conrad Brent frowned. “No. I’ll tell you why you came. You came because it was my son. You wanted to see him. Well, he does not want to see you. That ought to be clear by now.”

Drue’s face went, if anything, whiter. She said. “I came here to nurse him. He’s sick and he needs me…”

“Not you,” cut in Conrad Brent. “Anybody but you. I tell you he doesn’t want you.”

Drue hesitated. Then she lifted her little chin higher. “I don’t believe that,” she said.

Conrad Brent with a sharp and yet small and controlled gesture of anger lifted the decanter and set it hard and

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